Jazz (SparkNotes Literature Guide)
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Jazz (SparkNotes Literature Guide) - SparkNotes
Jazz
Toni Morrison
© 2003, 2007 by Spark Publishing
This Spark Publishing edition 2014 by SparkNotes LLC, an Affiliate of Barnes & Noble
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (including electronic, mechanical, photocopying, recording, or otherwise) without prior written permission from the publisher.
Sparknotes is a registered trademark of SparkNotes LLC
Spark Publishing
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ISBN-13: 978-1-4114-7595-3
Please submit changes or report errors to www.sparknotes.com/.
10 9 8 7 6 5 4 3 2 1
Contents
Context
Summary
Characters
Character Analysis
Themes, Motifs & Symbols
Section 1
Section 2
Section 3
Section 4
Section 5
Section 6
Section 7
Section 8
Section 9
Section 10
Section 11
Section 12
Section 13
Section 14
Section 15
Important Quotations
Key Facts
Study Questions
Review & Resources
Context
The first African-American to win the Nobel Prize in literature, Toni Morrison is an important figure in literary debates concerning how and why one writes about a specific racial or cultural group. By the middle of the twentieth century, civil rights demonstrations and discussions about racial injustice began to shape literary and academic debates. Writers began to feel that marginalized groups, whether women, blacks, or Hispanics, were not finding their voice in an artistic world erected and maintained by white males. As a key player in the creation of a black literary aesthetic, Morrison has sought, over the course of her literary career, to create an alternative to dominant assumptions about how we read and write about a people. As a member of an oppressed social group and as a woman, Morrison is interested in what it means to be subordinated and made invisible. Her writing is embraced by feminist critics who regard her prose style as distinctively female and who see her work as a continuation of Virginia Woolf's stream-of-consciousness narration.
Morrison was born in the small steel-mill town of Lorain, Ohio on February eighteen, 1931. The second of four children, Morrison was christened Chloe Anthony Wofford
but changed her name to Toni
when she was an undergraduate at university. Her home state of Ohio reflects Morrison's own interest in the hybrid African-American experience as it combines the northern industrial feel of its big cities with a southern atmosphere and rural history. Morrison's family history also mirrors her interest in that her grandparents had migrated to Ohio from the Deep South. Through them, Morrison became familiar with southern black lore.
Morrison received her BA in English from Howard University and went on to get her master's in English at Texas Southern University. Returning to teach at Howard University, Morrison married a Jamaican architect with whom she had two sons. The couple divorced in the mid-sixties and Morrison began a publishing career with Random House, eventually becoming one of their senior editors. She began writing a short story in the late sixties that she was encouraged to expand into a novel. This first novel was called The Bluest Eye and was published in 1970. Since then Morrison has come out with a new novel every couple of years, following The Bluest Eye with Sula(1977), Song of Solomon (1977), Tar Baby (1981), Beloved (1987) and finally Jazz, published in 1992. In the late eighties Morrison began teaching at Princeton University where she continues to write cultural and literary criticism. Her best-known critical piece, entitled, Playing in the Dark: Whiteness and the Literary Imagination,
appeared in 1992. Her one play, Dreaming Emmett, tells the true story of a fourteen-year old black boy who is murdered for allegedly whistling after a white woman. Like her other works, Jazz draws from a specific historical moment, the Harlem Renaissance, and seeks to embody, both in its form and in its themes, the culture and feeling of the era. While Morrison objects to the term magic realism
when applied to her work, novels such as Jazz reflect a distinctive mix of fantasy and reality and a blurring of internal and external worlds. While Morrison has worked towards creating alternative models for African-American fiction she has courted controversy among scholars and readers who object to her endeavors to re-tell a cultural legacy.
Summary
The novel begins in the midst of the love triangle between Violet, Joe and Dorcas. Violet and Joe are unhappily married and living together in an apartment in Harlem when Joe falls in love with a seventeen-year old girl named Dorcas. Joe and Dorcas meet when Joe comes to Dorcas's aunt's house to sell ladies cosmetics, and their affair lasts from October of 1925 to the first of January 1926. Joe talks with Malvonne, an upstairs neighbor, and negotiates the use of her empty apartment so that he and Dorcas can meet there. This arrangement continues for several months and neither Violet nor Alice Manfred, Dorcas's aunt, have any knowledge of the affair.
Although Joe brings Dorcas presents every time they meet, eventually Dorcas begins to get tired of the older man and starts going out with younger boys, attending parties with her best friend Felice, and making up excuses so as not to meet with Joe. When Joe finally confronts Dorcas about this, she cruelly tells him that he makes her sick and that he should not bother her any more. Dorcas prefers the attentions of a popular and good-looking young man named Acton, with whom she dances at a party on New Year's Day. Dorcas knows that Joe has not gotten over her and will come looking for her, so she is only half-surprised when he tracks her down at the party and sees her dancing with Acton. Joe, however, brings a gun and shoots Dorcas in the shoulder. Dorcas tells the alarmed witnesses not to call an ambulance, even though she would survive if she allowed someone to help her, and she consequently bleeds to death. Everyone knows that Joe shot Dorcas and rumor of their affair begins to spread in the community after the young girl's death. Violet appears unexpectedly at Dorcas' open-casket funeral and slashes Dorcas's face with a knife. Several weeks later, she begins to visit Dorcas's mourning aunt, Alice Manfred, and the two women begin to develop a friendship as a result of their shared tragedy. In the spring, Joe mourns Dorcas's death and he and Violet patch things up in their relationship, mediated in part by their new friendship with Dorcas's best friend, Felice.
As the narrator tells the story of Violet, Joe, and Dorcas in Harlem she follows a stream of associations and digressive details to create a complex web of people, places, and stories extending back to the late nineteenth century. Violet grew up in a poor household in Virginia with her mother Rose Dear. Her grandmother, True Belle, came from Baltimore to live with them when Violet's