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Postcolonial Repercussions: On Sound Ontologies and Decolonised Listening
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Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? »Postcolonial Repercussions« explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition.
The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening.
The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening.
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Titles in the series (5)
Sound Studies: Traditionen - Methoden - Desiderate: Eine Einführung Rating: 0 out of 5 stars0 ratingsFunktionale Klänge: Hörbare Daten, klingende Geräte und gestaltete Hörerfahrungen Rating: 0 out of 5 stars0 ratingsDas geschulte Ohr: Eine Kulturgeschichte der Sonifikation Rating: 0 out of 5 stars0 ratingsSoundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage Rating: 0 out of 5 stars0 ratingsPostcolonial Repercussions: On Sound Ontologies and Decolonised Listening Rating: 0 out of 5 stars0 ratings
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Postcolonial Repercussions - Johannes Salim Ismaiel-Wendt
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