Future Music

“I recognised a deeper level of sound we’re not aware of”

Berlin-based sound artist Joseph Kamaru originally began experimenting with field recordings in his home city Nairobi. Releasing music under the moniker KMRU, the inquisitive producer became fascinated by the timbre of redundant physical instruments and other stationary objects that he felt had ‘something to say’ then developed his use of contact microphones to capture environmental sounds with acute precision.

Using Ableton Live and Ableton Push as his primary arrangement and recording tools, KMRU released three albums throughout 2020 – , and . The latter cultivates a rich tapestry of calming atmospheres based on the producer’s personal collection of field recordings combined with effects-laden electronics. Meanwhile, Kamaru’s recent relocation from Nairobi to Berlin has required a period of adjustment – the thrum of

You’re reading a preview, subscribe to read more.

More from Future Music

Future Music2 min read
Audiotent – Infinite Space
> A breathtaking loop landscape of immersive dub techno to explore – the luscious pads and textures will give your goosebumps goosebumps. As the analogue and digital synth riffs and rhythms run through your head. The drums are rich and rewarding, wit
Future Music1 min read
Hardware Grooveboxes
Full Review: FM405 | The K.O.II isn’t the most advanced sampler on the market by any stretch, but there’s a lot of fun to be had within its limitations. Full Review: FM405 The ‘Plus’ builds on the capabilities of the original Play by adding some neat
Future Music1 min read
aya, Lip Flip
Some producers take such a radical approach to sound design that it makes the next thing you listen to – whatever it is – sound just a little dull in comparison. Dripping in detail, aya’s Lip Flip EP is a catalogue of fried and distorted electronics,

Related Books & Audiobooks