Ashes of A Broken Home: A Play
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About this ebook
Though the play is rooted in African background – Nigerian setting and culture, it very much has universal themes people of different cultures and background can understand and relate to.
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Ashes of A Broken Home - Kenechukwu Obi
ASHES OF A BROKEN HOME
A PLAY
BY
KENECHUKWU OBI
CAST
Bala – A carpenter
Ugomma – Bala’s first wife
Hauwa – Bala’s second wife
Sule – a teacher, Bala’s childhood friend
Li
Faku Hauwa’s children
Jelili
Ugo
Ada Ugomma’s children
Chinwe
Sango
Gamblers
Trader
Ugomma’s people Father, Mother, elders of her land with an
Interpreter
Bala’s Neighbours
Native Doctor
Flute player
A Drummer
SCENE ONE
THE STAGE REVEALS NOTHING BUT DARKNESS, IN WHICH SILENCE PREVAILS. THE SOFT THROBS OF A DRUM GRADUALLY COME ON, DIFUSSING THE EARLIER SILENCE, AND CREATES AN EXPECTANT ATMOSPHERE. A VOICE RISES THROUGH THE THROBS AND BELLOWS YES! WE ARE ALL GATHERED! HERE WE ARE TO SEE THIS HOME. HERE WE COME, BALA. ARE YOU THERE?
DRUMMING AND VOICE SUDDENLY FIZZLE AWAY AS SPOTLIGHT ILLUMINATES THE STAGE, REVEALING A TYPICAL MORNING IN BALA’S HOUSE. IT CONSISTS OF A LITTLE ROOM THAT SERVES AS THE SITTING ROOM. IT CONTAINS A MAT AT ITS CENTRE AND TWO WOODEN CHAIRS. THIS SITTING ROOM LEADS INTO TWO OTHER ROOMS, ONE SERVING AS THE KITCHEN AND THE OTHER, BEDROOM FOR BALA AND HIS FAMILY. THE SITTING ROOM ALSO HAS A TABLE BY THE RIGHT, FLANKED ON TWO SIDES BY OTHER TWO WOODEN CHAIRS.
BALA ENTERS THE SITTING ROOM FROM THE BEDROOM WITH A HAMMER ON HIS RIGHT HAND AND A CHISEL ON HIS LEFT. HE YAWNS AND QUICKLY PUTS UP A GRIM FACE.
BALA
Where are these women? My wives! {STARING ROUND THE ROOM} Does this mean I won’t have anything for breakfast, or I do need a ticket to have it? Is this their brand new game? {BALA SITS DOWN AND CALLS ON HIS WIVES} Hauwa! Hauwa! Ugomma! Ugomma! {BOTH WIVES ARE HEARD AS THEY ANSWER FROM WITHIN. UGOMMA FIRST ENTERS THE SITTING ROOM}
UGOMMA
{RESPECTFULLY} Here I am, my husband.
BALA
Yes. Sit down. And where is Hauwa? What is keeping her in there?
UGOMMA
{FEELING UNCONCERNED} I don’t know. {UGOMMA GETS SEATED AS HAUWA ENTERS}.
BALA
{TO HAUWA. THUNDERS) What kept you waiting, woman?
HAUWA
{APPOLOGETICALLY} Sorry, my husband. I was settling a quarrel between two of my children.
BALA
{THUNDERS} Hence forth, my calls must be answered at the speed of light!
HAUWA
Sorry, my husband.
{HAUWA SITS ON THE MAT AND WATCHES BALA WHO QUICKLY CLEARS HIS THROAT AND RESUMES SPEAKING}. {LOOKS IN UGOMMA’S DIRECTION, DROPS HIS TOOLS} Must I ring a bell before I have my breakfast in this house? Here I am, ready for work. Ready to go and make money. But no food to stop the riot of hunger on-going in my stomach. {BALA YAWNS AND TURNS TO HAUWA} {BELLOWS} What is happening? Where is my breakfast? Has the devil operating in both of you commanded that I should be starved? I need quick answers! Is Bala no longer entitled to breakfast in his own house?
HAUWA
No
UGOMMA
It is not so, my husband.
BALA
{CUTS IN} Which one is it? {WARNS} Look! I am sick and completely tired of your… {POINTS AT BOTH HAUWA AND UGOMMA} strategy of silence and few words. I must dig to the foundation of this problem. Or are both of you now waiting for me to start cooking my own meals in this house? {LAUGHS OUT LOUD) You have both failed if that is your plan. That will never work here. Never! Not in my house! I never for one day saw my late father cook for any of his ten wives.
HAUWA
{STARES MISCHEVIOUSLY AT UGOMMA} I thought this wicked woman was to serve you food today. {UGOMMA’S STRUGGLES WITH HER TEMPER AS HAUWA SPEAKS} I do not intend to starve you. It is her fault.
UGOMMA
{SPRINGS UP AND EXPLODES} Whose fault? {TO BALA WHO WATCHES} Don’t mind this lazy thing. {TURNS TO HAUWA AGAIN} You have no