Come On, Death, Let's Hug!: A Play
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Come On, Death, Let's Hug! - Kenechukwu Obi
COME ON, DEATH, LET’S HUG!
A Play
BY
KENECHUKWU OBI
CAST
GARY
DOLLY
NALIAKA
WANGARI
WANGARI’S MOTHER
MOI
ERENG
MIMANO
SIMON
All is quiet, the audience seated, attentive, and focused on the dark stage, which soon gets lit. SCENE ONE. All that is revealed is a room, spacious, contains a bed with two pillows, beside which are a table and a chair. On the table is a Lap-Top computer, a pen, and a notebook. And the floor is littered with paper, all torn and squeezed into ball-shapes. The room has an atmosphere of frustration hanging over it. Then a dancing Gary enters, dancing and singing on top of his voice, the Michael Jackson ‘moon walk’ style.
GARY
[Intensifies his dancing and singing, looking all vivacious] Yeah….. I feel…..so good…… One! Two! Three! Four! Five! One time! I feel…. so good….good… yeah…. One time! One! Two! Three! Four! Five! Yeah……… Come on! Come on! Come on! One time! One! Two! Three! Four! Five! Yeah…… Yeah……. Yeah……. [Gary soon stops, looks around and laughs] My name is Gary, which I can’t deny of course, but add Speed to that, and then I will be forced to acknowledge that first of all, I’ve never been a footballer, let alone play for New Castle United and Bolton Wanderers here in England. I’m not a Welsh man either, neither am I about to manage the Welsh national football team and take my life. Not yet. What’s my problem? First of all, I like to think of myself as a writer now…. And secondly, I have sunk deep into a world in which I deceive myself, after deceiving everybody.
[Gently goes to the chair, sits down, picks up the pen on the table, opens the notebook, gets composed and begins to scribble on the notebook. Frustrated, he soon stops, and moved by anger, he rips off papers from the notebook, screws them up and forcefully throws them on the floor]
[Now furious, springs up, shakes his head in a violent manner and screams] Can someone give me one good reason why I should not take my life now….?
[Dolly, Gary’s wife enters with a saucer on top of which is a cup]
DOLLY
Honestly, Gary, I think our whole neighborhood will be a much better place if you can learn to keep your voice down. It’s just 7AM. I don’t think you realize that. [Now throwing glances around]
GARY
And who cares even one bit?
DOLLY
[Keeps saucer and cup on top of the table] That’s naughty. Here’s your coffee, Gary. I’m off to work. [Turns to leave] What a mess you’ve turned your room into.
GARY
It’s nobody’s business but mine. [Dolly walks away without uttering any further word]
GARY
[Moved by anger again, he runs after Dolly with malicious intent, but suddenly stops, begins to saunter, still furious] I felt like hitting her head on a wall. [Suddenly holds his heads. Screams] No….. Agents of murder! I disobey….. My wife’s blood will not be on my hands…..
[Gary hurries to the chair, sits down quickly, picks up the pen and attempts to write. Not making any headway again, anger suddenly drives him to toss his pen away. Then he does the same to the notebook.]
[Screams] I cannot create a single scene! Let alone believable characters! And the day to deliver a screenplay to my agent is fast approaching! Oh…..who can tell me why I shouldn’t end this miserable thing called my life right now….?
[Gary gets up and begins to walk away as a narrative voice comes alive]
NARRATIVE VOICE
Dolly was a woman whose utterances helped land Gary into big trouble.
If there was anything Gary would forget in his life, it would never be the day he met Dolly at the Soho theatre, in London. He believed he inherited his love for the theatre from his parents who were both stage actors; though his Dad later veered to