An Essay on Colourist Philosophy: And Some Other Philosophical Papers
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Furthermore, i explain Democritus and the soul atoms, and what they mean for colour, and where we comment on the colour atoms. Where we also visit Epicurus and the atomic swerve, and where the atoms swerving are something which God cares, and where he does not always judge their way, and for the atoms are beyond what Jehovah can govern as the God of our world.
furthermore, i have shared dialogues with both Homer and Virgil, and where Pierrot converses with either great poet. Lastly there is a dialogue between my Pierrot and Nietzsche, and where the comment on Lord Buddha, and where they both prefer him than Jesus Christ.
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An Essay on Colourist Philosophy - Marcel Perrot
Copyright © 2022 by Marcel Perrot.
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Contents
An Essay on Colourist Philosophy
Democritus, An Essay
Letters of Epicurus
Letters of Homer
Letters of Virgil
Nietzsche, An Essay
Letters of Friendship
An Essay on Colourist Philosophy
For a colourist enquiry there are no innate ideas
1. We want to know more about the colour of any person or individual, and for this enquiry, the rule says, ideas in general are not innate,
For colour is not innate, and where colour is earnt by way of experience, and where colour is always a posteriori,
2. in a way, another man says, I am German, and where the man is not German, and for the man is not from Germany, and the man does not talk German at all, and in a way, we need to assess whether this is a priori or a posteriori of himself, and where I reckon it was a priori, and for reason which says, German for this man is not a posteriori, for it takes talking in fluent German for it to have an a posteriori way, and in contrast, colour is always a posteriori, for as I say I am half white, where half white is whenever a posteriori,
3. many people of the world, they treat Lord Jesus as an innate way for the mind, and where we agree with Locke, where there are no innate ideas, and as a colourist, what exactly is an a posteriori for religion, and where I take to following Lord Buddha, in a way, it was a posteriori for me to learn for and follow the Lord Buddha, and where I earnt him during life, and in contrast, Jesus was there a priori since early, and where it was a promise by family and friends, and to learn Lord Buddha later on, it was a posteriori, and where I thank God, and where my love is always there, and in the same way, colour for a learning is a posteriori, for I was aged forty three when I took up my own colour,
4. the human ideas of our world, they are either through colour or are through race,
For my idea for the world, it became through colour, and it became through half white and half brown, and in a way, my ideas are through race as well, where my idea became through myself, as an Anglo New Zealander,
5. where my ideas are through colour, and where my reference here to colour is a posteriori, where this idea through colour of my, it was established later on, and where it means it happened through an a posteriori way,
In the same way, Anglo New Zealander was learnt later on in life, and where my own way has always been a posteriori,
For my way, colour and existence is a posteriori, and where I am half white, and in the same way, race and existence is a posteriori,
6. for there are simple propositions, where they are either a posteriori or a priori for way of the world,
Another man says to me, you are Chinese, and where I am not Chinese, and where the proposition is not a posteriori, and where it was a priori for a proposition,
For the word Chinese is not a posteriori for me, and where the word Chinese is somewhere out there in the a priori world,
Primary colour and the five senses
7. through the mirror, is whereI see my own colour of half white, and where I sense the primary colour of my own,
In the same way, I see another man, and he appears as yellow, and where this yellow is primary, for another mans’ colour is primary,
8. here next I hear primary colour? For I hear the black man comment, and here the colour black I hear so well,
For a black music artist is singing a song, and where we hear in a way the colour black,
9. in the same way, I touch the hand of an Indian woman, where I touch the colour brown, and where I am affectionate for herself,
10. I smell this same woman, where I smell the colour brown, and where it smells as primary for a brown,
Here I kiss her, where my tongue touches her tongue, and where I taste the colour brown, and where taste is primary,
11. for the colour of another human, I see where there is a posteriori content, for where I touch this other, I touch the content of colour, and where it was a posteriori to touch himself,
12. here primary colour has a way for all five senses, and where the colour of another has an a posteriori way,
13. for my thinking, I am always thinking of primary colour, where I see a brown man and I think about him, and where I listen what a brown man had to say, and next where I thought about him, and where I wondered,
14. I perceive the primary colour of another, where I see and perceive the black man sitting there at the table,
15. and where I see and perceive my own half white colour, is where I see myself in the mirror,
I make a note, my wonderful complexion which I see, is both primary and in a way is half white,
16. the colour of another man I see, well as well, it is always primary, and whether it black, or brown, or yellow,
17. throughout there is the extension of our world, where I see another within this extension, and where I always see the primary colour of himself,
18. for primary colour, well our enquiry happens in present time, and where we take a note, to say something of either a black man or a brown man,
Secondary colour and the five senses
19. the world which I see, is where it consists as secondary colour, where I see the blue sky, and where this blue is secondary,
For how it works, human individuals are all primary through their skin colour, and the rest of our world, it remains secondary for colour
For the green grass of a meadow, it remains secondary for a green, and where I see the green in a secondary way,
20. for hearing and secondary colour, well I hear the sound of the magpie, and where I hear a black and white which is secondary,
21. for touch of a secondary colour, is where I touch the yellow chair, and where I touch the content of yellow,
22. for smell of secondary colour, is where I smell the yellow flower, and where I smell the a posteriori of something, here the a posteriori of a yellow,
23. for taste of secondary colour, is where I taste the brown chocolate, and where there is taste of the brown sweetness,
24. for secondary colour as a way, there are many thousands of people wearing red shirts,
Where the colour red is secondary for a way and movement, and as they all watch the football match,
25. for our milky way and other galaxies, I see infinite colour, and an infinite which is secondary,
26. for the colour red, I take a note for it as my favourite colour, and whenever I see the colour red, I always notice and for value,
27. there is happiness and enjoyment for secondary colour, and where the yellow sun makes my day happy and wonderful, and where the colour yellow makes me thankful to God,
28. and pain may occur through secondary colour, for where the man is bitten by a black widow spider, well there is pain through the colour black,
29. for our sun as secondary colour, there is always the pleasure of the colour yellow and throughout,
30. for the secondary world throughout the extension, is where there is a variety of secondary colour,
Where I see the blue sky, and where there are white clouds, and where there is a yellow sun,
31. where the secondary colours are all relative to one another, and where blue, white and yellow are relative,
32. for the colour yellow is the way for our world, and where the sun is pleasant, and where it radiates fine yellow heat,
For a colourist enquiry of a human,
33. A black negro man, he was found dead, and where we want to know what caused his death,
Another man has murdered himself, and we ask, we want to know whether the killer was white or black,
It comes out, the murderer was a black man himself, and we ask for an enquiry, we want to know the reason for the murder,
34. where I am a colourist, I study the profile of the black negro man, for I want to know more about him,
35. in the same way, as a colourist, I take on the enquiry of a white man, and where he took on an attitude problem, and where he was offensive, and in this case, I study him, and I refer how the colour white is the cause of all our concern,
36. it will remain various for what may be said, and for both a black man and white man are investigated on colour,
37. here, there is the good and the bad in every group, where some white men are bad in a way, and others are pleasant and worthwhile,
38. for a decent white man says, I follow God and I preach the holy bible, and where he is a pleasant Christian, and here another white man, he is racist, and where colourists take for their notes and forensics,
39. for an enquiry of a man, colour always matters, and where it may refer to white, or where it may refer to black,
40. for the colour black, for an enquiry whenever, it becomes as clear as daylight,
41. for way and enquiry, a colour of a human is always concrete, and where we are humane, and where we are fair,