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Cultural Diversity in Motion: Rethinking Cultural Policy and Performing Arts in an Intercultural Society
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What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Through bridging theory and practice, Özlem Canyürek introduces the concept of ›thinking and acting interculturally‹ and proposes a set of criteria as a stepping stone for a semantic shift in cultural policy towards achieving a fair and accessible performing arts scene for all. She delineates the framework conditions of a receptive cultural policy to envision cultural diversity in motion to enable the production and dissemination of multiplicity of thoughts, experiences, knowledge, worldviews, and aesthetics of an intercultural society.
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Titles in the series (100)
Wie Absenz zur Präsenz entsteht: Botho Strauß inszeniert von Luc Bondy Von der Weltseele zur Über-Marionette: Cechovs Traumtheater als avantgardistische Versuchsanordnung Rating: 0 out of 5 stars0 ratingsDer Schnitt durch den Raum: Atmosphärische Wahrnehmung in und außerhalb von Theaterräumen Rating: 0 out of 5 stars0 ratingsInterkulturelles Theater zu Beginn des 21. Jahrhunderts: Ästhetik - Politik - Postkolonialismus Rating: 0 out of 5 stars0 ratingsParadoxien des Zuschauens: Die Rolle des Publikums im zeitgenössischen Theater Rating: 0 out of 5 stars0 ratingsÖkonomie im Theater der Gegenwart: Ästhetik, Produktion, Institution Rating: 0 out of 5 stars0 ratingsTheater und Schule: Ein Handbuch zur kulturellen Bildung Rating: 0 out of 5 stars0 ratingsAutorenregie: Theater und Texte von Sabine Harbeke, Armin Petras/Fritz Kater, Christoph Schlingensief und René Pollesch Rating: 0 out of 5 stars0 ratingsTheater der Nacktheit: Zum Bedeutungswandel entblößter Körper auf der Bühne seit 1900 Rating: 0 out of 5 stars0 ratingsWalking Artists: Über die Entdeckung des Gehens in den performativen Künsten Rating: 0 out of 5 stars0 ratingsspielend denken: Theaterpädagogische Zugänge zur Dramaturgie des Probens Rating: 0 out of 5 stars0 ratingsTheater als Ort der Utopie: Zur Ästhetik von Ereignis und Präsenz Rating: 0 out of 5 stars0 ratingsDer kollektive Prozess des Theaters: Chorkörper - Probengemeinschaften - theatrale Kreativität Rating: 0 out of 5 stars0 ratingsSchauspieler außer sich: Exponiertheit und performative Kunst. Eine feminine Recherche Rating: 0 out of 5 stars0 ratingsTheater und Fiktion: Spielräume des Fiktiven in Inszenierungen der Gegenwart Rating: 0 out of 5 stars0 ratingsSchauspielen heute: Die Bildung des Menschen in den performativen Künsten Rating: 0 out of 5 stars0 ratingsTragödie als Bühnenform: Einar Schleefs Chor-Theater Rating: 0 out of 5 stars0 ratingsZwischen den Kulturen - zwischen den Künsten: Medial-hybride Theaterinszenierungen in Québec Rating: 0 out of 5 stars0 ratingsDas Trauerspiel-Buch: Der Souverän - das Trauerspiel - Konstellationen - Ruinen Rating: 0 out of 5 stars0 ratingsStop Teaching!: Neue Theaterformen mit Kindern und Jugendlichen Rating: 0 out of 5 stars0 ratingsDas Drama nach dem Drama: Verwandlungen dramatischer Formen in Deutschland seit 1945 Rating: 0 out of 5 stars0 ratingsHandel, Handlung, Verhandlung: Theater und Ökonomie in der Frühen Neuzeit in Spanien Rating: 0 out of 5 stars0 ratingsSpielräume des Anderen: Geschlecht und Alterität im postdramatischen Theater Rating: 0 out of 5 stars0 ratingsMythos Tragödie: Zur Aktualität und Geschichte einer theatralen Wirkungsweise Rating: 0 out of 5 stars0 ratingsTheater der Identität: Das Brünner deutsche Theater der Zwischenkriegszeit Rating: 0 out of 5 stars0 ratingsTheaterfestivals: Geschichte und Kritik eines kulturellen Organisationsmodells Rating: 0 out of 5 stars0 ratingsInternetauftritte: Eine Theatergeschichte der neuen Medien Rating: 0 out of 5 stars0 ratingsTheater und Subjektkonstitution: Theatrale Praktiken zwischen Affirmation und Subversion Rating: 0 out of 5 stars0 ratings
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