Essential Guide to Drawing: Portraits
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About this ebook
Capturing a likeness of another human being is one of the greatest and most enjoyable challenges for artists. In this guide, author and artist Barrington Barber provides an accessible introduction to portrait drawing, backed up by step-by-step demonstrations and inspiring examples. Starting with the proportions of the head and how to measure it accurately, you will learn to closely observe your sitter's features and build up a convincing likeness.
ABOUT THE SERIES: The Essential Guides to Drawing are practical books for artists who wish to improve their skills in a particular subject area. The series covers Animals, Landscapes, Perspective & Composition, Portraits, Still Life and Landscapes.
Barrington Barber
Born 1934, Barrington was educated at Hampton Grammar School and later Twickenham Art Schoo for which he received a National Diploma of Design. He then practised as an illustrator (Saxon Artist) and Graphic Designer, was Art Director at Ogilvie & Mather and S.H. Bensons, and was a lecturer in Graphic Design at Ealing Art School. Other credits include freelance work, designer, illustrator, animator and painter at Augustine Studios. He was awarded a one man exhibition in 2000 at St. Oswald Studios, and also exhibited in Putney in 2003 and Cork Street in 2004. He was Head of Art at St James's Independent Schools. He now paints, draws, writes about art, and enjoys sports, walking, philosophy and meditation.
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Reviews for Essential Guide to Drawing
2 ratings1 review
- Rating: 3 out of 5 stars3/5This is a very short but also very practical introduction to perspective in drawing. It takes us through the basics and ends up with a few examples of works by skilled artists. Not enough there for me to want to keep the book so I'm donating to charity. I give it three stars.
Book preview
Essential Guide to Drawing - Barrington Barber
Materials
Any medium is valid for drawing portraits and I have shown a range of possibilities here and later in the book. The suitability of what you choose depends on what you are trying to achieve. You probably don’t need to buy all the items listed below, and it is wise to experiment gradually. Start with the range of pencils suggested, and when you feel you would like to try something different, do so. For paper, I suggest starting with a medium-weight cartridge paper.
Pencils HB B 2B 4B
Conté charcoal pencil
White carbon pencil
Graphite pencils
Fine line pen
Fine nib push pen
White chalk
Conté stick
Willow charcoal
No 5 sable brush
No 2 nylon brush
Scraper-board tool
Clutch pencil with silver wire point
Drawing ink
Proportions of the Head
Here we look at some of the classic rules of drawing portraits: the proportions of the human head. These are useful guidelines for any artist, and learning them will help to inform your drawings and make them more accurate.
Profile view
This view of the head can be seen proportionately as a square which encompasses the whole head. When this square is divided across the diagonal, it can be seen immediately that the mass of the hair area is in the top part of the diagonal and takes up almost all the space, except for the ears.
When the square is divided in half horizontally it is also clear that the eyes are halfway down the length of the head. Where the horizontal halfway line meets the diagonal halfway line is the centre of the square. The ears appear to be at this centre point, but just behind the vertical centre line.
A line level with the eyebrow also marks the top edge of the ear. The bottom edge of the ear is level with the end of the nose, which is halfway between the eyebrow and the chin. The bottom edge of the lower lip is about halfway between the end of the nose and the chin.
While these measurements aren’t exact, they are fairly accurate and will hold good for most people’s heads.