Getting Back or into Ink Pen Drawing Two

By Jeffrey Otterson

This book, Getting Back or Into Ink Pen Drawing Two is a continuation from my first Ink Pen Drawing book. Though it isnt exactly in certain terms, it is a little difficult so Im not going to define. I did use a fair amount of abstract subject and related too realistic to show some drawing ideas and techniques to make or form a picture. For some the subject wasnt of importance, the technique and colors used were. The working order of the applying and presenting on paper visual ideas. Color relationships even though I kept them simple, a intent of mine, due in part to me just re-establishing with ink drawing. And I am putting a color relation repertoire together to have a foundation to work from for future Art pictures. Youll notice I went from one thing to another, so in more a other less for some degree. This book has different reasons and many arent that explained in writing while some are. I made sure there is decent reason for the pictures I drew and for them to be at or near certain subject for technique and color, though some werent from intention. I couldnt have put this book together without my first book, even if I didnt exactly peer it down for ideas, etc. In art I think things or items are led to another from subject parts of the past that are on paper, etc - by a same kind person. So I dont waste time with much of non useful interest. - They usually have some items for a new project sometime in the future. Usually I try to keep them close unless I deviate too far into something, these I set aside for another time if it is still an interest.

• Language: English
• Publisher: Xlibris US
• Release date: Dec 29, 2007
• ISBN: 9781503576711

Book preview

Copyright © 2007 by Jeffrey Otterson. 30840-OTTE

Library of Congress Control Number:    2007902935

ISBN:    Softcover    978-1-4257-6034-2

               ebook         9781503576711

All rights reserved. No part of this book may be reproduced or transmitted in any form or

by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission

in writing from the copyright owner.

Layout Designer: Jerome Cuyos

Xlibris Corporation

1-888-795-4274

www.Xlibris.com

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4, 27, 06 Is now

complete with only a minute amount to do or touch up. It is a lot similar with the past leaf and branch drawing. - And it wasn’t made to be a twin, pair or near. On this one all the branches were drawn in a single one at a time from the bottom base + inked in and or marked to or near completion. Then I worked on another branch, theirs 3 types, oak, a oak type or near, a brown birch. The birch is the narrowest or thinnest. I didn’t have much of a color theme idea at the start, so I was working colors that I knew would be in the picture. - Brown, green, yellow, black, etc. Basically I started working the branches first, from the right extreme to left. - The ones that don’t seem to fit this arrangement went 1st, the mid center with yellow dominant + the narrow birch twig or sprig passing left to right, that 1 was drawn next. So it was all branch twigs or sprigs 1st. then the leafs that were drawn to or near complete before working the next, that for this picture I didn’t have much of a color idea on. - Except I wanted some differences and not too much a statement. - More a blending that wouldn’t be too much a same. The drawing technique the same as the previous work. - Every item in penciled-black graphite in 1st, pen inked in, let dry, - mostly at or near 30 minutes, some more. - Then erased with care once, - some twice. Looked over + decided on another layer of graphite black or a ink color. It is sort of a slow work process and a toxic mixed with lead graphite to a questionable extent. Twenty hours.

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5, 1, 06 Is a pencil outlined in using a common household object or item as a main stencil. When I relied or was using the stencil shape too much I quit and used a 45 degree plastic triangle to complete or change the shape. The complete outlining was made 5 to 6 weeks ago or so and set aside. I recently worked it starting by outlining the complete work in with a Micron pen that was starting to dry or run out of ink. I didn’t want the outline too dark so I used the or that pen. - It made a stagnant line that held a more similar same. Their was originally - and is or isn’t in accordance to ones views or viewing 16, 17, or 18 parts - not quite sure + I’m not going to recount. - Now some could say their is 43 and their not divided or defined by a new black pen line, only pencil - that in this picture is meant to be invisible, even though it might not be the case. Is mostly a solid color piece - the whole. The quality of the parts, - their color is the or one main factor - their near relationships is another. Their are 20 pens used, 2 grays, a black for the 2 black parts, 2 pinks for the 4 and not too blended to form one or another. One red, 3 browns for the 4 browns, though one appears more mauve green. 3 greens - all different type pens and manufacturer. 2 oranges, one a Sanford and another a Staedtler. These two are not a non