Beasts of Prey

By Hymie Hitler

The book is comprised of unstructured free verse. Beasts of Prey was written, in less than year. The title was borrowed from Jack London's The Call of the Wild. He has been looking foward to selling more artful efforts.

• Language: English
• Publisher: Xlibris US
• Release date: Oct 31, 2012
• ISBN: 9781479729654

Hymie Hitler

Shearerology was a biography of Norma Shearer, Stephen Kiss plans on releasing, in the next few years. Stephen Kiss was in an altercation with a bat and board, after he came up with the world's biggest bat named Niggerface, in the second official Norma Shearer novel Herstory. His monster Mickey King Kong was more than a googolplex foot tall and much, much more than infinity feet tall, an endless monster, too, as well. Stephen Kiss was shot, once, stabbed, hit in the head with a baton, hit in the head with a beer bottle, and other things, before being completely reformed after becoming a rap sheet. His big bangs and explosive amplifications are matters of astronomy, which explain unknown matters of space. He discovered a surplus of more than one big bang. Explosive amplifications are more theoretical, paradoxically. 666 Magnum is a novel, he's going to release, eventually, which is about the world's biggest gun or weapon. He's writing 666 Magnum under the nom de plume: Clint Nicholson. This nom de plume was based on Clint Eastwood and Jack Nicholson. Jeerer is a novel he did under: Jim Bronson. Jim Bronson was a nom de plume based on Joseph Conrad's Lord Jim and Charles Bronson. Herbert Kipps Titus Oates was the nom de plume he used for Outer Zone, which was based on H.G. Wells, Leslie Stephens, Rod Serling, Titus Oates, and Joyce Carol Oates. Invisible Puppet was a short story he will release, eventually. Clive Fish was based on Clive Barker and Albert Fish. Clive Fish was his nom de plume for Invisible Werewolf. Invisible Werewolf was a story about the biggest werewolf, which was invisible, partly. Big Monster was his novel about Big Ed, which was written under Rudyard Siodmak, which was based on Rudyard Kipling and Kurt Siodmak. J.R.R.R.R. Tolystoy was the nom de plume he used to write War and Peace Three, a concoction of J.B. Watson and Leo Tolstoy. J.R.R.R. Faulkner was a combination of John Steinbeck, John Dos Pasos, and William Faulkner for the novel: Citizen Pinhead. For barely several years, he has worked on his memoir, a borrowed title of Herman Melville, which was borrowed from the first novel, of Herman Melville, Typee, and this memoir was entitled Rage and Pain.

Book preview

SPIDERLAND AND FLYLAND

In Ptolemyan, Chomsky-esque

Limboland,

near Chomskyesque

Spiderland

and Ishiro Honda-esque or

Honda-esque Flyland, I, Flyzilla, read

in a Kubrickesque, Chaplinesque bathroom stall, in

Doughnut King, next to

Doughnutland, Burgerland, Burgerworld,

Absolutely Burger, Mr. Burger, Book King,

Book Shack, Movie Shack,

Movie King, Video Shack, Computer King, Radioland,

Radioserve, Radio King,

Radioworld, Mr. Radio, Radioman, Radiozilla,

and Computer Shack: Skinnerism and Waldenism

became superpopular and supermaniacal. The

blaphemous Spiderzilla, Hell Woman, or Hell

Girl resented the Lord

of the Flies, who resented Raymond Burr-esque Rawland and

Raymond Burr-esque Eraserland, bludgeoning

stolidness and Ex-Wifesque,

Frankensteinesque Robbie

the Blob Slayer,

The next line I read was: Hey, The Divorceeism or Divorceeism, of

Howard Hawkes and Howard Hawkes-esque

Raymond Burr

was the more pivotal quagmire of the goldesque, Grand Guignolesque,

Ursula Parrottesque,

Norma Sheareresque, Ex-Wifean, and

Ex-Wifeian

Normaworld, an

antiabsolutely superinvincible

King of ’Em, for he was a jolly

good antiabsolute guinea

junkie, who nobody

could deny Monroeism, Ex-Wifism,

Ex-Wifesianism,

or Ex-Wifeism of, the King of

Antiabsoluteness. I was reading the

comic book: Wonder Girl,

Wonder Boy, Wonder Mouse,

Wonder Dog, and Wonder Cat..

Hey,

Doughnutworld and Planetland,

Stoker-esque Norma Shearer

was here, avoiding snorting Raylene’s

Hispanic kike lips, of superabsoluteness. Niggers wanted

to entrap WASPs, and force them to act

entirely goaded, barely knowing it, and

being a worse superpatience, after being

forced to be Excalibur-devouring Sandfleas, submerged in

quasi-Christlike Couplandland

and Trillionairevania. Norma Sheareresque

Doughnut King

had been a Ptolemy-esque, Hubblesque,

Stalinesque, Lewis-esque,

Lawrencesque, millionairesque,

billionairesque, and superior

cure of wops and kikes’

quasi-absolute puppets, who were

less popular than the wereleech, weresandflea,

werefluke, or wereflea—

in England—smudgily!—

Genetics, menticides, Englands,

Frances, and

lie detection guaranteed Norma Sheareresque, Jill

Sheareresque, Moira

Sheareresque,

and Neve Campbellesque

WASPs rights, of Willis O’Brien-esque or

O’Brien-esque Waspophobia. Darryl Strawberry-esque,

Mike Tyson-esque WASPs rights

breathed without a Hymie or guinea, entrapping

them—and strangling them, hating the superior, wonderful,

Trillionairevanian, planet-stricken, 2050’s band:

Sarah Bernharts, which became

Norma Shearers, ex

post facto.

Ray Harryhausen-esque creatures were

the ultimate best, a regular Wizardland or Knightland.

A MONEYHEAD

Hackneyedly and unhackneyedly, I frowned on

hackneyedness,

unhackneyedness, and self-apparent, various

jukies, such as: Goetheheads,

Mare’s-tailheads, pussyheads, penisheads,

mathheads, paintingheads, sketchheads, moneyheads, sculptureheads,

easelheads, paletteheads, caviarheads, escargotheads,

chickenheads,