Queen Elizabeth Tudor: A Play in Four Acts
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About this ebook
Queen Elizabeth is perhaps the most legendary and celebrated ruler in English history. Yet do you really know her as well as you think you do?
In this exciting and romantic stage drama you explore Elizabeth’s path from “Lady Elizabeth” to “Gloriana” through the lens of her relationship with Robert Dudley, a relationship far more contentious than most people believe. Politics and religion collide, provoking Elizabeth to console herself with her music, and a hard decision lays before her as plots against her life threatens her throne.
Production notes include detailed timeline and bibliography from the original biography.
Laurel A. Rockefeller
Born, raised, and educated in Lincoln, Nebraska USA Laurel A. Rockefeller’s passion for animals comes through in everything she writes. First self-published in 2012 as social science fiction author (the Peers of Beinan series), Laurel has expanded her work into the animal care/guide, history, historical fiction, and biography genres.Find Laurel’s books in digital, paperback, and hardcover in your choice of up to ten languages, including Welsh, Chinese, and Dutch. Audio editions are published in all four available languages for audible: English, French, Spanish, and German.Besides advocating for animals and related environmental causes, Laurel A. Rockefeller is a passionate educator dedicated to improving history literacy worldwide, especially as it relates to women’s accomplishments. In her spare time, Laurel enjoys spending time with her cockatiels, travelling to historic places, and watching classic motion pictures and classic television series.
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Queen Elizabeth Tudor - Laurel A. Rockefeller
Queen Elizabeth Tudor
A Play in Four Acts
By Laurel A. Rockefeller
© 2021 by Laurel A. Rockefeller
Email: peersofbeinan@gmail.com
Table of Contents
Prologue
Act I
Scene I
Scene II
Scene III
Scene IV
Act II
Scene I
Scene II
Scene III
Scene IV
Act III
Scene I
Scene II
Scene III
Scene IV
Scene V
Scene VI
Scene VII
Act IV
Scene I
Scene II
Scene III
Scene IV
Production Notes
Character Descriptions
Characters by Scene
Settings
Timeline
Song Lyrics
Bibliography
Prologue
1635. Deck of The Abigail docked in Portsmouth. ABIGAIL CREW works noisily to prepare the ship for departure for its long trip to Massachusetts Bay colony. EDWARD DRINKER looks down towards the water nervously. Timidly, he pulls a soprano recorder out from a coat pocket and starts to play a dance tune. ELIZABETH EPPS ENTERS from a lower deck and listens to the music contently.
ELIZABETH EPPS
(walking up to Edward)
I like that. You play well!
EDWARD DRINKER
Not as well as I sing.
ELIZABETH EPPS
Do you sing in church?
EDWARD DRINKER
No, no of course not. Why would I sing in church?
ELIZABETH EPPS
Because it is a great way to glorify God! I love to sing ‘Dona Nobis Pacem.’ Do you know that one? It is just that same Latin phrase over and over again in the most beautiful melody.
EDWARD DRINKER
I do not think I know that one; my family and I don’t believe in popery or anything resembling that. We certainly do not feel the king is the head of God’s church. In fact we believe that God is capable of speaking to everyone; we do not need anyone to tell us what God says or interpret the Bible for us. So no, I do not know that song. I hope I do not offend you with that. A lot of people get really angry about it; they think we are against the king and his authority.
ELIZABETH EPPS
I think a lot of people are against the king now. I heard we’ve been without a parliament for six years! The king taxes without the content of anyone. And of course he married that catholic Henrietta Maria of France! He thinks he is god on Earth! What ever happened to traditional English liberty?
EDWARD DRINKER
King Charles is not the first ruler in England to believe the king is accountable to no one but God. As a matter of fact, all the rulers of the Tudor dynasty were like that: Henry the Seventh, Henry the Eighth, Edward the Sixth, Queen Mary, and of course Queen Elizabeth whose memory remains golden and ever bright in our hearts. And then of course there was King James I and VI of Scotland. I know many people really love him for commissioning the Bible that bears his name, but in truth he really was a bad ruler who saw himself above the law. He could have helped England and Scotland heal from centuries of warfare and hate; he chose not to.
ELIZABETH EPPS
From what I hear, the transition from two separate countries into one has not been easy.
EDWARD DRINKER
Not easy at all. Not just because we used to be England and Scotland and now are one Great Britain; there is a lot more to that. As a matter of fact the complex relationship between England and Scotland is responsible for some of the most dramatic events of Queen Elizabeth’s reign through which we came into the golden age known today as ‘Gloriana.’
ELIZABETH EPPS
Will you tell me the story?
EDWARD DRINKER
I would be delighted!
(END OF SCENE)
Act I: Lady Elizabeth
Act I, Scene I
1540. Hatfield Palace. Summer. Morning. YOUNG ELIZABETH ENTERS stage left into a sunny room filled with windows singing and playing her lute. As she wanders around the stage caught up in her music, YOUNG ROBERT ENTERS stage right and sits on a padded bench near one window.
YOUNG ELIZABETH
SUMMER IS A-COMING IN; LOUDLY SING CUCKOO. GROWETH SEED AND BLOWETH MEAD AND SPRINGS THE WOOD ANEW. SING CUCKOO! EWE BLEATETH AFTER LAMB. CALF LOWETH AFTER COW, BULLOCK STARTETH, BUCK FARTETH. MERRY SING CUCKOO! CUCKOO, CUCKOO! WELL SINGEST THOU CUCKOO. NOR CEASE THOU NEVER NOW!
(stopping and noticing Robert)
Who are you?
YOUNG ROBERT
(rising and bowing to her)
Robert, Robert Dudley, at your highness’ service!
YOUNG ELIZABETH
(curtsies politely)
It is a pleasure to meet you Robert. Are you here to learn with me?
YOUNG ROBERT
Yes.
YOUNG ELIZABETH
(in fluent Latin)
Quid libenter discit?
YOUNG ROBERT
(struggling)
Mathematica Astronomia.
YOUNG ELIZABETH
(showing off)
Et transferre non placet in Anglicam Latina sumus?
YOUNG ROBERT
No! Wow, you are good at that! How old are you?
YOUNG ELIZABETH
Seven.
YOUNG ROBERT
I am eight years old.
YOUNG ELIZABETH
Why don’t you like translating back