Study Guide to Franny and Zooey and Nine Stories by J.D. Salinger
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Study Guide to Franny and Zooey and Nine Stories by J.D. Salinger - Intelligent Education
INTRODUCTION TO J. D. SALINGER
J. D. Salinger (Jerome David Salinger) was born in New York City in 1919 to Sol and Miriam Jillich Salinger (his father was Jewish; his mother, Scotch Irish). He has a sister Doris 8 years his senior. He attended public schools on Manhattan’s upper West Side, the private McBurney School in Manhattan, and then Valley Forge Military Academy in Pennsylvania, from which he graduated in 1936. His college experience was brief: a summer session at New York University, a short-story writing class at Columbia University taught by Whit Burnett, co-editor of Story, and a short period at Ursinus College in Pennsylvania.
Uninterested in joining his father’s meat importing business, he was writing fiction at least by the time he was twenty (his first published story is dated 1940). Of further biographical note is his military service during World War II, including counter-intelligence training in Devonshire, England (the setting for part of For Esme-with Love and Squalor
); he also participated in D-Day beach landings and European campaigns. During the post-war period he has lived, in addition to New York, in Tarry-town, N.Y.; Westport, Conn. and Cornish, N.H.
In 1955 he married Claire Douglas; they have a daughter and a son.
Salinger is noted for what has been called a reverse exhibitionism,
that is, a determination to keep his life private. If he is a recluse, however it seems to have become so by a more gradual process than is usually pointed out (he was, after all, in this teen years, an active student at Valley Forge prep school, participating in several clubs, the dramatic organization, and in the preparation of the academy yearbook as literary editor). Withdrawal may have been the result of disenchantment perhaps with the irritant, nuisance element success can bring, as well as a general seeking after a peaceful existence which was not uncommon to young men who survived the grim years of actual involvement in World War II. In 1950, for example, he was not above visiting (while living at Tarrytown, N. Y.) a short-story class at Sarah Lawrence College, although he remarked afterwards, I enjoyed the day, but it isn’t something I’d ever want to do again.
Since then he has turned down invitations for public appearances (such as participation in the various writers’ conferences which are run regularly in the United States and abroad).
In Cornish, N. H., where he has lived since the fervor of publicity over The Catcher in the Rye, he seems to have stressed in nuisance values
of success, by putting a high fence around his house. Since this is the case, it seems a wise policy to follow the lead of one of Salinger’s more scrupulous critics (Warren French) who admits in the preface to his book about the author (J. D. Salinger): I bear no news about Salinger himself-I would consider it impertinent to invade his cherished privacy.
BACKGROUND AND PUBLICATION OF NINE STORIES
By 1941, when he was 22, Salinger was publishing in well-paying magazines such as Collier’s and Esquire, and he continued to write during World War II. But it was in 1948 that he began to find real recognition, with the publication of three stories which later were to appear in the collection, Nine Stories: A Perfect Day for Bananafish,
Uncle Wiggily in Connecticut,
and Just Before the War with the Eskimos,
all appearing in the New Yorker, certainly a prestigious sign. In 1949 and 1950 three more stories from his collection were published - The Laughing Man,
Down at the Dinghy,
and For Esme -with Love and Squalor.
The collection itself, of course, was not issued until 1953, since when it has enjoyed lasting popularity without ever reaching the top-selling levels. (The story Uncle Wiggily in Connecticut,
titled My Foolish Heart, was turned into a movie by Samuel Goldwyn studios with Susan Hayward and Dana Andrews. It was a distorted version which Salinger disapproved of highly, a factor which has probably contributed to urge his continuing refusal to allow further screen or television productions of