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Connect Graphic Design and Print
Connect Graphic Design and Print
Connect Graphic Design and Print
Ebook104 pages46 minutes

Connect Graphic Design and Print

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About this ebook

The ultimate tool for saving time and money and maintaining design consistency. This edition bridges the gap between design and print. Although it has a focus on designers, the points, scenarios, and tips it covers are extremely valuable for anyone who has to access to, buy or approve artwork. Use this book to boost your knowledge as a print buyer or approver. It's a great personal assistant that helps with decision making for artwork received. Keep a copy as a tool to allow you to enter the lucrative field of label and package design with confidence

LanguageEnglish
Publisherscribsalots
Release dateApr 11, 2021
ISBN9781838370336
Connect Graphic Design and Print

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    Book preview

    Connect Graphic Design and Print - Anthony Baptiste

    Connect

    graphic design

    and print

    Connect

    graphic design

    and print

    The ultimate tool for saving time and money for Packaging / Label Designers, Business Start-up, Packaging Technologist, Artwork Approvers and Print Buyers

    Anthony Baptiste

    Twitter: @thegraphicarc

    www.thegraphicarc.com

    © 2021 Anthony Baptiste

    All Rights reserved

    No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the author or publisher, except by reviewers, who may quote brief passages in a review.

    ISBN 978-1-8383703-3-6

    www.Thegraphicarc.com

    Author Bio

    In an almost 30-year career, Anthony has been involved in the commercial print industry—from high-value international wine and spirits label stock to the dizzying world of fast-moving consumer goods (FMCG) packaging of key multinational players. He has worked on print presses, made printing plates, and worked in pre-press (repro). He has worked predominately in flexographic printing but also has involvement in screen, digital, and offset print. The list of substrates he has worked with includes paper, plastic, card, metallise film/paper and rubber. His knowledge covers not only the back-end of printing but also the front office in order processing, works quotations and sales executive. His experience spans both sides of the Atlantic Ocean and four printers, producing work sold in more than thirty-seven countries.

    Table of Contents

    A personal forward

    The aims of this handbook:

    What will you gain from using this handbook?:

    Key questions for your printer:

    When can I set my print date?

    What is your minimum order quantity?

    Do you have the base stock material or similar in stock?

    What is the maximum number of colours you can print?

    What special effects do you offer?

    What core sizes can you supply?

    Key questions for your commercial packer and or labelling company:

    What finished sizes can you use in your process?

    Can you meet my packing and delivery date?

    Do you provide an overprinting service?

    Will your label stick to and stay my product?

    Key questions for your graphic designer:

    Do you have experience creating packaging or labels?

    How deep is your knowledge of legal information on pack / label

    Is there access to a colour-accurate printed proof?

    Can you supply industry-compatible file formats?

    Commercial print basics:

    A guide for graphic designers and the rest of us

    The critical importance of understanding flexographic printing:

    The basic flexographic (print) process:

    Flexographic machine types:

    Print results / colours working together:

    Understanding flexo plates and print outcomes:

    Print that touches the boundary of the design:

    Labels: So what if this were a butt-cut label?

    Labels: So what if this were a die-cut label?

    Flexible plastic packaging: Plastic bags by nature are butt cuts

    Repeatability of the design: Sealing the bag

    Reverse text: On single colour areas

    Reverse text: Across multiple colour areas

    So, why does screen colour change to dots or not?

    Colour wars:

    How design impacts production cost:

    Strip lamination:

    Common design situations:

    How to save the print day and retain control of the design

    Barcode size and placement:

    Colour modes:

    Ink Colours:

    Importance of white ink:

    Combining large solid print with small text:

    File supply:

    Gradients to white:

    Image resolutions:

    Metallic substrate:

    New flashes:

    Overprint areas:

    Substrates

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