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The Fore-Arm Rotation Principle in Piano Forte Playing - Its Application and Mastery
The Fore-Arm Rotation Principle in Piano Forte Playing - Its Application and Mastery
The Fore-Arm Rotation Principle in Piano Forte Playing - Its Application and Mastery
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The Fore-Arm Rotation Principle in Piano Forte Playing - Its Application and Mastery

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First published in 1911, this vintage book contains a complete guide to learning and mastering fore-arm rotation for piano playing, by Tobias Matthay. Forearm rotation is the movement your arm makes when you turn your hand from palm down to palm up in front of your body. It is a fundamental technique of piano playing that needs to be learnt and understood, which Matthay helps the piano learner to do in this timeless volume with the aid of simple explanations and useful diagrams. Tobias Augustus Matthay (1858 – 1945) was an English pianist, composer, and teacher. He was taught composition while at the Royal Academy of Music by Arthur Sullivan and Sir William Sterndale Bennett, and he was instructed in the piano by William Dorrell and Walter Macfarren. This timeless handbook will be of considerable utility to piano teachers and students alike, and it would make for a worthy addition to allied collections. Other notable works by this author include: “The Act Of Touch In All Its Diversity” (1903), “The First Principles of Pianoforte Playing (1905)” and “Relaxation Studies” (1908). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
LanguageEnglish
Release dateJul 14, 2020
ISBN9781528766906
The Fore-Arm Rotation Principle in Piano Forte Playing - Its Application and Mastery

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    Book preview

    The Fore-Arm Rotation Principle in Piano Forte Playing - Its Application and Mastery - Tobias Matthay

    THE

    FORE-ARM ROTATION PRINCIPLE

    IN PIANOFORTE PLAYING

    ITS APPLICATION AND MASTERY

    BY

    TOBIAS MATTHAY

    (Professor, Lecturer and Fellow of the Royal Academy of Music, and Founder of the Tobias Matthay Pianoforte School, London, etc.)

    Copyright © 2017 Read Books Ltd.

    This book is copyright and may not be

    reproduced or copied in any way without

    the express permission of the publisher in writing

    British Library Cataloguing-in-Publication Data

    A catalogue record for this book is available from the

    British Library

    Contents

    Tobias Matthay

    Foreword

    The Fore-Arm Rotation Principle

    Appendix

    Tobias Matthay

    Tobias Augustus Matthay was born on 19th February 1858, in Clapham, Surrey, England. He was an English pianist, teacher and composer.

    Matthay's parents originally came from northern Germany and eventually became naturalised British subjects. He studied composition at the 'Royal Academy of Music’ (London) under Sir William Sterndale Bennett and Arthur Sullivan, and piano with William Dorrell and Walter Macfarren. Matthay served as a sub-professor there from 1876 to 1880, and became an assistant professor of pianoforte in 1880, before being promoted to professor in 1884.

    Alongside Frederick Corder and John Blackwood McEwen (both composers and music teachers), he founded the Society of British Composers in 1905. This organisation was established with the aim of protecting the interests of British composers and to provide publication, promotion and performance opportunities. It was disbanded thirteen years later, in 1918. Matthay remained at the Royal Academy of Music until 1925, when he was forced to resign because McEwen – his former student who was then the Academy's Principal – publicly attacked his teaching.

    In 1903, after over a decade of observation, analysis, and experimentation, Matthay published The Act of Touch, an encyclopaedic volume that influenced piano pedagogy throughout the English-speaking world. So many students were soon in quest

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