Chewing the Cud
By Henry Brewis
()
About this ebook
Henry Brewis
Born near Alnwick, Northumberland in 1932, Henry Brewis was one of a clan of farmers in the area. He spent much of his life running a mixed arable and livestock farm at Hartburn, near Morpeth, Northumberland. In the 1970s he began drawing cartoons and writing regularly for farming magazines, including the West Cumberland Farmers Journal, regional NFU journals and Livestock Farming. Booklets of his collected pieces were immensely popular. Farming Press issued the first of Henry's full collections of cartoons in 1983. Funnywayt'mekalivin' was the star attraction of that year's Smithfield Show when Henry signed copies on the Farming Press stand. Henry sold his farm on a lease-back arrangement and began to devote more time to writing and drawing. A small industry grew up around him, with Christmas cards, licensed prints, statuettes, decorated beer mugs, tee-shirts and audio-tapes. He was also in demand as an after-dinner speaker. In his youth Henry had been a keen cricketer, fielding at silly mid-off, and despite many years of illness he continued to enjoy sport, particularly golf. Henry died in 2000 leaving three children and two grandchildren.
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Chewing the Cud - Henry Brewis
Rhyme and Reason
I can’t write clever verses like the modern poets do
that seldom rhyme and hide the reason as it tries to struggle through
perhaps I’m blind perhaps they play a game I wouldn’t dare
but what of Edward Lear and Rupert Brooke and Walter de la Mare?
their’s were simple poems learned unwillingly at school
pussy cats in pea-green boats, rhymed gently to a rhyming rule
‘slowly silently now the moon, breathless on the windy hill’
metres meanings memories that linger gladly still
there was a certain music then, it danced upon the page
with steps we knew by heart and trip so lightly yet in dim old age
now some of us at least may hardly have the notion or the time
to go in search of reason where there isn’t any rhyme
go back go back go further back and sit at mother’s knee
when Mary had a little lamb and Bobby Shaftoe went to sea
when black sheep gave their wool away and Jack ate Christmas pie
… fresh flowers kept since childhood days
… is rhyme the reason why …?
‘… do y’ think we should ask them t’ come in, Willie, – it seems cruel t’ leave them out there on a day like this …’
Lament of a Farmer’s wife
Why don’t you speak in the morning
y’ miserable crotchety bloke
this can’t be the may to start off the day
– are y’ frightened you’d choke if you spoke …
you’re not worth a damn in the morning
occasional grunt or a cough
and we sit there waitin’ while you eat your bacon
– we might as well just wander off …
‘don’t expect y’ to sing in the morning
or quote from the Latin or Greek
but perhaps we’d be stirred by the odd civil word
– is it too much to ask you to speak …
well you talk to the dog in the morning
and y’ blather away to yourself
even a row with a bloody dead yow
– while we sit like a mug on the shelf …
you can talk on the phone in the morning
you always sound cheerful enough
but y’ sit like a ghost when you’re munching your toast
– in some deep agricultural huff …
do all farmers say nowt in the morning
is it part of the way they’re brought up
there’s about as much chance of a touch of romance
– from a knackered auld cross Suffolk tup…
can you never be bright in the morning
were you always this way as a lad
give a nod or a wink as I stand at the sink
– so the kids’ll still know your their Dad …
we’re not asking for much in the morning
when the news and the forecast are bleak
but with twenty odd years of blood sweat and tears
– SURELY T’ GOD Y’ CAN SPEAK!!!
‘… it must be nearly spring … Dad’s stopped talkin’ …’
‘… and you still reckon you’ve got nothing to declare, Sir …?’
‘… isn’t that just typical, – we get a few shares in Northumbrian Water, and they freeze the bloody assets …!’
Economical Truth
Have y’ finished the lambin’ young Willie
did y’ have a reasonable do
ours went slow we’ve still twenty t’ go
and aye we might have a geld one or two
– Yes the whole lot were lambed in a fortnight
I was runnin’ about on m’ knees
they just wouldn’t stop what a hell of a crop
and there’s far too many damned threes
God that must be a record young Willie
did y’ have nea deaths bonnie lad
nea staggers aboot nea slavery mooth
’cos I’ll