Bar None
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About this ebook
After being diagnosed with Multiple Sclerosis and losing the ability to manipulate pencils and brushes to follow my love of drawing and painting I found poetry as an alternative way to express myself - painting pictures with words. This book holds some of the results.
Christine Griggs
Christine is the lead writer for Eccentric Tomato, the e-publishing imprint of Kumate Works Studio. She specializes in writing illustrated fantasy fiction through pulp-fiction style short stories, novellas and comic books. Proven unable to draw anything other than unsophisticated stick figures, she primarily works with artists Alysia Robinette and Melinda Nelson as Kumate Works, who bring her stories to life through their illustrations. For additional projects, she will also call upon her many artistic colleagues. Her print work has been well received at various anime and comic conventions.When not writing or cracking a whip at her artists, Christine pays her bills by working as an administrative assistant. In her spare time, she also enjoys traveling, reading, spending time her boyfriend, playing with her cat, watching Star Trek and cooking tasty things.
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Book preview
Bar None - Christine Griggs
Bar - series
Years ago, in the glory days of Hollywood
when hopes ran high, someone
with more moxie than sense
named it Bar None.
Three neon letters in the center are out
but in this tarnished suburb
of sex shops and hookers it seems appropriate,
no one fixes the B’One.
I’d like to have seen it in its heydays,
tended bar back then but here I am,
in harder times and loving it still.
The parking lot is cracked and weedy,
pock marked by wheels and weather.
I know the sink holes, can drive in blind
and still keep my axels.
Not a welcoming sight, all peeling paint
and rusting beer signs
but it’s a fit among the dingy businesses
haunted by skinny Asian girls and their
shabby clients.
In spite of all, my regulars are decent folk,
beaten down but buoyant,
like the place itself.
Bar Interior
It must have been impressive,
luxurious, before smoke and age
reduced it to its present state of
gloomy melancholia,
Only at night by the light from
the bar, filtered through regiments
of amber bottles, does the memory revive.
Fresh smoke covers the stale
and ample bottoms cover the battered stools.
The center of attraction is solid mahogany,
burnished to a glow by a generation of
barkeepers’ cloths, eager elbows and
the occasional drink-flushed face.
The floor, seldom seen, is carpeted,
a pattern long gone and the weave
worn thin beneath the stools.
There’s a raised area, hardly a stage
but now, with live music a memory,
the only slow-dancers are tables and chairs.
Barkeeper
I know them all,
these dour drinkers;
know their names and ailments,
the hours they keep and what their usual
is.
I have it ready on the bar
at their customary stool before they
even reach the light,
Chivas-rocks, vodka tonic,
tequila with beer chaser, Margarita extra salt.
They hunch in sullen silence
or whisper sweet nothings to their cradled love
that slowly kills them for their devotion.
It is my lot to be the accomplice,
to watch the slow decline,
the liver spots and bloated hands,
the shakes and, at last, an absence.
Someone always claims the vacancy,
hooking heels over the rungs and elbows
fitting the bar by design. New faces soon get as old
as their stories and still I nod and smile,
wiping, wiping, always wiping.
All night they buy me drinks to make me stay
and listen, elaborately insulted if I decline.
Some mornings I wake alone, fully dressed
with no memory of leaving work
or how I got home.
Bar Maids
They come and go like days of the week,
Some easy to recall
with a prickle of arousal,
others better left undisturbed
in the murky mud of memory.
Hopeful young