Sopolyrimu Volume 3: Songs Like Fallen Apples
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"If these has been released over the author's lifetime he would have become a national treasure by now. The work is distinguished not only by its fine feeling but also by its high level of craftsmanship. In many ways, the work has a serene devotional quality reminiscent of T. S. Eliot.
Harris Smart, teacher and writer, and author of The Yellow House, a multi-media exploration of the friendship between Paul Gauguin and Vincent van Gogh.
Everyone would benefit from reading and hearing these songs. They are profound and unforgettable
M. Ridhwan Isharc, UK
Marcus M Cornelius writer, teacher, bookseller and one-time singer. He graduated from Exeter University (UK), was awarded a Creative Writing Scholarship at Syracuse University (USA) and for seven years was a professor at Hokuriku University (Japan). He is currently finishing the sixth volume of sopolyrimu (songs, poems & lyrics for music). Each volume contains one hundred songs, one hundred being chosen simply because it is a convenient round number. Apart from these volumes of sopolyrimu, more of his work has been published by I-Universe, including Out of Nowhere the musical life of Warne Marsh, and the first two books in the five-part work entitled Note for Note (Another pentateuch). i-Universe will eventually publish the three other books in the series. Three of his spoken word CDs are available on I-Tunes (for purchase) and Last.fm (for free listening). The third CD was one step closer to his dream of having original music written for the sopolyrimu; all but two of the tracks are accompanied by music, and three tracks by commissioned music. More CDs are planned. Marcus is working towards the accomplishment of the final goal with the songs, which is to see them performed accompanied by music and dance. Further details of his work and activity can be found at www.auroranovapublishing.net. Marcus now lives in Eymet, France.
Marcus M Cornelius
MARCUS M. CORNELIUS: graduated from Exeter University (UK), was awarded a Creative Writing Scholarship at Syracuse University (USA), and for seven years was a professor at Hokuriku University (Japan). His other occupations have included many years as a bookseller, and some time as a singer - music has always been the most reliable of friends - and freelance writing and arts management in Australia. i-Universe published his first book, Out of Nowhere - the musical life of Warne Marsh, as well as the first three of eight completed volumes of Sopolyrimu (songs, poems and lyrics for music) and the first four books of the five-part Note for Note (Another Pentateuch). Marcus is now working on a prose work to be called D-tours, the last hundred years, and a book of poetic prose to be called keepers takers. He now lives in Triana (Sevilla) where he feels very much at home. Further details of his work and responses to it can be found at www.marcusmcornelius.net.
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Sopolyrimu Volume 3 - Marcus M Cornelius
Copyright © 2011 Marcus Cornelius
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.
iUniverse books may be ordered through booksellers or by contacting:
iUniverse
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Because of the dynamic nature of the Internet, any Web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
ISBN: 978-1-4502-6599-7 (pbk)
ISBN: 978-1-4502-6597-3 (ebk)
Printed in the United States of America
iUniverse rev. date: 1/7/11
Dedicated, with thanks, to Kevin Monahan and Maria Jamieson for their encouragement over the years.
List of Contents
Prologue
not much to ask
another show begins
back up
almost neighbours
we keep the watch
but a little something
scale the heights
to climb aboard that waiting bus
up in the air & up for grabs
out in the open
three wise men
all said & done
never know for sure
in the presence
circles never closed
corridors of power
love come true
on the take
protection
moments of truth [for DEP]
cap in hand
it ’s what I do
even when you want to
when the wells run dry
name the day
do your best [for MG]
this had to happen
without you
through the heads
out of my hands
the bridge
down at the quay
falling back
lady at bay
do that & I’ll be gone
tough enough
what’s so bad
I really do not know
codding town blues
walking round the world
I want to go back
of an unsound frame of mind
tears can taste too sweet
mud on my boots, blood on my hands
it is what it is
fall apart at the seams
can’t say goodbye
off darling street [for BC]
peccadillos, premonitions & mementos
clean slate
somewhat tragic, perhaps
did it anyway
wedding of a rarer kind
still to look for, yet to lose
nobody’s hands [for AK]
done nothing
conductor & the doctor
test of faith [for GH]
hubcap & trim
no longer here
bruised not beaten
by your own hand
tell me
river in egypt
star has exploded
harlequin jumpsuit [for FM]
gaze into the inner eye
vultures of the power lines
sleep well tonight
what you make of it
who are you really
do you remember me like this
ranger rick
heaven only knows
vines are pruned
everyone must suffer
how about that
dogs on a leash
vibrations broke the glass [for MSS]
clear cut if not cleanly
hunted high & low
no strings attached
take your time
must I apologise again
I know I know
switching off & turning up
lonely as hell, peaceful as heaven
wriggling from the wreckage
stigmata
mt jackson
slipstreaming
reclaimed common ground
you told me you would
zero gravity
while you were out [for the ‘disappeared’]
that says it all
the parting’s gift
undetected treasures
when are you going
comparing notes
Prologue
At the time of writing I have completed the seventh volume of sopolyrimu, and when that is done I will have written down 700 songs, poems & lyrics for music, or sopolyrimu. This has taken four and a half quite remarkable years. The daily productivity shows no signs of abating, for which I am extremely grateful as it feels to me like the fruition of my life as a writer. On the other hand, as the process deepens and broadens, I am increasingly aware that all I do in fact is write down as faithfully as I can what I hear in the air, so to speak, and often make only minimal changes to what I first heard. This brings with it a wonderful freedom, in that in no way do I feel attached to what I have written down: each song feels like a gift, and to receive such a gift every day or so is a very rich way to live.
By the middle of 2009, it was being made plain to me by an increasing number of people - some who know me and some who do not - that I needed to make an effort to perform the sopolyrimu to as many people as I could reach. For one who had decided to spend the rest of his days (hopefully a long rest of days) as a contented and nomadic recluse, such urging came as a rather unwelcome agitation. However, the sincerity with which the encouragement was given finally led me to the decision to do what I could to start the process of ‘reaching as many people as I could’, given my very limited financial resources. I left Sydney (Australia) on August 18 2009, bound for London (England) and after that to wherever the intention to reach as many people as I could would take me. On two occasions in London I performed a selection of sopolyrimu, accompanied by Mardyah Tucker on improvised violin, both performances given at the Amadeus Centre in Little Venice, Maida Vale. One of those performances was video recorded by Ken Barnes, film maker and former teaching colleague in Japan. On other occasions I read selections to small private groups, and also gave one performance in Paris, accompanied by dance.
Just before leaving Australia I had finished recording a third CD, Love’s Victory. This was a landmark event for me because all but two of the tracks were performed with music, three pieces being original compositions. All these events saw at least a start being made to what I had always felt was meant to happen, namely performing the sopolyrimu to music and dance. The goal now is to find out how this can happen and also to create a fourth CD with an ensemble of musicians.
I hope you find some nourishment and even inspiration in reading this present volume. And should you be interested, details of my work and current activity are on my web pages, www.auroranovapublishing.net
Marcus M Cornelius
Eymet, France
October 2010
not much to ask
eight hours of sleep
a house that’s safe
not much to ask -
a book to read
young friends alive
no broken glass -
a mother’s breast
a daughter’s hair
a son full grown -
a warm hello
a calm goodnight
a father home
such simple needs
we’re making such
a fuss about -
we all have needs
but have no need
to shoot & shout -
blow up a bus
blow up a school
blow off a limb -
what kind of fool
thinks he can blow
love’s candle out
no man on earth
can claim he owns
the way to truth -
since only fools
espouse these rules
that lead to hate -
the truth it is
the substance of
the love we give -
love needs no mosque
or synagogue
or lofty spires
the holiness
is in the heart
that never tires -
& moves around
free as the wind
that blows the seed -
of love unbound
by name or place
from you to me -
& that is truth
& all the truth
we’ll ever know
& all love needs
for us to do
this simple task -
eight hours of sleep
a house that’s safe
not much to ask
[22.10.07]
another show begins
the show begins
needles & pins
the kids come out to play
they look & learn
dissect the worm
write down what teachers say
then knuckle down
suss out the town
stride keenly down the road
first in best dressed
& best is less
beware the undertow
some show & tell
goes down so well
a little taste & see
some give & take
then make or break
then do not bother me
sow’s ear silk purse
karma or curse
you read your lesson well
the first things first
& have to learn
the silver lining’s spell
the leaps & bounds
the lost & found
life’s game of hide go seek
give as you get
forgive forget
to turn the other cheek
you had it made
but then delayed
& you’re a sitting duck
it’s do or die
but worth the try
until time pulls the plug
gave as you got
forgave forgot
to turn the other cheek
you made your call
you gave it all
& he who dares he wins
was do or die
but worth the try
until time pulled the plug
your session up
they wash your cup
another show begins
[23.10.07]
back up
I’m the miner down the mine shaft
my eyes accustomed to the dark
nowhere to go, I sit around & wait
I cannot see but I can hear
& things are just as they appear
if help’s to come it may be coming late -
can’t explain the way this happened
& all that I have fathomed is
the cage of my delusions fell away
didn’t know the rope was fraying
don’t know how long I’ll be staying
or if my truth will live to see the light of day
& heaven only knows how far
I’ve fallen down from where you are
I’ve nothing left to measure distance by
light never did enlighten me
& darkness does not frighten me
to see the dark I simply close my eyes -
& how quickly we lose contact
& hear silence make its impact
for all I know you could be down here too
first the shake up then the shake down
then the break up and the break down
could be the self-same thing is happening to you
my friend, the company we keep
is on the fringes
I’m as lost to you as you concealed from me
creature comfort in the creak
of beams and hinges
& kindness keeps our blindness company
they look & see us walking round
when really we’re far underground
trapped in the caverns of our privacy
feelings we can barely mention
can’t bend words in truth’s direction
& feel like the translator doing sign -
I am my own ventriloquist
perform the gestures of the gist
will take my life my silence to perfect
& when the ship is sinking I
hold the snapped rope of my thinking
& from this fallen state of lies I must defect
at table & out on the street
the little nod, the smile & greet
you know as well as me we’re out of sight
& consigned to this unknowing
interaction’s all that’s showing
of isolation underground at night -
we’re tapping on the walls & pipes
imagine search teams flashing lights
know being hauled back up’s not on the cards
know we’re caught between the surface
of the light & what’s in darkness
& by & by we grow accustomed to the dark
my friend, the company we keep
is on the fringes
I’m as lost to you as you concealed from me
creature comfort in the creak
of beams and hinges
& kindness keeps our blindness company
[26.10.07]
almost neighbours
our songs like fallen apples are released
by the spirit’s master key
vibrations all along the richter scale
& echoes back to me -
I plunge into the blue blue somewhere
watch my life & death embrace
& oblivious to any tribulation
see aspects of your face -
all that is is home & welcomes me
presence of my soul’s abode
boulevards of infinity in my backyard
& flowers that nature chose
to feel secure some must possess the land
shifting life a fixed address
& pride in zip codes turns the wheels of war
& jealousy’s unrest -
down the street live folk I’ve never seen
new age closed community
at the shops I’m asked my zip code if you please
which is 2-9-0-3 -
friendly man says ‘that’s the same as me
which makes us almost neighbours’
down through byzantium, the bronx & golders green
people almost neighbours
always chances here on offer
we accept or we decline
step from the edge of our perdition
or cross the borderline -
always on the brink of something new
door closed can open wide
almost neighbours is not good enough
to close the great divide
the dialects, the twangs, the brogues mutate
from the east coast to the west
from north to south we live in almost sovereign states
people almost neighbours -
states cheek by jowl with states on friendly terms
or strained intense relations
& border skirmishes break out with truce by turns
families of nations -
we draw the line, withdraw the diplomats
deadlock before backing down
well-armed temper tantrums & escalating spats
& continents cross town
scrap metal merchants of our small backyard
of universal labours
drivers of hard bargains & bargains driven hard
we’re almost neighbours -
sisters of mercy, brothers of the dawn
with hearts of no fixed address
who stop the rot, defuse the panic & alarm
neighbours not more nor less -
most beautiful the world has ever seen
love without fear or favours
down through byzantium, the bronx & golders green
live as good