UNCUT

AN AUDIENCE WITH… Cat Power

“It feels good when the portal opens”

“IT’s such a crazy time,” says Chan Marshall. The way she talks – constantly undercutting herself and punctuating her musings with jokes and apologies and silly accents – it’s hard to immediately tell if she’s talking about her own life or the world in general. Quite possibly both. “It’s always a crazy time,” she continues. “Time keeps comin’. And the American country is upside down, inside out. Things are a mess. Things are an atrocity. So I don’t know what to do. And neither do you!”

This, in a roundabout way, is Marshall’s justification for her latest wheeze: recreating one of Bob Dylan’s famous 1966 shows from his controversial “Judas” tour at the Royal Albert Hall in November. “If this is the first and last time I’m ever going to play there,” she reasons, “might as well make it a humdinger!”

Marshall is currently “decompressing” between two legs of her world tour at a friend’s house in upstate New York. At various points, our interview is interrupted by

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT1 min read
Q&A
There’s a lot about Big Wave that suggests the album was written during an unhappy period of your life. Is that reading too much into the songs? Not at all. When I started writing these songs, I wanted to dive into a shadow growing inside me. I felt
UNCUT2 min read
Uncut
HERE’S Irmin Schmidt, explaining the mercurial brilliance of Can in full flight. “Even if we improvised onstage, we always went in the same direction,” he tells us on page 19. “In a way that it became a music that was not just bullshit. It was not so
UNCUT12 min read
AtoZ
PARLOPHONE/WARNER MUSIC 9/10 Remaster with rarities for downtempo landmark At a time when a lot of electronica seemed to be proudly displaying its determination to stare into the emotional and aesthetic abyss, the debut album from this Versailles pai

Related Books & Audiobooks