Fifty years ago, an 18-year old songwriter named Laura Nyro asked, “Can you surry? Can you picnic?”Laura Nyro didn’t tell us HOW to surry. She just asked if we could do it. Then she instructed us to,“Surry down to the stoned soul picnic. There’ll be lots of time and wine, red-yellow honey, sassafras and moonshine. And from the sky come the Lord and the lightning.”What? What did you say would come from the sky?And “surry” by the way, is a verb that Laura Nyro admitted she made up.Laura’s Stoned Soul Picnic became a platinum record for The Fifth Dimension, selling more than a million copies.Do you have the courage to write that way?“Eli’s comin’. Hide your heart, girl. Eli’s comin’. Better walk-walk. But you’ll never get away from the burnin’ heartache. I walked to Apollo by the bay.”In ancient times, the temple of Apollo by the bay in Naples was believed to be one of the entrances to the Underworld. So maybe Laura Nyro was saying, “I walked to the edge of death tryin’ escape the burnin’ heartache.” But then again, maybe she meant something else entirely. She never bothered to say.Do you have the courage to write ads that way?“Yes, but why would I want to?”“Because most ad writing is painfully predictable and coldly colorless. It lacks rhythm and bounce. It lacks laughter and light. And that’s why people ignore it.”“I’m not scared of dying and I don’t really care. If it’s peace you find in dying ­– when dying time is here – just bundle up my coffin, ‘cause I hear that it’s cold way down there. Yeah, crazy cold way down there. My troubles are many, they’re as deep as a well. I can swear there ain’t no heaven, but I pray there ain’t no hell.”Written when she was 17, Laura Nyro’s And When I Die sold more than 4 million copies and was certified quadruple platinum. It also won a Grammy for Blood, Sweat and Tears in 1970. The rhythm and bounce of that song were remarkable. [I’ve gathered all these songs for you in the rabbit hole – Indy Beagle]Do you have the courage to write website copy with rhythm and bounce?Believe it or not, it was a Laura Nyro song that made Barbra Streisand a household word. Laura’ s Stoney End (1971) was Barbra’s biggest song for 5 years, until she recorded Evergreen in 1976.“I was born from love and my poor mother worked the mines. I was raised on the Good Book Jesus till I read between the lines. Now I don’t believe I want to see the morning. I never wanted to go down the stoney end. Mama let me start all over. Cradle me, Mama, cradle me again. I can still remember him with love light in his eyes. But the light flickered out and parted as the sun began to rise. Now I don’t believe I want to see the morning.”And just to show us the breadth of her diversity, Laura Nyro wrote Wedding Bell Blues.“Bill, I love you so. I always will. I look at you and see the passion eyes of May. But am I ever gonna see my wedding day? I was on your side, Bill, when you were losing. I was the one came runnin’ when you were lonely. In your voice I hear a choir of carousels. But am I ever gonna hear my wedding bells?”Hang on a second. What does “a choir of carousels” sound like?Wedding Bell Blues rocketed to #1 on the charts and stayed there for 15 weeks.Do you have the courage to engage the imagination and raise eyebrows?If you do, you’ll elevate attention, increase time on site, time spent listening, and ultimately conversion and profitability.Do I have your attention now?The reason most ad writers don’t have the courage to...