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Improvisation erforschen - improvisierend forschen / Researching Improvisation - Researching by Improvisation: Beiträge zur Exploration musikalischer Improvisation / Essays About the Exploration of Musical Improvisation
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About this ebook
Dieser durchgehend zweisprachige Band versammelt Beiträge zu ästhetischen, künstlerischen und pädagogischen Fragestellungen der musikalischen Improvisation. Er beinhaltet Reflexionen und Modelle, die sich mit der Kunst der Improvisation und den in ihr handelnden Menschen befassen und darüber hinaus faszinierende Perspektiven auch für Kultur und Wissenschaft bieten.
This book, bilingual throughout, brings together essays providing aesthetic, artistic and pedagogical interrogations of the art of musical improvisation. It contains reflections and models which deal both with the art of improvisation and with the people who carry it out and offers fascinating perspectives for culture and for scholarship more generally.
Contributions by Alan Bern, Rogério Costa, Nina Polaschegg, Edwin Prévost, and others.
This book, bilingual throughout, brings together essays providing aesthetic, artistic and pedagogical interrogations of the art of musical improvisation. It contains reflections and models which deal both with the art of improvisation and with the people who carry it out and offers fascinating perspectives for culture and for scholarship more generally.
Contributions by Alan Bern, Rogério Costa, Nina Polaschegg, Edwin Prévost, and others.
Related to Improvisation erforschen - improvisierend forschen / Researching Improvisation - Researching by Improvisation
Titles in the series (58)
Der hörbare Raum: Entdeckung, Erforschung und musikalische Gestaltung mit analoger Technologie Bewegung in der Musik: Eine transdisziplinäre Perspektive auf ein musikimmanentes Phänomen Rating: 0 out of 5 stars0 ratingsMauricio Kagels Buenos Aires (1946-1957): Kulturpolitik - Künstlernetzwerk - Kompositionen Rating: 0 out of 5 stars0 ratingsMusik - Raum - Technik: Zur Entwicklung und Anwendung der graphischen Programmierumgebung »Max« Rating: 0 out of 5 stars0 ratingsMusik und Narration: Philosophische und musikästhetische Perspektiven Rating: 0 out of 5 stars0 ratingsGeräusch - das Andere der Musik: Untersuchungen an den Grenzen des Musikalischen Rating: 0 out of 5 stars0 ratingsMusik als Medium der Erinnerung: Gedächtnis - Geschichte - Gegenwart Rating: 0 out of 5 stars0 ratingsWissenskulturen der Musikwissenschaft: Generationen - Netzwerke - Denkstrukturen Rating: 0 out of 5 stars0 ratingsVerkörperungen der Musik: Interdisziplinäre Betrachtungen Rating: 0 out of 5 stars0 ratingsMusik im Zeitalter der Globalisierung: Prozesse - Perspektiven - Stile Rating: 0 out of 5 stars0 ratingsMusik - Kolonialismus - Identität: José Figueroa Sanabia und die puerto-ricanische Gesellschaft 1925-1952 Rating: 0 out of 5 stars0 ratingsVokale Performancekunst als feministische Praxis: Meredith Monk und das künstlerische Kräftefeld in Downtown New York, 1964-1979 Rating: 0 out of 5 stars0 ratingsUnlaute: Noise / Geräusch in Kultur, Medien und Wissenschaften seit 1900 Rating: 0 out of 5 stars0 ratingsKultsounds: Die prägendsten Klänge der Popmusik 1960-2014 Rating: 0 out of 5 stars0 ratingsWie klingt es im »Paradies«?: Deutschsprachige Reiseberichte als Quellen zur Musikgeschichte Brasiliens im 19. Jahrhundert Rating: 0 out of 5 stars0 ratingsMashup in der Musik: Fremdreferenzielles Komponieren, Sound Sampling und Urheberrecht Rating: 0 out of 5 stars0 ratingsKlang und Semantik in der Musik des 20. und 21. Jahrhunderts Rating: 0 out of 5 stars0 ratingsDer Klang der Vernunft: Eine Philosophie Neuer Musik Rating: 0 out of 5 stars0 ratingsSpiel (mit) der Maschine: Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio Rating: 0 out of 5 stars0 ratingsMusic Practices Across Borders: (E)Valuating Space, Diversity and Exchange Rating: 0 out of 5 stars0 ratingsMusikgeschichte ohne Markennamen: Soziologie und Ästhetik des Klavierquintetts Rating: 0 out of 5 stars0 ratingsMusical Practice as a Form of Life: How Making Music Can be Meaningful and Real Rating: 0 out of 5 stars0 ratingsMusical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Century Rating: 0 out of 5 stars0 ratingsTanzmusik in der DDR: Dresdner Musiker zwischen Kulturpolitik und internationalem Musikmarkt, 1945-1961 Rating: 0 out of 5 stars0 ratingsGegenwart und Zukunft des Musiktheaters: Theorien, Analysen, Positionen Rating: 0 out of 5 stars0 ratingsMusik und Körper: Interdisziplinäre Dialoge zum körperlichen Erleben und Verstehen von Musik Rating: 0 out of 5 stars0 ratingsMusikalische Praxis als Lebensform: Sinnfindung und Wirklichkeitserfahrung beim Musizieren Rating: 0 out of 5 stars0 ratingsRhythmik - Musik und Bewegung: Transdisziplinäre Perspektiven Rating: 0 out of 5 stars0 ratings
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Improvisation erforschen - improvisierend forschen / Researching Improvisation - Researching by Improvisation - Reinhard Gagel
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