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Music Practices Across Borders: (E)Valuating Space, Diversity and Exchange
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Connecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange.
This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.
This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.
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Titles in the series (58)
Vokale Performancekunst als feministische Praxis: Meredith Monk und das künstlerische Kräftefeld in Downtown New York, 1964-1979 Mauricio Kagels Buenos Aires (1946-1957): Kulturpolitik - Künstlernetzwerk - Kompositionen Rating: 0 out of 5 stars0 ratingsMusik und Narration: Philosophische und musikästhetische Perspektiven Rating: 0 out of 5 stars0 ratingsMusik - Raum - Technik: Zur Entwicklung und Anwendung der graphischen Programmierumgebung »Max« Rating: 0 out of 5 stars0 ratingsUnlaute: Noise / Geräusch in Kultur, Medien und Wissenschaften seit 1900 Rating: 0 out of 5 stars0 ratingsDer hörbare Raum: Entdeckung, Erforschung und musikalische Gestaltung mit analoger Technologie Rating: 0 out of 5 stars0 ratingsMusik im Zeitalter der Globalisierung: Prozesse - Perspektiven - Stile Rating: 0 out of 5 stars0 ratingsVerkörperungen der Musik: Interdisziplinäre Betrachtungen Rating: 0 out of 5 stars0 ratingsGeräusch - das Andere der Musik: Untersuchungen an den Grenzen des Musikalischen Rating: 0 out of 5 stars0 ratingsMusikgeschichte ohne Markennamen: Soziologie und Ästhetik des Klavierquintetts Rating: 0 out of 5 stars0 ratingsBewegung in der Musik: Eine transdisziplinäre Perspektive auf ein musikimmanentes Phänomen Rating: 0 out of 5 stars0 ratingsMusik - Kolonialismus - Identität: José Figueroa Sanabia und die puerto-ricanische Gesellschaft 1925-1952 Rating: 0 out of 5 stars0 ratingsSpiel (mit) der Maschine: Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio Rating: 0 out of 5 stars0 ratingsMusik als Medium der Erinnerung: Gedächtnis - Geschichte - Gegenwart Rating: 0 out of 5 stars0 ratingsWissenskulturen der Musikwissenschaft: Generationen - Netzwerke - Denkstrukturen Rating: 0 out of 5 stars0 ratingsWagner - Weimar - Eisenach: Richard Wagner im Spannungsfeld von Kultur und Politik Rating: 0 out of 5 stars0 ratingsKlang und Semantik in der Musik des 20. und 21. Jahrhunderts Rating: 0 out of 5 stars0 ratingsGegenwart und Zukunft des Musiktheaters: Theorien, Analysen, Positionen Rating: 0 out of 5 stars0 ratingsDer Klang der Vernunft: Eine Philosophie Neuer Musik Rating: 0 out of 5 stars0 ratingsKultsounds: Die prägendsten Klänge der Popmusik 1960-2014 Rating: 0 out of 5 stars0 ratingsTanzmusik in der DDR: Dresdner Musiker zwischen Kulturpolitik und internationalem Musikmarkt, 1945-1961 Rating: 0 out of 5 stars0 ratingsMashup in der Musik: Fremdreferenzielles Komponieren, Sound Sampling und Urheberrecht Rating: 0 out of 5 stars0 ratingsRhythmik - Musik und Bewegung: Transdisziplinäre Perspektiven Rating: 0 out of 5 stars0 ratingsMusical Practice as a Form of Life: How Making Music Can be Meaningful and Real Rating: 0 out of 5 stars0 ratingsMusik und Körper: Interdisziplinäre Dialoge zum körperlichen Erleben und Verstehen von Musik Rating: 0 out of 5 stars0 ratings»Wie ein Begehren«: Sprache und Musik in der Interpretation von Vokalmusik (nicht nur) des Fin de Siècle Rating: 0 out of 5 stars0 ratingsMusik als Spiel - Spiel als Musik: Die Integration von Spielkonzepten in zeitgenössischer Musik, Musiktheater und Klangkunst Rating: 0 out of 5 stars0 ratingsWie klingt es im »Paradies«?: Deutschsprachige Reiseberichte als Quellen zur Musikgeschichte Brasiliens im 19. Jahrhundert Rating: 0 out of 5 stars0 ratings
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Music Practices Across Borders - Glaucia Peres da Silva
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