Ceramics: Art and Perception

Pottery: A Tool for Cultural Preservation in Some Niger Delta Traditions

Indigenous art forms have become part and parcel of today’s cultural development. It is the symbolisation processes that were replete with physical qualities in traditional civilisation. These attributes are found in clothing, housing, objects of religious worship, and ceremonies such as dance form and entertainment. The symbolisation process is therefore, an endorsement of certain fine distinctions that have become a way of life. This paper investigates the adaptation of these symbols into modern pottery objects to satisfy and sustain their cultural values and aid understanding of some of the Niger Delta Traditions. The paper also highlights the hidden beauty that the symbols possess as the used parts of pottery forms. Sherry B. Ortner’s 1979 research formula was used to explain the names and meaning of the symbols and describe their usefulness within the cultural context before they were adapted for modern pottery.

Introduction

There are so many views and opinions’ concerning what culture is. For example, Li & Karakowsky (2001) define culture as consisting of the explicit and implicit behavior acquired and transmitted by symbols; constituting the distinctive achievement of human groups, including their embodiments in artifacts. They further stress that, to sum up, culture is the total learned behavior of a group of people and that such behavior is generally considered to be the tradition of that people and it is transmitted from generation to generation.

In another view, Lederach, (1995), sees culture as a “shared knowledge and schemes created by a set of people for perceiving, interpreting, expressing, and responding to the social realities around them”. Zimmermann (2015) says that, “culture is the characteristics and knowledge of a particular group of people, defined by everything from language, religion, cuisine, social habits, music and arts”. Furthermore, Tylor (1970:1) defined culture as a complex whole, which includes, knowledge, beliefs, morals, laws, custom and art as acquired by man in a society.

These definitions highlights two factors: first, that culture is acquired as man finds acceptance within a social framework or society and secondly, that as a member of a society man needs culture to continue to function, providing regulation and ensuring security. This therefore makes culture the center

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception5 min read
Fresh New Talent at the British Ceramics Biennial
Nurturing, inspiring and showcasing new talent are at the heart of what we do at the British Ceramics Biennial – and have been since we started our work back in 2009. The most prominent way that we do this is through our platform for emerging ceramic
Ceramics: Art and Perception21 min read
Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics
Some of my earliest recollections include examining myself in a mirror and mentally separating my physical attributes. Growing up in India, my appearance was frequently commented on and either praised, or criticised, which is normal in our culture (C
Ceramics: Art and Perception3 min read
Eiji Uematsu at Alison Bradley Projects, New York City
Each of Eiji Uematsu’s modest-scale ceramic objects and plaques is a succinct statement. Each seems considered, and then honed so that it is nothing more than it needs to be. The 16 diminutive works in Alison Bradley’s small New York gallery employ a

Related