Peace
By Aristophanes
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Aristophanes
Often referred to as the father of comedy, Aristophanes was an ancient Greek comedic playwright who was active in ancient Athens during the fourth century BCE, both during and after the Peloponnesian War. His surviving plays collectively represent most of the extant examples of the genre known as Old Comedy and serve as a foundation for future dramatic comedy in Western dramatic literature. Aristophanes’ works are most notable for their political satire, and he often ridiculed public figures, including, most famously, Socrates, in his play The Clouds. Aristophanes is also recognized for his realistic representations of daily life in Athens, and his works provide an important source to understand the social reality of life in Ancient Greece. Aristophanes died sometime after 386 BCE of unknown causes.
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Reviews for Peace
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- Rating: 2 out of 5 stars2/5Trygaeus, a middle-aged Athenian, miraculously brings about a peaceful end to the Peloponnesian War,thereby earning the gratitude of farmers
He celebrates his triumph by marrying Harvest, a companion of Festival and Peace.....
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Peace - Aristophanes
Peace
By Aristophanes
Start Publishing LLC
Copyright © 2012 by Start Publishing LLC
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever.
First Start Publishing eBook edition October 2012
Start Publishing is a registered trademark of Start Publishing LLC
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
ISBN 978-1-62558-063-4
Table of Contents
Introduction
Peace
Introduction
The ‘Peace’ was brought out four years after ‘The Acharnians’ (422 B.C.), when the War had already lasted ten years. The leading motive is the same as in the former play—the intense desire of the less excitable and more moderate-minded citizens for relief from the miseries of war.
Trygaeus, a rustic patriot, finding no help in men, resolves to ascend to heaven to expostulate personally with Zeus for allowing this wretched state of things to continue. With this object he has fed and trained a gigantic dung-beetle, which he mounts, and is carried, like Bellerophon on Pegasus, on an aerial journey. Eventually he reaches Olympus, only to find that the gods have gone elsewhere, and that the heavenly abode is occupied solely by the demon of War, who is busy pounding up the Greek States in a huge mortar. However, his benevolent purpose is not in vain; for learning from Hermes that the goddess Peace has been cast into a pit, where she is kept a fast prisoner, he calls upon the different peoples of Hellas to make a united effort and rescue her, and with their help drags her out and brings her back in triumph to earth. The play concludes with the restoration of the goddess to her ancient honours, the festivities of the rustic population and the nuptials of Trygaeus with Opora (Harvest), handmaiden of Peace, represented as a pretty courtesan.
Such references as there are to Cleon in this play are noteworthy. The great Demagogue was now dead, having fallen in the same action as the rival Spartan general, the renowned Brasidas, before Amphipolis, and whatever Aristophanes says here of his old enemy is conceived in the spirit of ‘de mortuis nil nisi bonum.’ In one scene Hermes is descanting on the evils which had nearly ruined Athens and declares that ‘The Tanner’ was the cause of them all. But Trygaeus interrupts him with the words:
Hold—say not so, good master Hermes; Let the man rest in peace where now he lies. He is no longer of our world, but yours.
Here surely we have a trait of magnanimity on the author’s part as admirable in its way as the wit and boldness of his former attacks had been in theirs.
Peace
DRAMATIS PERSONAE
TRYGAEUS.
TWO SERVANTS of TRYGAEUS.
MAIDENS, Daughters of TRYGAEUS.
HERMES.
WAR.
TUMULT.
HIEROCLES, a Soothsayer.
A SICKLE-MAKER.
A CREST-MAKER.
A TRUMPET-MAKER.
A HELMET-MAKER.
A SPEAR-MAKER.
SON OF LAMACHUS.
SON OF CLEONYMUS.
CHORUS OF HUSBANDMEN.
SCENE: A farmyard, two slaves busy beside a dungheap; afterwards, in Olympus.
FIRST SERVANT. Quick, quick, bring the dung-beetle his cake.
SECOND SERVANT. Coming, coming.
FIRST SERVANT. Give it to him, and may it kill him!
SECOND SERVANT. May he never eat a better.
FIRST SERVANT. Now give him this other one kneaded up with ass’s dung.
SECOND SERVANT. There! I’ve done that too.
FIRST SERVANT. And where’s what you gave him just now; surely he can’t have devoured it yet!
SECOND SERVANT. Indeed he has; he snatched it, rolled it between his feet and boiled it.
FIRST SERVANT. Come, hurry up, knead up a lot and knead them stiffly.
SECOND SERVANT. Oh, scavengers, help me in the name of the gods, if you do not wish to see me fall down choked.
FIRST SERVANT. Come, come, another made of the stool of a