The Wasps
By Aristophanes
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Aristophanes
Often referred to as the father of comedy, Aristophanes was an ancient Greek comedic playwright who was active in ancient Athens during the fourth century BCE, both during and after the Peloponnesian War. His surviving plays collectively represent most of the extant examples of the genre known as Old Comedy and serve as a foundation for future dramatic comedy in Western dramatic literature. Aristophanes’ works are most notable for their political satire, and he often ridiculed public figures, including, most famously, Socrates, in his play The Clouds. Aristophanes is also recognized for his realistic representations of daily life in Athens, and his works provide an important source to understand the social reality of life in Ancient Greece. Aristophanes died sometime after 386 BCE of unknown causes.
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The Wasps - Aristophanes
THE WASPS
..................
Aristophanes
KYPROS PRESS
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Copyright © 2016 by Aristophanes
Interior design by Pronoun
Distribution by Pronoun
TABLE OF CONTENTS
The Wasps
CHARACTERS IN THE PLAY
Scene: In the background is the house ofPhilocleon, surrounded by a huge net. Two slaves are on guard, one of them asleep. On the roof isBdelycleon.
THE WASPS
..................
CHARACTERS IN THE PLAY
Philocleon
Bdelycleon, his Son
Sosias, Slave of Philocleon
Xanthias, Slave of Philocleon
Boys
Dogs
A guest
A baker’s wife
An accuser
Chorus of wasps
SCENE: IN THE BACKGROUND IS THE HOUSE OF PHILOCLEON, SURROUNDED BY A HUGE NET. TWO SLAVES ARE ON GUARD, ONE OF THEM ASLEEP. ON THE ROOF IS BDELYCLEON.
Sosias[waking Xanthias up]
Why, Xanthias! what are you doing, wretched man?
Xanthias
I am teaching myself how to rest; I have been awake and on watch the whole night.
Sosias
So you want to earn trouble for your ribs, eh? Don’t you know what sort of animal we are guarding here?
Xanthias
Aye indeed! but I want to put my cares to sleep for a while.
[He falls asleep again.]
Sosias
Beware what you do. I too feel soft sleep spreading over my eyes,
Xanthias.
Are you crazy, like a Corybant?
Sosias
No! It’s Bacchus who lulls me off.
Xanthias
Then you serve the same god as myself. just now a heavy slumber settled on my eyelids like a hostile Mede; I nodded and, faith! I had a wondrous dream.
Sosias
Indeed! and so had I. A dream such as I never had before. But first tell me yours.
Xanthias
I saw an eagle, a gigantic bird, descend upon the market-place; it seized a brazen buckler with its talons and bore it away into the highest heavens; then I saw it was Cleonymus had thrown it away.
Sosias
This Cleonymus is a riddle worth propounding among guests. How can one and the same animal have cast away his buckler both on land, in the sky and at sea?
Xanthias
Alas! what ill does such a dream portend for me?
Sosias
Rest undisturbed! Please the gods, no evil will befall you.
Xanthias
Nevertheless, it’s a fatal omen when a man throws away his weapons. But what was your dream? Let me hear.
Sosias
Oh! it is a dream of high import. It has reference to the hull of the State; to nothing less.
Xanthias
Tell it to me quickly; show me its very keel.
Sosias
In my first slumber I thought I saw sheep, wearing cloaks and carrying staves, met in assembly on the Pnyx; a rapacious whale was haranguing them and screaming like a pig that is being grilled.
Xanthias
Faugh! faugh!
Sosias
What’s the matter?
Xanthias
Enough, enough, spare me. Your dream stinks vilely of old leather.
Sosias
Then this scoundrelly whale seized a balance and set to weighing ox-fat.
Xanthias
Alas! it’s our poor Athenian people, whom this accursed beast wishes to cut up and despoil of their fat.
Sosias
Seated on the ground close to it, I saw Theorus, who had the head of crow. Then Alcibiades said to me in his lisping way, Do you thee? Theoruth hath a crow’th head.
Xanthias
Ah! that’s very well lisped indeed!
Sosias
Isn’t this mighty strange? Theorus turning into a crow!
Xanthias
No, it is glorious.
Sosias
Why?
Xanthias
Why? He was a man and now he has suddenly become a crow; does it not foretoken that he will take his flight from here and go to the crows?
Sosias
Interpreting dreams so aptly certainly is worth two obols.
Xanthias[turning to the audience]
Come, I must explain the matter to the spectators. But first a few words of preamble: expect nothing very high-flown from us, nor any jests stolen from Megara; we have no slaves, who throw baskets of nuts to the spectators, nor any Heracles to be robbed of his dinner, nor does Euripides get loaded with contumely; and despite the happy chance that gave Cleon his fame we shall not go out of our way to belabour him again, Our little subject is not wanting in sense; it is well within your capacity and at the same time cleverer than many vulgar comedies.-We have a