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Romeo and Juliet
Romeo and Juliet
Romeo and Juliet
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Romeo and Juliet

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For Romeo and Juliet, it's love at first sight. But there's a problem: Romeo belongs to the Montague family, while Juliet is a Capulet. In Verona, these noble families are constantly feuding. In fact, they hate each other so much that the prince of Verona has stepped in and declared death to anyone who disturbs the peace again. Forced to hide their love, the two secretly wed and plan to leave together. A string of miscommunication, however, may lead to a tragic end. This is an unabridged version of William Shakespeare's famous romantic tragedy, first published in England in 1599.

LanguageEnglish
Release dateJan 1, 2014
ISBN9781467749800
Author

William Shakespeare

William Shakespeare is widely regarded as the greatest playwright the world has seen. He produced an astonishing amount of work; 37 plays, 154 sonnets, and 5 poems. He died on 23rd April 1616, aged 52, and was buried in the Holy Trinity Church, Stratford.

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Reviews for Romeo and Juliet

Rating: 3.7247809476846054 out of 5 stars
3.5/5

7,990 ratings91 reviews

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  • Rating: 5 out of 5 stars
    5/5
    O teach me how I should forget to think

    I was prepared to be underwhelmed by a jaded near fifty return to this plethora of love-anchored verse. It was quite the opposite, as I found myself steeled with philosophy "adversity's sweet milk" and my appreciation proved ever enhanced by the Bard's appraisal of the human condition. How adroit to have situated such between two warring tribes, under a merciful deity, an all-too-human church and the wayward agency of hormonal teens. Many complain of this being a classic Greek drama adapted to a contemporary milieu. There is also a disproportionate focus on the frantic pacing in the five acts. I can appreciate both concerns but I think such is beyond the point. The chorus frames matters in terms of destiny, a rumination on Aristotelian tragedy yet the drama unfolds with caprice being the coin of the realm. Well, as much agency as smitten couples can manage. Pacing is a recent phenomenon, 50 episodes for McNulty to walk away from the force, a few less for Little Nell to die.

    Shakespeare offers insights on loyalty and human frailty as well as the Edenic cursing of naming in some relative ontology. Would Heidegger smell as sweet? My mind's eye blurs the poise of Juliet with that of Ophelia; though no misdeeds await the Capulet, unless being disinherited by Plath's Daddy is the road's toll to a watery sleep. The black shoe and the attendant violent delights.
  • Rating: 4 out of 5 stars
    4/5
    Romeo and Juliet. William Shakespeare. Folger Shakespeare Library. 1992. As I said above, this was a book club selection. Cannot remember when I last read this play, but I loved reading it this time. How can I forget how much I love Shakespeare?!! After I read the play, I found a BBC Radio production with Kenneth Branagh playing Romeo and Judie Dench playing Nurse! I really enjoyed reading along as I listened and got more out of the play the second reading. I sort of wanted to listen to it again, but instead decided to watch Zeffierlli’s movie and am so glad I did. A great way to enjoy Shakespeare!
  • Rating: 2 out of 5 stars
    2/5
    I'm not a big Shakespeare fan, so I won't rate any of his works very high
  • Rating: 4 out of 5 stars
    4/5
    Romeo and Juliet- Manga Classics – by William Shakespeare, by Stacy King, Crystal S. Chan (Adaptation), Julien Choy (Art), Akanovas (Lettering), Jeannie Lee (Lettering)There is no need to go into the synopsis or plot of one of William Shakespeare’s most famous plays. We all know the basics of this story by now. Many have read the play in school or have seen a stage or movie adaptation at one point. So, I think it is safe to skip the analysis. For me, Manga is something I flat out ignored for years because I presumed without ever giving it a fair chance that it would not be something I’d enjoy. Then I discovered it was often geared towards teens or young adults, which was yet another strike against it. But, by sheer accident, I discovered Manga covered a lot of areas, and was much more complex than I’d given it credit for. Having gotten to an age where I’ve dipped my toes in many different genres, and sub-genres, I find that the ‘I’ve outgrown this’ or ‘aged out of’ attitude closes off many unexplored avenues and because I like to think I’m open minded, I’ve begun to reconsider areas I’ve previously closed off. As a result, I’m having a lot of fun learning about Manga, Graphic Novels, and Comics. Much to my surprise, I’ve found a nice selection of classic stories, in Manga/Graphic Novel format. After recently reading a memoir by Olivia Hussey, the actress who portrayed Juliet in the famous Zeffirelli 1968 film, this play was on my mind quite a lot. So, when I noticed this Manga version on Netgalley, it grabbed my attention immediately. For anyone who may be thinking the dialogue is 'updated' with more modern dialect, you’d be wrong. This is the same script you’d find in the original play- except there are no stage directions. Instead, those are replaced by images, which works out much better than I’d have imagined. The artwork is spectacular, as is the adaptation. Obviously, a great deal of thought went into how to present this classic in Manga form, and I’d say it came off beautifully. Granted, I’m still a novice at this, but I was pleased with the presentation. I did have a few technical issues, since this one is not in Kindle/ MOBI format. I had to use Adobe Edition, which is a pain, and the scrolling was terrible, especially since, of course it’s back to front. Several times my screen jumped to the end of the book and caused a great deal of frustration.Shakespeare is still difficult to read and adjusting to this format made it an even bigger challenge. It took me a good long while to get through it. (If anyone has a suggestion on how to make this less daunting- please feel free to offer me some suggestions.) However, despite the heaviness of the drama, and the extra effort it required to read the book, I was impressed, and enjoyed reading this classic with the well-drawn illustrations and art work which certainly enriched and enhanced my experience.Despite the disdain of melodrama- I liked all the angst between Romeo and Juliet- but not that sad ending! It still makes a great cautionary tale- even after all these years. 4 stars
  • Rating: 4 out of 5 stars
    4/5
    Note: this is only four stars compared to other Shakespeare. Romeo and Juliet is not the best play he ever wrote, but it is far and away better than almost anything else in the English language.
  • Rating: 3 out of 5 stars
    3/5
    It's a classic, but not really a favorite of mine.
  • Rating: 5 out of 5 stars
    5/5
    Such a beautiful and tragic story. One of Shakespeare's best.
  • Rating: 3 out of 5 stars
    3/5
    Shakespeare has a nice writing style, but Romeo and Juliet were really stupid, so I'm feeling this was just okay. It wasn't true love as much as it was infatuation.
  • Rating: 4 out of 5 stars
    4/5
    I just love this play it is so romantic and yet it is very sad at the same time. i had to read it for school and i was saddened when i got my copy and it was an abriged version but one of these days i will read an unabriged version adn cry my eyes out when Romeo and Juliet die because they are in love.
  • Rating: 5 out of 5 stars
    5/5
    As long as you remind yourself that this is teen melodrama and not tragedy the essential vapidity of the central relationship and the frustratingly buried deeper and more complex relationships--actually all Romeo's, with Mercutio but also Benvolio, Tybalt, the priest--don't get in the way of good tawdry enjoyment. Now I think about it, Romeo's like a cryptohomoerotic sixteenth-century Archie.
  • Rating: 2 out of 5 stars
    2/5
    I don't get the hype. I find Romeo to be completely annoying and the story is just frustrating. Worse is trying to see modern film adaptations of the same story, where life-or-death lost messages is impossible. I don't see the point in reading this story except to promote cultural literacy (in which case, a plot summary would suffice).
  • Rating: 4 out of 5 stars
    4/5
    It makes for a more interesting read if you choose to interpret it as a Trainwreck, instead of a love story against which all others should be measured. If ~anyone~ in the entire play had enough sense to tell them "Hey, slow down, you knew each other for under a day when you decided to get married, let's just be rational," things wouldn't have turned out as they did. Shakespeare's very very impressive in how lifelike his characters are, and how engaging his plays are (compared to many other dull dull plays of the time), but...Romeo and Juliet really pushes the boundaries of credibility for me
  • Rating: 5 out of 5 stars
    5/5
    This updated Folger's edition is very readable, yet still contains all of the explanatory picture from the previous editions.I sometimes was able to read several pages without referencing the footnotes on the left page. I also thought the suggested books for further reading were helpful, as they highlight major themes of this classic.
  • Rating: 4 out of 5 stars
    4/5
    I listened to an audiobook version by the BBC. It was very well done and a pleasure to listen to. It was also very short, only about 3 hours long. I enjoyed the story and am glad that I have finally experienced it. Would like to see the play performed live some day.
  • Rating: 2 out of 5 stars
    2/5
    I love Shakespeare. I simply detest this play.
  • Rating: 4 out of 5 stars
    4/5
    The more I read Romeo and Juliet the more I enjoy it. And I've had to read it many times -- for acting classes and teaching it to freshmen. I love the romantic poetry, but even more than that I love the fact that it's got some rather raunchy comedy to it. I mean, really, sexual refferences, booze, violence -- how can you go wrong?
  • Rating: 2 out of 5 stars
    2/5
    READ IN ENGLISH

    I suppose this is an absolute must-read for everyone who has ever been to high school. I read it in my fifth year and actually I really couldn't understand what gave this story it's marvelous reputation.

    May Contain Some Spoilers!

    Maybe it was more normal in those days, as I'm not the slightest a professor when it comes to both English Literature/Plays and English History, but it seems at least a bit weird, to run away and kill yourself over someone you've only just met and everything. Yes, there is of course a lot of drama in it, and presumably it is better to see it on stage than to read it, but I had expected more from this story, as it is so extremely famous!
  • Rating: 3 out of 5 stars
    3/5
    Romeo and Juliet is a huge tragedy. It is a good romance novel though. I liked reading it because I was able to understand all of those classic lines used in the novel. like romeo oh romeo where for out thou romeo.
  • Rating: 5 out of 5 stars
    5/5
    I give this book 5 stars because it uses creative and expresses a true form of writing that makes you want to read more until you've read the whole book!!
  • Rating: 5 out of 5 stars
    5/5
    Just cultural literacy alone demands you read this play; which I actually think is among Shakespeare's most readable and lyrical, with indelible, lovely lines. It ranks among my favorite of his because of the way he both expresses the beauty of young love as well as the potential destructiveness of adolescent passions in which, unfortunately, Romeo and Juliet are well-matched. I remember a teacher once explaining how character propels plot through Shakespeare plays. If Othello had been inserted into Hamlet's plot and vice versa there would have been no tragedy. Othello wouldn't have hesitated to destroy Claudius and Hamlet would have thoroughly investigated before killing Desdemona. In this play Romeo and Juliet each pull each other towards the tragedy, their immaturity and overwhelmed emotions as much the linchpin as their family's feuds. Of course, there's nothing like seeing this dramatized. I rather love the 1968 film directed by Franco Zeffirelli. A traditional approach with actors of the right ages to fit their roles.
  • Rating: 5 out of 5 stars
    5/5
    Teenage Proclivity for Conjugation: "Romeo and Juliet" by William Shakespeare, J.A. Bryant Jr. Published 1998.

    Upon each re-reading I always wonder why Shakespeare does not reveal the reason that the families hate each other. We are told that the households are alike in dignity (social status). We are even provided with a "spoiler alert" when we learn that the "star crossed lovers" will commit suicide, resulting in a halt to the feuding between the two families. In addition, we receive the clue that the feud has gone on for a long time (ancient grudge) However, the omission of the reason for the feud leaves us wondering and imagining a variety of scenarios--just as Shakespeare must have intended. I think it is important for an author to leave a mystery for the reader to explore. In Star Wars there was a sense of mystery about the Force, what was it. Are there any reasons needed, ever? The humankind's history is filled with feuds which are completely pointless... "Ancient grudge", servants' street fight -- and general desire to feel better than someone else. Isn't this very pointlessness that Shakespeare intended the viewers to see?

    The rest of this review can be read elsewhere.
  • Rating: 4 out of 5 stars
    4/5
    What can I say about Romeo and Juliet that hasn't already been said? Nothing...but I'll still tell you what you've already heard. Romeo and Juliet is one of the most tragic love stories ever written. The love between Romeo and Juliet is so beautiful because it is immediate and forbidden. Isn't that intriguing? Yes. We all want what is forbidden and we all want a love that doesn't ask why, it just is. Unfortunately, the tragic part must be there too because if this love were to last longer than it had, those questions why would have popped up and ended this great love affair. Romeo and Juliet is the classic love story because its timing is right on mark. The love is immediate in two young characters, that love is only experienced for a short period of time and the death comes before any one or any thing can make them no longer be in love.
  • Rating: 4 out of 5 stars
    4/5
    This is not my favorite of the tragedies...perhaps too much memory of Ninth Grade English cramming comparisons of it and West Side Story down my throat. Seriously though, while I've reread it twice and can love the language, I can't overlook the essential silliness of the whole situation.Recommended because there's no Shakespeare I've yet read that I wouldn't recommend, I don't think it's the most enjoyable thing he's written.
  • Rating: 4 out of 5 stars
    4/5
    The play, set in Verona, begins with a street brawl between Montagues and Capulets who are sworn enemies. The Prince of Verona intervenes and declares that further breach of the peace will be punishable by death. Later, Count Paris talks to Capulet about marrying his daughter, but Capulet is wary of the request because Juliet is only thirteen. Capulet asks Paris to wait another two years and invites him to attend a planned Capulet ball. Lady Capulet and Juliet's nurse try to persuade Juliet to accept Paris's courtship.

    Meanwhile, Benvolio talks with his cousin Romeo, Lord Montague's son, about Romeo's recent depression. Benvolio discovers that it stems from unrequited infatuation for a girl named Rosaline, one of Capulet's nieces. Persuaded by Benvolio and Mercutio, Romeo attends the ball at the Capulet house. However, Romeo instead meets and falls in love with Juliet. After the ball, in what is now called the "balcony scene", Romeo sneaks into the Capulet courtyard and overhears Juliet on her balcony vowing her love to him in spite of her family's hatred of the Montagues. Romeo makes himself known to her and they agree to be married. With the help of Friar Laurence, who hopes to reconcile the two families through their children's union, they are secretly married the next day.

    Juliet's cousin Tybalt, incensed that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalt's insolence, as well as Romeo's "vile submission," and accepts the duel on Romeo's behalf. Mercutio is fatally wounded when Romeo attempts to break up the fight. Grief-stricken and wracked with guilt, Romeo confronts and slays Tybalt.

    Montague argues that Romeo has justly executed Tybalt for the murder of Mercutio. The Prince, now having lost a kinsman in the warring families' feud, exiles Romeo from Verona and declares that if Romeo returns, "that hour is his last." Romeo secretly spends the night in Juliet's chamber, where they consummate their marriage. Capulet, misinterpreting Juliet's grief, agrees to marry her to Count Paris and threatens to disown her when she refuses to become Paris's "joyful bride." When she then pleads for the marriage to be delayed, her mother rejects her.

    Juliet visits Friar Laurence for help, and he offers her a drug that will put her into a death-like coma for "two and forty hours." The Friar promises to send a messenger to inform Romeo of the plan, so that he can rejoin her when she awakens. On the night before the wedding, she takes the drug and, when discovered apparently dead, she is laid in the family crypt.

    The messenger, however, does not reach Romeo and, instead, he learns of Juliet's apparent death from his servant Balthasar. Heartbroken, Romeo buys poison from an apothecary and goes to the Capulet crypt. He encounters Paris who has come to mourn Juliet privately. Believing Romeo to be a vandal, Paris confronts him and, in the ensuing battle, Romeo kills Paris. Still believing Juliet to be dead, he drinks the poison. Juliet then awakens and, finding Romeo dead, stabs herself with his dagger. The feuding families and the Prince meet at the tomb to find all three dead. Friar Laurence recounts the story of the two "star-cross'd lovers". The families are reconciled by their children's deaths and agree to end their violent feud. The play ends with the Prince's elegy for the lovers: "For never was a story of more woe / Than this of Juliet and her Romeo."
  • Rating: 5 out of 5 stars
    5/5
    While designing a board game based in Verona, Italy in the 1400's, I ended up reading the play 14 times. It stands up very well. If you're looking for a brilliant treatment in a film, the Francesco Zefferelli version is near perfect. Try to get a version that doesn't edit the Tibault/Mercutio sword-fight, a magnificent dramatic sequence. But for reading aloud in an evening, this is a great experience as well. Should I tell you that the male brain isn't fully matured until the age of 26? It is germane to the plot.
  • Rating: 1 out of 5 stars
    1/5
    This is a tragedy in the sense that Shakespeare did so much better with his other plays. This one is weak. The amount of coincidence is down right ridiculous, Shakespeare plays way too much into the "love" for a tale that is supposed to be cautionary(or so I think it might've been senseless fighting between two families led to tragic deaths, never really capitalizes on it til the end). It's also the standard for classic love story although it is nothing of the sort. I despised it.
  • Rating: 4 out of 5 stars
    4/5
    I enjoy this story because of the language. Half of the enjoyment is in reading and getting the double meanings and picking up the slang and language of a time long ago.Other than that though I find Romeo and Juliet to be the utmost in TSTL (Too Stupid To Live) hero/heroines - and indeed they are the ultimate TSTL as well, they don't live in the end.To go on shaky misinformation and non communication to decided to kill yourself? Talk about a couple of idiots.
  • Rating: 5 out of 5 stars
    5/5
    This is one of my favorite writes by William Shakespeare, along with Julius Caesar and The Merchant of Venice. Forbidden love, yet desire to be together. An elaborate plan that would have worked, had one been a little more patient as it pertained to Juliet waking up. The epitome of a romantic tragedy but not without lessons. The main one being that some feuds should be squashed.
  • Rating: 5 out of 5 stars
    5/5
    Yes studied at school but I have seen it at Stratford with my wife on a wedding anniversary. I had the pleasure of criticising the production and performance and then seeing this confirmed by the theatre critics in the serious papers-evidence that some of the reading and study has sank in!
  • Rating: 4 out of 5 stars
    4/5
    Brilliant. I am not a fan of love stories or romances or even stories of betrayal and family dynamics. However, this is a stunning book, one of the best ever written I suppose. (I also liked the movie with Leonardo di Caprio and John Leguizamo by this name. It seemed to have all the original writing or a good chunk of it in a modern movie which I've never seen done well before -- I liked it much better than the Liam Neeson ones). The story is basic compared to many of his other books but the writing's as good or better.

Book preview

Romeo and Juliet - William Shakespeare

Attendants.

THE PROLOGUE

[Enter Chorus.]

CHORUS

Two households, both alike in dignity,

In fair Verona, where we lay our scene,

From ancient grudge break to new mutiny,

Where civil blood makes civil hands unclean.

From forth the fatal loins of these two foes

A pair of star-cross’d lovers take their life;

Whose misadventur’d piteous overthrows

Doth with their death bury their parents’ strife.

The fearful passage of their death-mark’d love,

And the continuance of their parents’ rage,

Which but their children’s end naught could remove,

Is now the two hours’ traffic of our stage;

The which, if you with patient ears attend,

What here shall miss, our toil shall strive to mend.

ACT 1

Act 1, Scene 1. A Public Place.

[Enter Sampson and Gregory armed with swords and bucklers.]

SAMPSON

Gregory, o’ my word, we’ll not carry coals.

GREGORY

No, for then we should be colliers.

SAMPSON

I mean, an we be in choler we’ll draw.

GREGORY

Ay, while you live, draw your neck out o’ the collar.

SAMPSON

I strike quickly, being moved.

GREGORY

But thou art not quickly moved to strike.

SAMPSON

A dog of the house of Montague moves me.

GREGORY

To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn’st away.

SAMPSON

A dog of that house shall move me to stand:

I will take the wall of any man or maid of Montague’s.

GREGORY

That shows thee a weak slave; for the weakest goes to the wall.

SAMPSON

True; and therefore women, being the weaker vessels, are ever thrust to the wall: therefore I will push Montague’s men from the wall and thrust his maids to the wall.

GREGORY

The quarrel is between our masters and us their men.

SAMPSON

’Tis all one, I will show myself a tyrant: when I have fought with the men I will be cruel with the maids, I will cut off their heads.

GREGORY

The heads of the maids?

SAMPSON

Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt.

GREGORY

They must take it in sense that feel it.

SAMPSON

Me they shall feel while I am able to stand: and ’tis known I am a pretty piece of flesh.

GREGORY

’Tis well thou art not fish; if thou hadst,

thou hadst been poor-John.—Draw thy tool;

Here comes two of the house of Montagues.

SAMPSON

My naked weapon is out: quarrel! I will back thee.

GREGORY

How! turn thy back and run?

SAMPSON

Fear me not.

GREGORY

No, marry; I fear thee!

SAMPSON

Let us take the law of our sides; let them begin.

GREGORY

I will frown as I pass by; and let them take it as they list.

SAMPSON

Nay, as they dare. I will bite my thumb at them; which is disgrace to them if they bear it.

[Enter Abraham and Balthasar.]

ABRAHAM

Do you bite your thumb at us, sir?

SAMPSON

I do bite my thumb, sir.

ABRAHAM

Do you bite your thumb at us, sir?

SAMPSON

Is the law of our side if I say ay?

GREGORY

No.

SAMPSON

No, sir, I do not bite my thumb at you, sir; but I bite my thumb, sir.

GREGORY

Do you quarrel, sir?

ABRAHAM

Quarrel, sir! no, sir.

SAMPSON

But if you do, sir, am for you: I serve as good a man as you.

ABRAHAM

No better.

SAMPSON

Well, sir.

GREGORY

Say better; here comes one of my master’s kinsmen.

SAMPSON

Yes, better, sir.

ABRAHAM

You lie.

SAMPSON

Draw, if you be men.—Gregory, remember thy swashing blow.

[They fight.]

[Enter Benvolio.]

BENVOLIO

Part, fools! put up your swords; you know not what you do.

[Beats down their swords.]

[Enter Tybalt.]

TYBALT

What, art thou drawn among these heartless hinds?

Turn thee Benvolio, look upon thy death.

BENVOLIO

I do but keep the peace: put up thy sword,

Or manage it to part these men with me.

TYBALT

What, drawn, and talk of peace! I hate the word

As I hate hell, all Montagues, and thee:

Have at thee, coward!

[They fight.]

[Enter several of both Houses, who join the fray; then enter Citizens with clubs.]

1 CITIZEN

Clubs, bills, and partisans! strike! beat them down!

Down with the Capulets! Down with the Montagues!

[Enter Capulet in his gown, and Lady Capulet.]

CAPULET

What noise is this?—Give me my long sword, ho!

LADY CAPULET

A crutch, a crutch!—Why call you for a sword?

CAPULET

My sword, I say!—Old Montague is come,

And flourishes his blade in spite of me.

[Enter Montague and his Lady Montague.]

MONTAGUE

Thou villain Capulet!—Hold me not, let me go.

LADY MONTAGUE

Thou shalt not stir one foot to seek a foe.

[Enter Prince, with Attendants.]

PRINCE

Rebellious subjects, enemies to peace,

Profaners of this neighbour-stained steel,—

Will they not hear?—What, ho! you men, you beasts,

That quench the fire of your pernicious rage

With purple fountains issuing from your veins,—

On pain of torture, from those bloody hands

Throw your mistemper’d weapons to the ground

And hear the sentence of your moved prince.—

Three civil brawls, bred of an airy word,

By thee, old Capulet, and Montague,

Have thrice disturb’d the quiet of our streets;

And made Verona’s ancient citizens

Cast by their grave beseeming ornaments,

To wield old partisans, in hands as old,

Canker’d with peace, to part your canker’d hate:

If ever you disturb our streets again,

Your lives shall pay the forfeit of the peace.

For this time, all the rest depart away:—

You, Capulet, shall go along with me;—

And, Montague, come you this afternoon,

To know our farther pleasure in this case,

To old Free-town, our common judgment-place.—

Once more, on pain of death, all men depart.

[Exeunt Prince and Attendants; Capulet, Lady Capulet, Tybalt, Citizens, and Servants.]

MONTAGUE

Who set this ancient quarrel new abroach?—

Speak, nephew, were you by when it began?

BENVOLIO

Here were the servants of your adversary

And yours, close fighting ere I did approach:

I drew to part them: in the instant came

The fiery Tybalt, with his sword prepar’d;

Which, as he breath’d defiance to my ears,

He swung about his head, and cut the winds,

Who, nothing hurt withal, hiss’d him in scorn:

While we were interchanging thrusts and blows,

Came more and more, and fought on part and part,

Till the prince came, who parted either part.

LADY MONTAGUE

O, where is Romeo?—saw you him to-day?—

Right glad I am he was not at this fray.

BENVOLIO

Madam, an hour before the worshipp’d sun

Peer’d forth the golden window of the east,

A troubled mind drave me to walk abroad;

Where,—underneath the grove of sycamore

That westward rooteth from the city’s side,—

So early walking did I see your son:

Towards him I made; but he was ware of me,

And stole into the covert of the wood:

I, measuring his affections by my own,—

That most are busied when they’re most alone,—

Pursu’d my humour, not pursuing his,

And gladly shunn’d who gladly fled from me.

MONTAGUE

Many a morning hath he there been seen,

With tears augmenting the fresh morning’s dew,

Adding to clouds more clouds with his deep sighs:

But all so soon as the all-cheering sun

Should in the farthest east begin to draw

The shady curtains from Aurora’s bed,

Away from light steals home my heavy son,

And private in his chamber pens himself;

Shuts up his windows, locks fair daylight out

And makes himself an artificial night:

Black and portentous must this humour prove,

Unless good counsel may the cause remove.

BENVOLIO

My noble uncle, do you know the cause?

MONTAGUE

I neither know it nor can learn of him.

BENVOLIO

Have you importun’d him by any means?

MONTAGUE

Both by myself and many other friends;

But he, his

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