Hamlet, Prince of Denmark
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About this ebook
"Something is rotten in the state of Denmark." Brooding Hamlet, the son of the recently deceased king, is about to discover the royal family's corruption firsthand. Taken by the castle watchman to meet the apparition they see at night, Hamlet is surprised to find it is his father's ghost. Hamlet seeks to avenge his father's dishonorable death, but the casualties along the way may prove to be just as tragic. Enter William Shakespeare's famous world of betrayal, madness, and "murder most foul" through this unabridged version of Hamlet, Prince of Denmark, first published in England in 1603.
William Shakespeare
William Shakespeare (1564–1616) is arguably the most famous playwright to ever live. Born in England, he attended grammar school but did not study at a university. In the 1590s, Shakespeare worked as partner and performer at the London-based acting company, the King’s Men. His earliest plays were Henry VI and Richard III, both based on the historical figures. During his career, Shakespeare produced nearly 40 plays that reached multiple countries and cultures. Some of his most notable titles include Hamlet, Romeo and Juliet and Julius Caesar. His acclaimed catalog earned him the title of the world’s greatest dramatist.
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Reviews for Hamlet, Prince of Denmark
6,783 ratings93 reviews
- Rating: 5 out of 5 stars5/5Classic Shakespeare tragedy.
- Rating: 4 out of 5 stars4/5Who am I to review Shakespeare?!
- Rating: 4 out of 5 stars4/5The only Shakespeare plays I had read before this were Romeo and Juliet and Macbeth, Macbeth being my favorite. Having now read Hamlet, I can honestly say that Macbeth is still my favorite.
Let's discuss.
So, Hamlet himself is an emo icon, and also a misogynist, who basically goes crazy, murders someone, and essentially ruins everything.
The ending came a little too quickly for me, tbh. There wasn't enough time to really develop any other characters. It was pretty quotable, though. Really, it gave me more Romeo and Juliet feels than Macbeth feels. - Rating: 5 out of 5 stars5/5The Penguin edition remains the best edition for highschool students, undergrad students and actors. Not as dense as the Arden nor as casual as the RSC, but the perfect in-between for people in those categories.
- Rating: 4 out of 5 stars4/5It amazes me how many people like Hamlet, no exception here, when it's really hard to relate to, but yet it's just one of those plays once you get into it, you come to love it. I read it for the first time in 12th grade and everyone would talk about it even when they didn't have to. The characters in Hamlet are amazingly complex and it doesn't just state how they are, you learn it through their actions and what they say. It's just so unique, I know everytime I read it I get a different opinion of the characters and the overall play.
- Rating: 5 out of 5 stars5/5Almost intriguing play, and not the easiest work to read. The tale of a young prince trying to come to terms with his father’s death is probably the best known of Shakespeare’s tragedies. There’s something for everyone here: high drama, low comedy, intriguing characters. I’d advise watching a video or move, or perhaps listening to an audio presentation either before or while reading this one. No matter how good your reading skills are, the enjoyment and understanding of any play is enhanced Psy seeing it performed. This time out I watched an old stage production starring Richard Burton. The highlight of that one is Hume Cronyn’s marvelously humorous take on Polonius.Highest recommendation possible.
- Rating: 5 out of 5 stars5/5My favorite, of all the histories and tragedies. I've seen it in performance at least 5 times--with Kevin Kline and Ralph Fiennes two of the most memorable.
- Rating: 3 out of 5 stars3/5This is one of the best Shakespeare plays. The soliloquies of Hamlet give us a real insight into his mind as he tortures himself with the way he is treating Ophelia, yet slowly descends himself into the madness he has forced upon her. I always say that Shakespeare cannot be understood by simply reading the text, you have to see it performed the way it was intended to be enjoyed, and Samuel West's portrayal of Hamlet at the theatre was superb.
- Rating: 5 out of 5 stars5/5This is probably the most famous play in the world. It is so well-known that I don't think I need to outline the plot.I can see why this play, and Shakespeare, have wowed audiences and readers through the ages.I find my reactions to the bard's work quite interesting. I don't know if I've gained in literary maturity, or if his writing is so uneven. In either case, while I've certainly enjoyed his works in the past, it isn't until I read Richard III recently that I understood why Shakespeare has been considered so great, so far above any other playwright since his time. I've certianly enjoyed his work, previously, but I had thought him slightly over-rated. Now I know that I was so wrong!In any case, I'm now a confirmed fan of The Bard, and look forward to reading more of his work!
- Rating: 3 out of 5 stars3/5Classic. I did enjoy reading this and I still have all my original underlines and footnotes on the page. The perfect definition of tragedy!
- Rating: 5 out of 5 stars5/5There: you can all stop nagging me, I've finally read it. The plot was mostly as expected, though I think whatever version I read as a child was less kind to Ophelia, as I had a rather different image of her in mind. I had a whole book of Shakespeare retellings, now I think about it: I can't really remember many of them, but I suppose they haunt me a little in my vague ideas of what the plays are like before I read them...
Anyway, Hamlet: justly famous, and full of phrases and quotations that even people who've never read a Shakespeare play can quote. It's always interesting coming to those in situ at last.
Still terribly glad I don't have to study Shakespeare now. If I end up somehow forced to read Shakespeare in my MA, I may scream. Much happier to come to his plays now, in my own good time. - Rating: 5 out of 5 stars5/5I have loved this play since I first read it in high school. I find it both very tragic (but in a heroic kind of way) and very funny. I remember laughing at the fishwife dialogue in the library and my class mate thinking I was terribly odd. It doesn't matter, I still think this book is beautiful to read and very funny.
- Rating: 4 out of 5 stars4/5One of the bard's all time classics, so frequently performed that it occasionally needs to be re-read to experience it the way he wrote it, without all the directorial impulses to pretty it up or modernize it. It had been a long time since my last read, and I was somewhat surprised to realize that this play comes with very few stage directions outside of entrances and exits; there are so many things that directors do exactly the same, you forget they weren't mentioned in the stage directions, and have simply become habit. Anyway, this play, about ambition and revenge, still holds up well through the centuries, though many of the actions seem outdated to us now. The poetry of the language and the rich texturing of the characters, even the most minor of characters, creates a complex story that successfully holds many balls in the air at once. Shakespeare's frequent use of ghosts is noteworthy, since that is something that modern day playwrights are told to be very careful about, and avoid if at all possible. A satisfying story, and a satisfying re-read.
- Rating: 5 out of 5 stars5/5I like other Shakespeare plays better, but I admit that this is Shakespeare's zenith.
- Rating: 4 out of 5 stars4/5Last time I read Hamlet, I was in school and I remember having some difficulty with the language... This time I found the language easier (although still hard to follow in places -- "The canker galls the infants of the spring
Too oft before their buttons be disclos'd,
And in the morn and liquid dew of youth
Contagious blastments are most imminent." Laertes to Ophelia; I have read this over & over and still don't understand it). - Rating: 4 out of 5 stars4/5Good solid Shakespeare read. A bit too much of a "he did, she did" plot at times.
- Rating: 5 out of 5 stars5/5My favorite Shakespearean play. Though there is one that may end up taking it's place.
- Rating: 5 out of 5 stars5/5One of the best things I've ever read. Hamlet's got it all. Shakespeare at his best, filling so few pages with so much story.
- Rating: 5 out of 5 stars5/5Who wants to read Hamlet? Ew. Ew Hamlet.But I enjoyed it. Despite being long long long and so thick, the pase was acutally quite brisk, and the language gorgeous, and I have fond memories of Hamlet. Compare Hamlet to Phaedra - Phaedra is a much shorter play, but the titular heroine spends the entirety of the play basically in the throes of the same emotion. Hamlet's issues, although they drag out through the whole play, keep changing and morphing, and corresponding to the action in the play.All in all, I am happy I read it.
- Rating: 5 out of 5 stars5/5Hamlet's an amazingly dynamic and complex play about the lure of death and the struggle against inaction. Wonderful and dark and always a pleasure to read
- Rating: 3 out of 5 stars3/5Story:
Everyone knows Hamlet. Okay, maybe not everyone, but most people do. Now, if you were to ask me if I liked Hamlet, my short answer would probably be 'no.' Really, though, it's not fair for me to encapsulate my feelings on Hamlet into such a simple answer. If Hamlet and I were in a relationship on facebook (assuming he it could ever decide whether to be in one...punned!), it would most definitely be complicated.
Here's the thing: Hamlet is a great play. There's no denying it. When I think about the play objectively, there's a lot of amazing stuff in there. Shakespeare's wit is fantastic; gotta love all of those dirty jokes he makes in here. And, of course, the language is completely gorgeous.
The characters I have never been particularly tied to, which is one reason Hamlet does not rank among my favorite plays; the tragedies often lack the sassy heroines you can find in the comedies. Hamlet's indecisiveness frustrates me endlessly. Whine, whine, whine, think about doing something, wimp out, wine more. Cry moar, anon. Yoda judges you. Hamlet's uncle father and his aunt mother are not especially likable, even if you don't think they're guilty of what Hamlet's ghosty father accused them of (namely, turning him into a ghost). Ophelia isn't the brightest; plus, her end does not for admiration make. Rosencrantz and Guildenstern are probably my favorites, and that's only because of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.
Truly though, the reason that I don't really like Hamlet is how prevalent it is. I just get so tired of always hearing this same play over and over. I mean, who didn't have to read this in high school, and again in college?
Performance:
This audiobook is the recording of a stage version of the play, performed by the Oregon Shakespeare Festival cast. They do a good job, and I imagine it was quite a fun performance that they did. It sounds like they did some interesting things with the characters, such as changing gender in some cases and some modernizing (thus the leather jacket Hamlet's wearing).
Unfortunately, listening to a play and watching it just aren't the same. Had I not already been very familiar with Hamlet, I have little doubt that I would at time have been confused by some of the quick scene changes or by which voice belonged to which character. Some of the actors did have rather similar sounding voices.
Between scenes, there is creepy dramatic music, which definitely set a mood, but I don't think I liked. Nor did I care for the fact that the players rapped everything. That was kind of weird. At least Ophelia didn't rap her crazyface songs. Speaking of Ophelia, she was my favorite part of the performance. Her voice and manner definitely reminded me of River Tam (Summer Glau's character in Firefly, who has a couple of screws loose). What an awesome way to portray Ophelia. Now I kind of want to try to write some fan fiction with the characters from Firefly performing Hamlet. Maybe not. - Rating: 5 out of 5 stars5/5Read it in Sixth Form and it spoiled me for Julius Ceaser.It is a wonderful complex read. And trying to discover all the layers is part of the fun.At its base, Hamlet is a prince called to avenge his late father the murdered King of Denmark. Yet it's not as simple as that. Hamlet's birthright has him in turmoil with himself, and then there is the issue of his mother and her new husband, the King's brother.A modern version would be tacky and full of soap opera bachannal...but Shakesphere's play is a serious psychological study of a young man who should be King.
- Rating: 3 out of 5 stars3/5I'm not a big Shakespeare fan, so I won't rate any of his works very high
- Rating: 5 out of 5 stars5/5Hamlet is a phenomenal play. Just spectacular.
- Rating: 5 out of 5 stars5/5Oh, Hamlet, Hamlet, Hamlet, Hamlet, Hamlet. Get thee to a nunnery.
- Rating: 5 out of 5 stars5/5After King Lear, this is one of my favorites. Hamlet, in short, is the Lion King. Rather, I should say The Lion King is Hamlet. My reassurance of Shakespeare's credibility and talent is purely unnecessary so a review is kind of pointless. But if you liked the Lion King, attempt Shakespeare's version. It has more blood and wit.
- Rating: 4 out of 5 stars4/5Hey its Hamlet. What else can I say. You either love it or hate it.
- Rating: 5 out of 5 stars5/5One of my favorite Shakespeare works.
- Rating: 5 out of 5 stars5/5My fav editions of the Bard.
- Rating: 5 out of 5 stars5/5Great classic
Book preview
Hamlet, Prince of Denmark - William Shakespeare
Attendants.
ACT 1
Act 1, Scene 1. Elsinore. A platform before the Castle.
[Francisco at his post. Enter to him Bernardo.]
BERNARDO
Who’s there?
FRANCISCO
Nay, answer me: stand, and unfold yourself.
BERNARDO
Long live the king!
FRANCISCO
Bernardo?
BERNARDO
He.
FRANCISCO
You come most carefully upon your hour.
BERNARDO
’Tis now struck twelve. Get thee to bed, Francisco.
FRANCISCO
For this relief much thanks: ’tis bitter cold,
And I am sick at heart.
BERNARDO
Have you had quiet guard?
FRANCISCO
Not a mouse stirring.
BERNARDO
Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
FRANCISCO
I think I hear them.—Stand, ho! Who is there?
[Enter Horatio and Marcellus.]
HORATIO
Friends to this ground.
MARCELLUS
And liegemen to the Dane.
FRANCISCO
Give you good-night.
MARCELLUS
O, farewell, honest soldier;
Who hath reliev’d you?
FRANCISCO
Bernardo has my place.
Give you good-night.
[Exit.]
MARCELLUS
Holla! Bernardo!
BERNARDO
Say.
What, is Horatio there?
HORATIO
A piece of him.
BERNARDO
Welcome, Horatio:—Welcome, good Marcellus.
MARCELLUS
What, has this thing appear’d again to-night?
BERNARDO
I have seen nothing.
MARCELLUS
Horatio says ’tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us:
Therefore I have entreated him along
With us to watch the minutes of this night;
That, if again this apparition come
He may approve our eyes and speak to it.
HORATIO
Tush, tush, ’twill not appear.
BERNARDO
Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,
What we two nights have seen.
HORATIO
Well, sit we down,
And let us hear Bernardo speak of this.
BERNARDO
Last night of all,
When yond same star that’s westward from the pole
Had made his course to illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one,—
MARCELLUS
Peace, break thee off; look where it comes again!
[Enter Ghost, armed.]
BERNARDO
In the same figure, like the king that’s dead.
MARCELLUS
Thou art a scholar; speak to it, Horatio.
BERNARDO
Looks it not like the King? mark it, Horatio.
HORATIO
Most like:—it harrows me with fear and wonder.
BERNARDO
It would be spoke to.
MARCELLUS
Question it, Horatio.
HORATIO
What art thou, that usurp’st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee, speak!
MARCELLUS
It is offended.
BERNARDO
See, it stalks away!
HORATIO
Stay! speak, speak! I charge thee speak!
[Exit Ghost.]
MARCELLUS
’Tis gone, and will not answer.
BERNARDO
How now, Horatio! You tremble and look pale:
Is not this something more than fantasy?
What think you on’t?
HORATIO
Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.
MARCELLUS
Is it not like the King?
HORATIO
As thou art to thyself:
Such was the very armour he had on
When he the ambitious Norway combated;
So frown’d he once when, in an angry parle,
He smote the sledded Polacks on the ice.
’Tis strange.
MARCELLUS
Thus twice before, and jump at this dead hour,
With martial stalk hath he gone by our watch.
HORATIO
In what particular thought to work I know not;
But, in the gross and scope of my opinion,
This bodes some strange eruption to our state.
MARCELLUS
Good now, sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land;
And why such daily cast of brazen cannon,
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week;
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is’t that can inform me?
HORATIO
That can I;
At least, the whisper goes so. Our last king,
Whose image even but now appear’d to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick’d on by a most emulate pride,
Dar’d to the combat; in which our valiant Hamlet,—
For so this side of our known world esteem’d him,—
Did slay this Fortinbras; who, by a seal’d compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands,
Which he stood seiz’d of, to the conqueror:
Against the which, a moiety competent
Was gaged by our king; which had return’d
To the inheritance of Fortinbras,
Had he been vanquisher; as by the same cov’nant,
And carriage of the article design’d,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimproved mettle hot and full,
Hath in the skirts of Norway, here and there,
Shark’d up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in’t; which is no other,—
As it doth well appear unto our state,—
But to recover of us, by strong hand,
And terms compulsatory, those foresaid lands
So by his father lost: and this, I take it,
Is the main motive of our preparations,
The source of this our watch, and the chief head
Of this post-haste and romage in the land.
BERNARDO
I think it be no other but e’en so:
Well may it sort, that this portentous figure
Comes armed through our watch; so like the king
That was and is the question of these wars.
HORATIO
A mote it is to trouble the mind’s eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless, and the sheeted dead
Did squeak and gibber in the Roman streets;
As, stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star,
Upon whose influence Neptune’s empire stands,
Was sick almost to doomsday with eclipse:
And even the like precurse of fierce events,—
As harbingers preceding still the fates,
And prologue to the omen coming on,—
Have heaven and earth together demonstrated
Unto our climature and countrymen.—
But, soft, behold! lo, where it comes again!
[Re-enter Ghost.]
I’ll cross it, though it blast me.—Stay, illusion!
If thou hast any sound, or use of voice,
Speak to me:
If there be any good thing to be done,
That may to thee do ease, and, race to me,
Speak to me:
If thou art privy to thy country’s fate,
Which, happily, foreknowing may avoid,
O, speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth,
For which, they say, you spirits oft walk in death,
[The cock crows.]
Speak of it:—stay, and speak!—Stop it, Marcellus!
MARCELLUS
Shall I strike at it with my partisan?
HORATIO
Do, if it will not stand.
BERNARDO
’Tis here!
HORATIO
’Tis here!
MARCELLUS
’Tis gone!
[Exit Ghost.]
We do it wrong, being so majestical,
To offer it the show of violence;
For it is, as the air, invulnerable,
And our vain blows malicious mockery.
BERNARDO
It was about to speak, when the cock crew.
HORATIO
And then it started, like a guilty thing
Upon a fearful summons. I have heard
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day; and at his warning,
Whether in sea or fire, in earth or air,
The extravagant and erring spirit hies
To his confine: and of the truth herein
This present object made probation.
MARCELLUS
It faded on the crowing of the cock.
Some say that ever ’gainst that season comes
Wherein our Saviour’s birth is celebrated,
The bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad;
The nights are wholesome; then no planets strike,
No fairy takes, nor witch hath power to charm;
So hallow’d and so gracious is the time.
HORATIO
So have I heard, and do in part believe it.
But, look, the morn, in russet mantle clad,
Walks o’er the dew of yon high eastward hill:
Break we our watch up: and by my advice,
Let us impart what we have seen to-night
Unto young Hamlet; for, upon my life,
This spirit, dumb to us, will speak to him:
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?
MARCELLUS
Let’s do’t, I pray; and I this morning know
Where we shall find him most conveniently.
[Exeunt.]
Act 1, Scene 2. Elsinore. A room of state in the Castle.
[Enter the King, Queen, Hamlet, Polonius, Laertes, Voltimand, Cornelius, Lords, and Attendant.]
KING
Though yet of Hamlet our dear brother’s death
The memory be green, and that it us befitted
To bear our hearts in grief, and our whole kingdom
To be contracted in one brow of woe;
Yet so far hath discretion fought with nature
That we with wisest sorrow think on him,
Together with remembrance of ourselves.
Therefore our sometime sister, now our queen,
Th’ imperial jointress to this warlike state,
Have we, as ’twere with a defeated joy,—
With an auspicious and one dropping eye,
With mirth in funeral, and with dirge in marriage,
In equal scale weighing delight and dole,—
Taken to wife; nor have we herein barr’d
Your better wisdoms, which have freely gone
With this affair along:—or all, our thanks.
Now follows, that you know, young Fortinbras,
Holding a weak supposal of our worth,
Or thinking by our late dear brother’s death
Our state to be disjoint and out of frame,
Colleagued with this dream of his advantage,
He hath not fail’d to pester us with message,
Importing the surrender of