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Punch, or the London Charivari, Volume 101, December 19, 1891 - Various Various
The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 101,
December 19, 1891, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: Punch, Or The London Charivari, Vol. 101, December 19, 1891
Author: Various
Release Date: November 28, 2004 [EBook #14186]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
Produced by Malcolm Farmer, William Flis, and the PG Online
Distributed Proofreading Team.
PUNCH,
OR THE LONDON CHARIVARI.
Vol. 101.
December 19, 1891.
OUR BOOKING-OFFICE.
King Cracker the Millionth, of the Bonbon Dynasty.
The Baron's Assistants say that of the Christmas works published by Messrs. HUTCHINSON & CO. they can and do recommend The Children of Wilton Chase by L.J. MEAD, to which they accord their mead of praise, which likewise they bestow on FLORENCE MARRYAT's The Little Marine and the Japanese Lily, a book of adventures in the land of the Rising Sun, which will delight many rising sons for whom chiefly was this book intended. There are always more ways than one,
and so Where Two Ways Meet there is like to be a puzzle, solved in this instance by the authoress, SARAH DOUDNEY. Put down the books! Come to the festive board! Down—(the right way of course) with the mince-pie and plum-pudding! Strange is it that the source of so much enjoyment, the very types of Christmas good cheer, should themselves be so down in the mouth
as invariably are Mathew Mince-pie and Peter Plum-pudding at this festive season. And they being gone and cleared off, enter a gentleman bearing the unusual and remarkable name of SMITH—familiarly welcomed as TOM
of that ilk—and then pop go the crackers! But we must keep the secret,
whisper the Baron's Assistants, and they strongly advise everyone not to peep into this boîte à surprise until Christmas Day itself. So, for SPARAGNAPANE's charming confections, which,
as the Baron's young lady clerks, BLYTHE and GAY, observe, "are in the very highest style of 'High Art'; and the same Mr. SPARE-NA-PAIN's Darkest Evening, and How to Get Out of It, will be tidings of comfort and joy to many a holiday-making household."
BARON DE BOOK-WORMS & CO.
A TRULY ROORAL OPERA.
Sorry, indeed, are all London lovers of music at the sudden departure from our midst and mist of Cavalleria Rusticana, the Rustic Cavalier. It is no comfort to us to be told that the Rustic Cavalier will go into the provinces and appeal to the country. His province at present should have been to remain in London, where, with nothing to speak of in the way of mise-en-scène, he—that is, his composer, PIETRO MASCAGNI—has made a decided hit. Wise was our Signor LAGO "al factotum in producing this, and knowing, too, must he be in his use of Windsor soap to have so speedily
taken the cake. Nay more, did not HER GRACIOUS MAJESTY absolutely retain a Royal Box at the Shaftesbury up to the last night of the run of this one-Act Opera?
Ah, bravo, Figaro, bravissimo! Fortunatissimo! What a treat, too, to hear again the
Che faro." which brought down the Curtain, and brought down the House, on this termination to GLUCK's Orfeo. Strong, indeed, must be the Cavalleria to be successful
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