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Sympathetic Magic
Sympathetic Magic
Sympathetic Magic
Ebook106 pages47 minutes

Sympathetic Magic

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Release dateNov 27, 2013
Sympathetic Magic

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    Sympathetic Magic - Paul Cameron Brown

    The Project Gutenberg EBook of Sympathetic Magic, by Paul Cameron Brown

    This eBook is for the use of anyone anywhere at no cost and with

    almost no restrictions whatsoever. You may copy it, give it away or

    re-use it under the terms of the Project Gutenberg License included

    with this eBook or online at www.gutenberg.org

    ** This is a COPYRIGHTED Project Gutenberg eBook, Details Below **

    ** Please follow the copyright guidelines in this file. **

    Title: Sympathetic Magic

    Author: Paul Cameron Brown

    Release Date: August 22, 2009 [EBook #29761]

    Language: English

    *** START OF THIS PROJECT GUTENBERG EBOOK SYMPATHETIC MAGIC ***

    Produced by Al Haines

    Sympathetic Magic

    By

    Paul Cameron Brown

    Copyright (C) 1985 by Paul Cameron Brown


    CONTENTS.



    THE RIVER CUTS A CHANNEL

    People with money but no fortune

    or stomach for the life of an albatross,

    watch him soar on self made wings,

    fetch the dingy redness

    of morning's, first catch

    with a long necked bottle

    he calls the captain

    9

    Back to the Contents Page


    PRIMAVERA

    A poem is perishable and,

    like it,

    so much of life is spent

    in intervals --

    the jarring second

    regaining consciousness,

    a post-mortem flick

    of the lank equestrian eyelid

    that signals, morning's first crepuscular move.

    . . . a little salad consciousness

    about the tumescent room

    with the sentient purr of a Cat,

    her musky oils

    a green verdure

    lapping primordial scent

    to engross a little readiness

    as the day progresses

    to its oedipal stage

    and arrested development.

    10

    Back to the Contents Page


    SANGUINE

    The clock indicates the hour but what does enternity indicate?

    Whitman

    Imagine, being told cubism isn't painting. That

    Beardsley didn't die at 26, unheralded as a boy genius

    or Corot didn't come to Paris after all.

    Imagine, The Louvre without a rooftop, the

    intelligentsia sitting down to a ragged table

    surrounded by sawdust intellects, Proust not being

    able to write his name.

    Now that's splendour -- that's in-depth feeling.

    That's emotion to pull your socks or catch the bus on

    a brittle day.

    It's easy. Try to feel the event. It's 1896. People are

    perturbed (or so we are told) because the century's

    getting old. Time's rushing by. There's an alarm clock

    set to buzz at eternity's gate, Midnight 1900.

    In probing the malaise that hit Europe circa 1881,

    psychologists would have us believe the world grew

    despondent. Despondent because a whole hundred

    year cycle was about to

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