Discover this podcast and so much more

Podcasts are free to enjoy without a subscription. We also offer ebooks, audiobooks, and so much more for just $11.99/month.

Dr Clive Nwonka: British Urban Film's Struggle for Critical Recognition

Dr Clive Nwonka: British Urban Film's Struggle for Critical Recognition

FromOpen To Criticism


Dr Clive Nwonka: British Urban Film's Struggle for Critical Recognition

FromOpen To Criticism

ratings:
Length:
38 minutes
Released:
May 9, 2024
Format:
Podcast episode

Description

For the final episode in the current season I'm speaking to leading academic on Black British and African American film, Dr Clive Nwonka. Clive's latest book Black Boys: The Social Aesthetics of British Urban Film is the first to have been written on the subject. In it, Clive argues the need for this often overlooked and denigrated genre to be properly recognised in its own right - so that it might take its rightful place in arts and culture. Clive shares his insights on the social and political history from the 70s and 80s that fed into the emergence of British Urban projects in the 2000s; how Black representation has suffered a default construction around negative portrayals of Black culture and social crises; how the TV series Top Boy and the era of streaming heralded a new - and much needed - platform for British Urban storytelling; and much much more. We also discuss Clive's programme of films inspired by James Baldwin at London's Barbican in May 2024. Hosted on Acast. See acast.com/privacy for more information.
Released:
May 9, 2024
Format:
Podcast episode

Titles in the series (23)

If you ever watch films or read film reviews this podcast is for you. Because what you get to see onscreen is directly impacted by what critics value and promote. Film critic Wendy Lloyd investigates how we talk about movies, who gets to do it and why it matters with fellow critics and social commentators. #MeToo, BLM and Times Up mean we're finally seeing improved diversity in film - from the stories being told to onscreen representation. But significant power imbalances remain - as highlighted each year during Awards season. So how might film criticism understand its own role in these inequalities and better serve ALL film fans? Because whilst historically marginalised voices are now coming through in criticism, significant inequalities remain - including who gets the top critic jobs and which stories - and therefore films - are valued most. Join me in this series of thought provoking and lively conversations, that builds on research on inequalities in criticism I carried out for my Masters degree. Hosted on Acast. See acast.com/privacy for more information.