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Anton Bitel: Critics vs Influencers? Round 2

Anton Bitel: Critics vs Influencers? Round 2

FromOpen To Criticism


Anton Bitel: Critics vs Influencers? Round 2

FromOpen To Criticism

ratings:
Length:
34 minutes
Released:
Apr 26, 2024
Format:
Podcast episode

Description

I return to the subject of critics versus influences this week, following my enlightening chat with critic and industry influencer Ashanti Omkar back in Season 1. Influencers are increasingly being used by film publicists to provide exposure and hype ahead of film releases - especially Blockbusters. But has it gone too far? Some critics think so - and there was industry outrage last summer when many felt their freedom to express genuine reactions to the film Barbie was being curtailed by publicists. I wanted to have a reasoned debate about this from the perspective of a long-time critic, and Anton Bitel was the man for the job. With a balanced recognition about the reality of criticism as an ever-changing discipline, and the authority to call-out where he sees influencers and their role in marketing impinging on critics' editorial independence, Anton provides an important and interesting perspective on screening etiquette, the reality of modern film promotion, the scourge of 'star ratings', and why critics need to not assume spoilers are always a bad thing. #Barbie Hosted on Acast. See acast.com/privacy for more information.
Released:
Apr 26, 2024
Format:
Podcast episode

Titles in the series (23)

If you ever watch films or read film reviews this podcast is for you. Because what you get to see onscreen is directly impacted by what critics value and promote. Film critic Wendy Lloyd investigates how we talk about movies, who gets to do it and why it matters with fellow critics and social commentators. #MeToo, BLM and Times Up mean we're finally seeing improved diversity in film - from the stories being told to onscreen representation. But significant power imbalances remain - as highlighted each year during Awards season. So how might film criticism understand its own role in these inequalities and better serve ALL film fans? Because whilst historically marginalised voices are now coming through in criticism, significant inequalities remain - including who gets the top critic jobs and which stories - and therefore films - are valued most. Join me in this series of thought provoking and lively conversations, that builds on research on inequalities in criticism I carried out for my Masters degree. Hosted on Acast. See acast.com/privacy for more information.