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Gabriella Geisinger: Jewish Identity Onscreen

Gabriella Geisinger: Jewish Identity Onscreen

FromOpen To Criticism


Gabriella Geisinger: Jewish Identity Onscreen

FromOpen To Criticism

ratings:
Length:
36 minutes
Released:
Mar 29, 2024
Format:
Podcast episode

Description

This week I talk to critic Gabriella Geisinger about the representation of Jews onscreen, prompted by several big movies in the past year that provoked debate about authentic casting. I'm talking of course about Maestro, Oppenheimer and Golda. I reached out to Gabriella after reading her insightful article about Bradley Cooper's prosthetic nose and the debate that it, and his casting in the role of Leonard Bernstein, prompted. I wanted her perspective on non-Jewish actors being cast in major stories about real life Jews, and what that says about the status of Jewish actors and the opportunities then available to them when the tasty roles get taken by gentiles. For context, our conversation took place last September before the events in the Middle East the following month. We also talked critic identity and how this naturally evolves in line with the evolution of audiences to embrace and value different perspectives in the critique they seek. Which as you know, I'm all for! Here's the link for Gabriella's article discussed: https://www.msn.com/en-gb/lifestyle/other/bradley-coopers-fake-nose-in-maestro-has-sparked-a-complicated-but-necessary-debate/ar-AA1fobmN #Maestro #Oppenheimer #Golda #TheEyesOfTammyFaye #TheWhale #TheMarvelousMrsMaisel #PunchDrunkLove #TheFabelmans #BradleyCooper #CillianMurphy #AdamSandler #RachelBrosnahan #OscarIsaac Hosted on Acast. See acast.com/privacy for more information.
Released:
Mar 29, 2024
Format:
Podcast episode

Titles in the series (22)

If you ever watch films or read film reviews this podcast is for you. Because what you get to see onscreen is directly impacted by what critics value and promote. Film critic Wendy Lloyd investigates how we talk about movies, who gets to do it and why it matters with fellow critics and social commentators. #MeToo, BLM and Times Up mean we're finally seeing improved diversity in film - from the stories being told to onscreen representation. But significant power imbalances remain - as highlighted each year during Awards season. So how might film criticism understand its own role in these inequalities and better serve ALL film fans? Because whilst historically marginalised voices are now coming through in criticism, significant inequalities remain - including who gets the top critic jobs and which stories - and therefore films - are valued most. Join me in this series of thought provoking and lively conversations, that builds on research on inequalities in criticism I carried out for my Masters degree. Hosted on Acast. See acast.com/privacy for more information.