The festival may have come to a close, but many of the films have continued to stir something inside us. This episode features a collection of voice memos gathered from a cross-section of attendees at  Visions du Réel, sharing their responses to a film they encountered at the festival.-----FEATURING:Nicole Chi, Director of Guián in the Burning Lights Competition, about This Woman by Alan Zhang Ghada Fikri, Director of How Are You, Baba?  in the Opening Scenes section, about Locus Cordis by Alhassan YousefAlhassan Yousef, Director of Locus Cordis in the Opening Scenes section, about Love is Not an Orange by Otilia BabaraOtilia Babara, Director of Love is not an Orange in the Highlights Section, about Our Bodies by Claire SimonInge Coolsaet, Film Critic for Fantomas and Representative of Argos, on Where the Green Grass Grows by Peter MettlerAnne Dziapshipa, Director of Self-Portrait Along the Borderline in the Medium Length Competition section, about Where the Green Grass Grows by Peter MettlerVadim Rizov, Film Critic and Director of Operations for Filmmaker Magazine, about Human, Not Human by Nathan CastayBen Mullinkosson, Director, of The Last Year of Darkness in the Highlights section, about Knit's Island by Ekiem Barbier, Guilhem Causse & Quentin L'helgoualc'hEkiem Barbier, Co-Director of Knit's Island  in the International Feature Competition, about Corpo Celeste by Alice RohrwacherNarges Kalhor, Director of Sensitive Content  in the Short Film Competition section, about Waking up in Silence by Daniel Asadi Faezi & Mila ZhluktenkoSonia Ben Slama, Director of Machtat  in the International Feature Competition, about Pure Unknown by Mattia Colombo & Valentina CicognaZiad Touma, the producer of Made to Walk in the VdR Market, about Orlando, My Political Biography by Paul B. PreciadoHosein Jalilivand, filmmaker, film scholar, and contributor for Docs in Orbit, about Memories of a Perfect Day by Davina MariaFor show notes visit docsinorbit.com and be sure to follow us on social media @docsinorbit for updates.