Canon EOS R6 Mark II Experience

By Douglas Klostermann

Canon EOS R6 Mark II Experience is an e-book user's guide that goes beyond the manual to help you learn the features, settings, and controls of this versatile and customizable mirrorless camera. Most importantly, it also explains how, when, and why to use these features, settings, and controls in your photography. Written in the clear, concise, and comprehensive style of all Full Stop guides, Canon EOS R6 Mark II Experience will help you learn to use your EOS R6II quickly and competently, to consistently make the types of images you desire. As one Canon user has said:

 

"I don't know how I could fully take advantage of all the features the camera has to offer without this publication! It's well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of information to get the most out of your camera."

 

For Intermediate and Enthusiast Photographers - This guide is designed for enthusiast photographers who wish to take fuller advantage of the capabilities of their camera and shoot competently in Av, Tv, Fv, and M modes take full control of the versatile autofocus system and learn how, when, and why to use and customize the various controls and features of the EOS R6II including the electronic viewfinder and the touch screen. It covers standard camera functions and exposure concepts for those learning digital photography, and explains more advanced camera controls and operation such as Metering Modes, Exposure Compensation, and Histograms.

 

For Experienced Photographers - This guide explains the new and advanced features, controls, and settings in order to help you quickly take advantage of these capabilities. You will learn how to take control of the new features including the autofocus system with face and subject detection plus subject tracking, Fv shooting mode, Silent Shutter, HDR, Multiple Exposure, cRAW file format, and manual focusing aids. It introduces the 4k, HD, High Frame Rate, and Time-Lapse video capabilities, and guides you through all the Menu and Custom Function items to help you best set up your camera for your specific shooting needs. This guide includes explanations of the Movie Shooting Menus, settings, and functions to get you started with video.

 

Sections include:

-Setting Up Your EOS R6 Mark II - All of the Playback, Shooting, Set-up, Movie, and Custom Function Menus, with explanations and recommended settings to customize the advanced features to work best for the way you photograph.

-Aperture Priority (Av), Shutter Priority (Tv), Flexible Priority (Fv), and Manual (M) Shooting Modes - How and when to use them to create dramatic depth of field, freeze or express motion, or take total control of exposure settings.

-Auto Focusing Modes and Area Modes, and Release (Drive) Modes - Learn the AF Operations, AF Methods, and AF Custom Functions, how and when to take advantage of them to capture both still and moving subjects.

-Exposure Metering Modes of the EOS R6II - How they differ, how and when to use them for correct exposures in every situation.

-Histograms, Exposure Compensation, Bracketing, and White Balance - Understanding and using these features for adjusting to the proper exposure.

-The Image Taking Process - Tutorials for using the settings and controls to take photos of both still and moving subjects.

-Introduction to Video Settings and Features, including 4K -Wi-Fi and Bluetooth with the Canon Camera Connect.

• Language: English
• Publisher: Douglas Klostermann
• Release date: Mar 22, 2023
• ISBN: 9798215231098

Douglas Klostermann

Douglas Klostermann is a travel, culture, and humanitarian photographer, as well as the best-selling author of Full Stop photography guides including Nikon D850 Experience and Canon 5D Mark IV Experience. He has photographed for numerous organizations in the United States and Latin America, been recognized by the United Nations Development Programme for his humanitarian photography, and been published in magazines, books, and websites including Conde Nast Traveler, NationalGeographic.org, Sherman's Travel, South American Explorer, and Viva Travel Guides. Doug is a member of the North American Nature Photography Association (NANPA). Learn more about photography techniques and equipment on his blog Picturing Change at blog.dojoklo.com and view his photography at dojoklo.com.

Book preview

Canon EOS R6 Mark II Experience

The Still Photography Guide to

Operation and Image Creation with the

Canon EOS R6 Mark II

By: Douglas J. Klostermann

Full Stop. good writing for better photography

All rights reserved. This e-book is licensed for your personal, non-commercial enjoyment only and may not be re-sold, file-shared, distributed, sub-licensed, or given away. This book can be read on your personal devices. Otherwise no part of this book may be reproduced or transmitted in any form or by any means, electronically or in print, without expressed permission from the author. Every effort has been made to make this e-book as accurate as possible, but no warranty of fitness is implied. The information is provided on an as-is basis. The author and/ or publisher shall have no liability or responsibility with respect to any loss or damages arising from the information provided in this e-book including but not limited to the use of any of the materials or methods described, the products, retailers, Internet web sites, or links provided. Please read and follow all instructions and use, safety and handling precautions expressed in the manuals provided with your equipment and software, and which take precedence over any content in this work.

All contents of this work including cover design, text, and photographs, with the exception of products, brands, software, contents of menus and screenshots, and logos, are copyright by the author. All products, brands, software, contents of menus and screenshots, and logos are property of the respective companies and websites. Terms which are trademarks or service marks in this e-book are used in an editorial or educational manner, and should not be regarded as affecting the validity of any trademark or service mark. Canon is a trademark of Canon Inc. Adobe, Photoshop, and Lightroom are trademarks of Adobe Systems Inc. The author and the contents of this book are not affiliated with or endorsed by Canon Inc.

Special thanks to Newtonville Camera of Newton, Mass.

https://newtonville.camera

Douglas Klostermann is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com. (Links are provided to products and accessories mentioned in this guide.)

Copyright 2023 Douglas J. Klostermann - all rights reserved

Cover design and photograph by the author.

Canon EOS R6 Mark II Experience

The Still Photography Guide to Operation and Image Creation with the Canon EOS R6 Mark II

By: Douglas J. Klostermann

EPUB Version 1.0a AMZ

March 2023

Author’s blog: http://blog.dojoklo.com/

Facebook Group: https://www.facebook.com/FullStopDSLRGuides

Published by Full Stop Media, LLC

Full Stop. good writing for better photography

Arlington, Mass. USA

www.fullstopbooks.com

CONTENTS

1. GETTING STARTED with the CANON EOS R6 MARK II

1.1 Introduction to the EOS R6 Mark II

1.2 Take Control of Your Camera

1.3 Using This Guide

1.4 Quick Start for Previous Canon Users

1.5 Maximizing Resolution with the EOS R6 Mark II

1.6 Batteries and Memory Cards

2. CAMERA CONTROLS

2.1 EOS R6 Mark II Camera Controls

2.2 Viewfinder Display, Quick Control Screens, and Touch Screen

3. MENU SETTINGS

3.1 Introduction to Setting Up the EOS R6 Mark II

3.2 Menu Setup Spreadsheet

3.3 Photo Shooting Menus

3.3a Photo Shooting 1 Menu

3.3b Photo Shooting 2 Menu

3.3c Photo Shooting 3 Menu

3.3d Photo Shooting 4 Menu

3.3e Photo Shooting 5 Menu

3.3f Photo Shooting 6 Menu

3.3g Photo Shooting 7 Menu

3.3h Photo Shooting 8 Menu

3.3i Photo Shooting 9 Menu

3.3j Photo Shooting 10 Menu

3.4 Autofocus (AF) Menus

3.5 Playback Menus

3.6 Communication Functions Menu (Wi-Fi Menu)

3.7 Set-up Menus

3.8 My Menu

4. CUSTOM FUNCTIONS MENU SETTINGS

4.1 Custom Functions C.Fn 1

4.2 Custom Functions C.Fn 2

4.3 Custom Functions C.Fn 3

4.4 Custom Functions C.Fn 4

4.5 Custom Functions C.Fn 5

5. CUSTOM CONTROLS - ADVANCED

5.1 Shutter Button Half-Press

5.2 Movie Shooting Button

5.3 Multi-Function (M-Fn) Button

5.4 AF-ON Button

5.5 AE Lock Button

5.6 AF Point Selection Button

5.7 Depth of Field (DOF) Preview Button

5.8 SET Button

5.9 Multi-Controller

5.10 Lens Function Button

5.11 Speedlite Menu Direct Button

5.12 Main Dial

5.13 Quick Control Dial 2

5.14 Quick Control Dial 1

5.15 Lens Control Ring

5.16 Movie Shooting Options for Buttons

6. PLAYBACK and IMAGE FILE FORMATS

6.1 Image Playback

6.2 Image File Formats - JPEG, HEIF, and RAW

6.3 File Sizes and Maximum Burst Rate

7. AUTOFOCUSING Part 1

7.1 Using Autofocus

7.2 Autofocus - AF Point Selection

7.3 Touch and Drag AF

7.4 Autofocus - AF Areas

7.4a Spot AF

7.4b 1-Point AF

7.4c Expand AF Area

7.4d Expand AF Area: Around

7.4e Flexible Zone AF

7.4f Whole Area AF

7.5 Eye Detection, Subject Detection, and Subject Tracking

7.6 Autofocus - AF Operations

8. AUTOFOCUSING Part 2

8.1 Autofocus Cases and Subject Tracking Parameters

8.2 Back Button Focusing

8.3 Manual Focus

9. DRIVE MODES

10. EXPOSURE Part 1

10.1 Introduction to Aperture, Shutter Speed and ISO

10.2 Aperture-Priority AE Mode (Av) and Shutter-Priority AE Mode (Tv)

10.3 Flexible-Priority AE Mode (Fv)

10.4 Manual Exposure Mode (M)

10.5 ISO and Auto ISO

10.6 Full Stops

10.7 Additional Shooting Modes

11. EXPOSURE Part 2 - METERING MODES

11.1 Evaluative Metering

11.2 Partial Metering

11.3 Spot Metering

11.4 Center-Weighted Average Metering

11.5 Metering Modes and Exposure Lock

11.6 Manual Metering

11.7 Metering Modes and Exposure

12. EXPOSURE Part 3

12.1 Exposure Lock

12.2 Histograms

12.3 Exposure Compensation

12.4 Auto Exposure Bracketing

12.5 HDR (High Dynamic Range) and HDR PQ Shooting Modes

12.6 Multiple Exposure Mode

13. ADDITIONAL CAMERA FUNCTIONS

13.1 Auto Lighting Optimizer and Highlight Tone Priority

13.2 White Balance

13.3 Picture Styles

13.4 Interval Timer Shooting

13.5 Sensor Cleaning

14. THE IMAGE TAKING PROCESS

14.1 Still Subjects

14.2 Moving Subjects

14.3 Putting it all into Practice

15. EXTERNAL FLASH

15.1 External Speedlite Control Settings

15.2 Flash Function Settings

16. Wi-Fi and BLUETOOTH FUNCTIONS

17. VIDEO - AN INTRODUCTION

17.1 Movie Shooting Menus

17.1a Movie Shooting 1 Menu

17.1b Movie Shooting 2 Menu

17.1c Movie Shooting 3 Menu

17.1d Movie Shooting 4 Menu

17.1e Movie Shooting 5 Menu

17.1f Movie Shooting 6 Menu

17.1g Movie Shooting 7 Menu

17.1h Movie Shooting 8 Menu

17.1i Additional Movie Menu Items

17.2 Video Settings

17.3 Manual Exposure Settings for Video

17.4 Movie Playback and Editing

18. COMPOSITION

19. LENSES

19.1 Lens Notations

19.2 Fixed Maximum Aperture vs. Variable Maximum Aperture Lenses

19.3 RF Lenses and Mount Adapters

20. PHOTOGRAPHY ACCESSORIES and BOOKS

20.1 Canon EOS R6 Mark II Accessories

20.2 Photography Accessories

20.3 Digital Photography Books

21. CONCLUSION

Updates to the Text

About the Author

1. GETTING STARTED with the CANON EOS R6 MARK II

1.1 Introduction to the EOS R6 Mark II

Following the success of the previous full-frame EOS R models including the original EOS R6, Canon has introduced the improved EOS R6 Mark II. The EOS R6 Mark II boasts a 24.2 megapixel CMOS sensor, rapid 40 frames per second continuous shooting speed when using the electronic shutter, and dual UHS II SD memory card slots. The camera has an improved autofocus system with 4,897 AF points covering nearly the entire frame, which will allow you to automatically detect, focus on, and track subjects, faces, and eyes throughout most of the scene. The intelligent subject detection function can automatically detect people, animals including cats, dogs, birds, and horses, and vehicles including motorsport cars and motorcycles, aircraft, and trains. Eye detection can now be set to prioritize the left or right eye, and the HDR shooting mode includes an option for capturing moving subjects. The EOS R6 Mark II also includes a fast DIGIC X processor, 5-axis in-body image stabilization (IBIS), an articulating touch screen, and built-in Wi-Fi and Bluetooth. The EOS R6 Mark II offers familiar Canon controls and menus, plus new or modified controls for quickly accessing and changing settings, such as an additional Quick Control Dial and the versatile Flexible-Priority AE (Fv) Shooting Mode which enables you to control any of the exposure parameters. Plus the EOS R6 Mark II includes several advanced video capabilities, including 4K video using the entire width of the sensor (oversampled from 6K), Dual Pixel AF for tracking moving subjects, HDR movies, and the High Frame Rate movie option for creating slow motion video.

Figure 1.1 - The Canon EOS R6 Mark II with the RF 24-105mm F4 L IS USM lens.

The EOS R6 Mark II offers great image quality at high ISO settings for low-light shooting, with the native ISO range of 100 to 102,400, expandable up to 204,800 (High) and down to 50 (Low). Plus, it offers Time-Lapse movie shooting, in-camera processing features such as Multiple Exposures, Focus Bracketing, and HDR shooting, and lens correction features for chromatic aberration, distortion, and diffraction. The cRAW file format enables you to capture files that are 40% smaller than RAW files, yet display no noticeable loss of image quality in most shooting situations. And the HDR PQ option allows you to save HEIF format images, with expanded dynamic range. A new Hybrid Auto shooting mode will capture short videos with each still image, which are then combined into a digest movie.

The Auto White Balance setting offers the option of either maintaining or eliminating the warm tones of incandescent lighting. The responsive touch screen can be used to quickly navigate menus, change settings, review images, and to position the focus point during both Live View and viewfinder shooting. When capturing images with the high-resolution sensor, small camera movements can negatively impact image sharpness, so Canon has included an electronic Silent Shutter option that eliminates the movement of the mechanical shutter, and a Bulb Timer Exposure Time setting so that the camera doesn’t need to be touched during Bulb exposures. The DIGIC X processor allows for faster frame rates and extended burst rates, including 12 frames per second (fps) when using the mechanical shutter, and 40 fps when using the electronic shutter. The RAW Burst Mode can capture a 30 fps burst, with 0.5 second pre-shooting buffering. The processor also allows for faster video rates and the ability to buffer and pre-record video for up to five seconds.

Figure 1.2 - 1956 Maserati A6G/54 2000 Coupe Series III By Frua - Larz Anderson Auto Museum, Brookline, Massachusetts - Canon EOS R6 Mark II, Shutter speed 1/200, Aperture f/4.0, ISO 6400.

The electronic viewfinder of mirrorless cameras differs from the optical viewfinder of a dSLR. The high-resolution (3.69 million dot) OLED viewfinder, with 100% coverage, will enable you to preview the exposure, white balance, Picture Style settings, and depth of field of the final image as you shoot, as well as to make use of a virtual horizon level to help keep your images straight. You can also access the Quick Control Screen and a customizable M-Fn menu while looking in the viewfinder, so that you can change numerous camera settings without taking the camera from your eye. And you can utilize focus peaking and scene-magnification in the viewfinder, as well as the Focus Guide rangefinder function, to assist with manual focusing.

While many of the controls of the EOS R6 Mark II will be familiar to Canon shooters, there are some notable additions. In addition to the top Main Dial there are now two Quick Control Dials, which are used to adjust settings while shooting, as well as navigate menus and browse images. The Multi-Function Button (M-Fn Button) on the top of the camera can be used to quickly access and change eight shooting settings of your choice, without having to remove your eye from the viewfinder while shooting. The Multi-Controller thumb joystick is used to position the autofocus point, area, or zone. The rear touch screen can also be used to position the active autofocus point while shooting. And video shooting is accessed by turning the Still Photo Shooting / Movie Recording Switch to the Movie Mode icon.

The Flexible-Priority AE (Fv) Shooting Mode, first introduced on the EOS R, allows you to control any of the exposure parameters, including the shutter speed, aperture setting, ISO setting, and exposure compensation, or to quickly set any of the parameters to Auto and let the camera control them. You can choose to control all of the parameters yourself, as with Manual (M) Mode, or to control some of them and let the camera control the others, as with Av and Tv Modes, or allow the camera to control all of them by setting them all to Auto, similar to Auto+ Mode, all while remaining in the same Fv Shooting Mode.

The 4,897-point autofocus system offers face and eye detection, plus a subject detection function which can be set for people, animals, or motorsport vehicles, with the option to focus on key details of vehicles. Subject tracking is now available for use with all of the autofocus AF area modes, and the new Flexible Zone AF area modes allow you to customize the size and shape of the active autofocus area.

For capturing video, the EOS R6 Mark II offers HD and 4K UHD video with a choice of frame rates and compression options. The 4K setting will make use of the full width of the sensor, and will generate a 4K movie oversampled from 6K. Video recording also offers a Focus Breathing Correction option, which corrects for an effect where the angle of view changes as the lens focal length changes when zooming. Video also offers zebra stripes and false color display, to assist with obtaining the proper exposure. A Recording Emphasis feature can be enabled to display a blinking red border around the frame when recording is in progress.

The camera can capture HDR PQ video, with an expanded dynamic range. The 10-bit Canon Log gamma output option will capture a wide dynamic range when recording to the memory card or to an optional external device, retaining details in both the shadows and the highlights, with the View Assist feature to help visualize the final, processed footage. Audio features include built-in stereo microphones with Wind Filter and Audio Noise Reduction options, and 8.3 MP video still Frame Grabs can be saved from 4K video files. The High Frame Rate option allows you to shoot HD videos at 179.82/150.00 fps and 119.88/100.00 fps, which can then be played back in slow motion.

The EOS R6 Mark II makes use of the RF lens mount, and a series of RF lenses are designed for the EOS R system. They have a 54mm mount, which sits close to the sensor plane, a 12-pin electronic communication system with the camera, and optical image stabilization. The RF lenses all include a Control Ring which can be customized to quickly change one of the shooting settings including shutter speed, aperture, ISO, and exposure compensation. These lenses also communicate lens information directly to the viewfinder, allowing you to view the current focal length.

Three different lens mount adapters enable you to use EF and EF-S lenses with the EOS R6 Mark II. The Mount Adapter EF-EOS R is the basic adapter that allows you to connect EF and EF-S lenses. The Control Ring Mount Adapter EF-EOS R includes a Control Ring, similar to the ring on the RF lenses, which can be used to change various shooting settings. The Drop-in Filter Mount Adapter EF-EOS R allows you to insert a circular polarizing filter or variable ND filter. This makes it possible to use these types of filters with any lens, including ultra-wide-angle lenses and tilt-shift lenses.

With its high-resolution, high-quality image sensor, 4,897-point autofocus system with face, eye, and subject detection and tracking, up to 40 frames per second continuous shooting speed, DIGIC X processor, and high ISO capabilities in low light, the Canon EOS R6 Mark II enables photographers to consistently capture sharp, clean, and well-exposed images. The EOS R6 Mark II is clearly a powerful, advanced tool for digital photography and is fully capable of capturing professional quality images in most any situation you wish to use it.

But the EOS R6 Mark II is merely a tool. It is up to you to make use of its features and capabilities to create the images you envision. While the camera’s manual will tell you about the settings and controls, how to change them, and their intended functions, this guide will build upon that and explain when and why you may want to use and customize them. Every button, feature, menu item, and Custom Function setting of the EOS R6 Mark II is there for a reason: to help you capture the images you want. Some of them are more useful to different types of photographers and shooting situations and you don’t necessarily need to learn and use them all immediately, but this guide will help to give you the knowledge to confidently use the ones that turn your Canon EOS R6 Mark II into an image capturing tool that works best for you and the photography situations you work in.

1.2 Take Control of Your Camera

Since the Canon EOS R6 Mark II is a tool to take the images you want to take, you obviously can’t always allow the camera to make decisions for you. You have to take control of the camera to ensure that you capture exactly the images you intend - by autofocusing precisely where you want, setting the aperture or shutter speed that you want, and obtaining the exposure you want. While it is an intelligent camera, the EOS R6 Mark II cannot read your mind and your intentions and does not know that you wish to focus on and properly expose a detail of a fallen tree, while making the closer details and the background appear out of focus, with the leaves and twigs captured still and not blurred from the motion of the wind, in a shaded setting, on a sunny day (see Figure 1.3). You have to tell the camera to do all of this through the various controls and settings, such as the autofocus AF Area (focus on a specific part of the tree), the Exposure Metering Mode (properly expose for the tree bark and the scene), the Aperture setting (the out-of-focus near leaves and background), the Shutter Speed (freeze the motion of the leaves and twigs), the ISO setting (relatively low-light setting) and the White Balance setting (sunny day).

5D4_0611-04s

Figure 1.3 - Fallen Birch Tree, Whipple Hill, Lexington, Mass. - Autofocus, exposure metering mode, aperture, shutter speed, ISO, and white balance all considered in capturing this image. Shutter speed 1/500, Aperture f/2.8, ISO 1250.

One has to think about all this stuff for every photo? Well, yes, that is what digital photography is all about! At least if you wish to consistently create the well-made, interesting, and compelling images you envision. And that is why the EOS R6 Mark II has all the buttons, controls, settings, Custom Functions, and features for you to make use of.

Learning to use and get the most from a highly advanced mirrorless camera like the EOS R6 Mark II takes time, practice, patience, mistakes, and experimentation. If you have switched or upgraded from a previous model such as the original EOS R, one of the 7D models, the 90D or one of its predecessors, or a Rebel model, you are in for a treat. The additional features and capabilities will more easily help you to capture photographs that you may have been limited in consistently attaining before. The versatile and accurate autofocus system, highly customizable camera controls, plus the advanced exposure metering system and high ISO capabilities of the EOS R6 Mark II will help you capture sharp, detailed images of subjects and moments that previously you may have missed.

5D4_0166-03s

Figure 1.4 - Great Blue Heron Taking Flight, Arlington, Mass. - Shutter speed 1/1600, Aperture f/4.0, ISO 640.

If you are relatively new to digital photography and are still in the process of learning all the controls of an advanced digital camera and the exposure concepts of digital photography, you have perhaps ventured into the proverbial deep end of the pool by choosing the advanced EOS R6 Mark II! But don’t worry, this book will help guide you through the features, controls, and capabilities. Be sure to take it slowly and patiently as you learn the features and concepts that I will explain. With practice and experience you will soon be shooting with confidence and can begin to take advantage of your camera’s more advanced functions. Even if you are an intermediate photographer, don’t expect to just pick up all the new information at once, in one or two readings of a single book. In fact, you wouldn’t want to, as the never-ending journey of learning and mastering photography is a big part of what it’s all about! Try not to become frustrated if you don’t quite understand something or aren’t always getting the results you desire. Instead learn the controls, functions, settings, and concepts bit by bit, try them out in real life shooting situations, and return to this guide, the manual, and other photography books to address questions and problems you encounter. Continue to learn and to photograph often and it should all begin to come together, sometimes slowly and sometimes in rapid bursts of discovery and understanding.

1.3 Using This Guide

There are many different ways to use an advanced digital camera and its controls to capture images, and many diverse situations in which photographers work. I’m going to concentrate on the techniques that I believe are the most practical, useful, and effective for the majority of photographers using the EOS R6 Mark II, while also explaining how settings can apply to specialized uses. The settings and techniques I discuss will apply to various types of photography including general photography, nature, action, portrait, and travel photography. Once you have a firm grasp of the controls, settings, and basic techniques you will have the tools and knowledge to address different issues, specific situations, and challenging scenes. I encourage you to then experiment and continue to learn, and to find the techniques that work best and are most comfortable or intuitive for you.

The EOS R6 Mark II is a highly sophisticated tool that deserves to be used to its full potential, and that involves taking control of your camera and its functions, which means taking it off Auto+ and Program AE Shooting Modes, and off automatically selected autofocus points (when not needed). While this may be more challenging at first, these are the techniques that are necessary to take full advantage of the capabilities of any mirrorless or dSLR camera, including the EOS R6 Mark II, and will lead you to having more control and consistency over your image making. Hopefully this will inevitably lead to better images!

This guide is most effective when used with the camera in your hands. That is the best way to directly follow and understand the controls, functions, and settings as they are being explained. It is also intended to be used in addition to the camera’s manual, not to completely replace it, so every bit of information in the Canon EOS R6 Mark II Advanced User Guide will not be repeated here. Among the official manual’s often brief descriptions and sometimes frustratingly incomplete explanations, there is some very valuable information, as well as the basics for buttons, controls, and how to access and change all the settings. And I will refer to the manual for very specialized or rarely used functions that are well-explained there. In this guide, the references to the Canon EOS R6 Mark II Advanced User Guide, including page numbers, are based on version CT2-D181-B of the Canon manual. A PDF version of the Canon EOS R6 Mark II Advanced User Guide can be obtained from the Canon website:

https://cam.start.canon/en/C012/

Figure 1.5 - Old Hill Burying Ground, Concord, Massachusetts - Canon EOS R6 Mark II, Shutter speed 1/1250, Aperture f/4.0, ISO 100.

The site also contains links to additional manuals, software, and apps. If you have an iPad or tablet you will find that it is helpful to download the manual onto your device for reading and reference (along with this e-book). As you can see, there is a lot to make sense of regarding terminology and controls, so I recommend that you familiarize yourself with the controls and displays of the camera body, as shown on pages 29-34 of the Canon EOS R6 Mark II Advanced User Guide and explained in the following chapter of this book, as well as read through the Canon manual at some point and attempt to understand or absorb as much as possible. Yes, some of it may be complicated and confusing at first, but this guide will explain and clarify the numerous buttons, controls, menus, functions, and settings and explain how, when and why you will want to use them in your photography.

Also be sure to read and follow all the official use, safety, and handling instructions and precautions explained in the manuals provided with the camera and software, including those on pages 23-28 of the Canon EOS R6 Mark II Advanced User Guide. Additional cautions throughout the Canon manual are important to read because they explain things such as the high internal temperature that the camera can reach due to prolonged Live View or movie use, and how using a non-compatible external flash can cause your camera to malfunction. General shooting cautions and movie shooting cautions are found throughout the Canon EOS R6 Mark II Advanced User Guide.

Figure 1.6 - Detail of the Canon EOS R6 Mark II body and controls.

Various settings of the EOS R6 Mark II can be controlled in multiple ways: using the buttons and dials on the camera body while reading the settings on the rear Screen or in the Viewfinder, through the Quick Control Screens accessed with the Q Button and viewed on the rear Screen, in the menus accessed with the Menu Button, or even by customizing the buttons and controls on the camera body via the Custom Functions. Plus, you can use the touch screen in conjunction with the menu screens and Quick Control Screens to change the settings. Explore the options, which will be explained throughout this guide, and find the ways that work most quickly and intuitively for you.

Any time I capitalize something in the text, it is a proper term that can be looked up in the Canon EOS R6 Mark II Advanced User Guide. I will capitalize the names of actual buttons, controls, camera parts, and menu items, such as Quick Control Dial, M-Fn Button, White Balance, and Auto Lighting Optimizer. Again, please review the Camera Controls chapter below and the camera diagrams in your EOS R6 Mark II manual (pages 29-34) to familiarize yourself with the names of various parts, controls, and displays, as I will use these proper names in this text.

Many of the functions and controls of an advanced mirrorless camera such as the EOS R6 Mark II are closely inter-related, such as the shooting modes, exposure settings, and the metering modes. As a result of this I must sometimes indicate that a previous or upcoming section of the text has further explanation of a related function. However, there is no need to jump ahead or back in the text - this is merely a heads-up that the feature will be fully explained in the appropriate section. It is best to read through the entire text, in the order it is organized. The Menu Settings and the Custom Functions Menu Settings chapters are particularly prone to referring to upcoming chapters, but this complete menu walkthrough is needed at the front of the guide in order to help set up your camera before use. Most all of the features and functions introduced in that chapter will be addressed in detail in the applicable sections of the text.

After reading the text you may then wish to return to specific sections for further study. It may take multiple readings followed by experimentation and practice to fully understand both the individual functions and the relationships between functions.

Example Images - In the captions to the example photos throughout the text, I include the camera settings that were used. With digital photography there is not necessarily a correct setting or best setting for any given situation. Advanced mirrorless cameras such as the EOS R6 Mark II give you quick access to the basic and essential settings, and the ability to customize the controls for your specific needs, because they often need to be changed to adapt to the subject, the scene, the lighting, and perhaps most importantly your creative intentions. Although you will want to properly expose your photographs, there is not necessarily a correct aperture setting for any given image or scene, or a proper shutter speed setting, or an ideal histogram. The choices you or the camera make depend on a number of variables and relationships as well as the photographer’s desires. Because the settings used for the sample images are based on many variables including the lighting and time of day, the motion of the subject, the lens and focal length used, as well as the overall situation being photographed with a combination of moving subjects, still subjects, and changing lighting, these settings should not be viewed as proper or best settings. In truth, they often more accurately reflect the reality of photography, and of adjusting (or failing to adjust) to fluid situations.

Please note, some of the example photos in this guide were taken with a variety of cameras, not always the EOS R6 Mark II. Due to the fact that I am usually working with a variety of different camera bodies in my shooting and research for writing, I wish to use images that best exemplify the topic or point I am describing, such as shutter speed, metering modes, or exposure bracketing. Any images that are critical to illustrating a specific EOS R6 Mark II capability, such as its high resolution and its ISO performance, are taken with the EOS R6 Mark II, as well as numerous other example images throughout the guide which are noted with "Canon EOS R6 Mark II" in the captions. All the example photographs from this text, as well as additional EOS R6 Mark II photos I took, can be viewed online, in color, and larger (for closer inspection of image detail, ISO comparisons, digital noise, etc.).

https://www.flickr.com/photos/dojoklo/albums/72177720304516234

Figure 1.7 - 1969 Bizzarrini 5300 GT Strada Berlinetta - Larz Anderson Auto Museum, Brookline, Massachusetts - Canon EOS R6 Mark II, Shutter speed 1/200, Aperture f/4.0, ISO 8000.

Updates to the Text - Although I have carefully proof-read and edited this text, I may later find typos or wish to make corrections. And sometimes as I use the camera more and answer user questions, I may discover changes I would like to make to the text to clarify an explanation or better describe a process, setting, or function. So I will keep a log of updates, corrections, and clarifications for Canon EOS R6 Mark II Experience on my blog at:

http://blog.dojoklo.com/canon-eos-r6-mark-ii-experience-updates-page/

You can also sign up to receive notices of any important updates and to be contacted about receiving free e-book copies of updated versions of Canon EOS R6 Mark II Experience (if any major updates are made to the text). For example, Canon sometimes releases updated firmware which adds features and menu items, and I will update the guide accordingly (as I have done with some of my previous guides). Or I will update the guide if an important addition or correction is made to the text. Please sign up to be notified of these updates, here:

http://blog.dojoklo.com/ebooks/sign-up-for-full-stop-e-book-updates/

1.4 Quick Start for Previous Canon Users

For those coming to the EOS R6 Mark II from cameras such as the EOS R, one of the 7D models or the 90D (or any of its predecessors), who already have a solid grasp of the functions and controls and wish to immediately learn about the new and upgraded features and buttons, and differences of a mirrorless camera, here are some of the notable changes:

Camera Controls (Chapter 2) - There are some new, changed, or additional buttons and controls from what you may be accustomed to, especially if coming from an older Canon model. For example, there are two Quick Control Dials, one located on the top-rear, and a larger wheel dial on the rear of the camera (see Figure 1.8 - left). The M-Fn Button can be used to quickly access and change selected shooting settings. The EOS R6 Mark II includes the Multi-Controller thumb joystick for positioning the autofocus point. There is a different way to zoom in and out during image review due to the single Magnify Button. Plus, many of the controls can be customized in a variety of ways, as will be explained in Chapter 5 - Custom Controls - Advanced.

Figure 1.8 - Left: Detail of the camera controls, including the top-rear Quick Control Dial 2, the rear Quick Control Dial 1, and the Multi-Controller joystick. Right: Using the touch screen during Live View to change the ISO setting by swiping the scale. You can also now register three ISO settings for the icons, and then quickly select that ISO value.

Touch Screen (Chapter 2) - In addition to the camera controls, you can use the touch screen to adjust camera settings, navigate the menus, position the AF Point, and for image playback using familiar tap, swipe, and pinch motions. And while some may feel that the touch screen is extraneous for these operations, you will soon find that it is very responsive, and can be a quick and useful way to review your images and to access numerous settings during Viewfinder and Live View shooting (see Figure 1.8 - right). The touch screen can also be used for Touch and Drag AF. This is a function where you use the touch screen during Viewfinder shooting to locate the AF Point to the desired position.

Electronic Viewfinder (Chapter 2) - The electronic Viewfinder of the EOS R6 Mark II (and other mirrorless cameras) enables you to preview the exposure, white balance, Picture Style settings, and depth of field of the final image, as you shoot, as well as make use of a virtual horizon to keep your images level. You can also change numerous camera settings, access the menus, and review images without taking the camera from your eye. And you can utilize focus peaking, focusing aids, and scene-magnification in the Viewfinder, to assist with manual focusing.

New ISO Presets (Chapter 10) - When selecting the ISO setting, you can register three preset settings, so that you can quickly tap an icon to select a specific ISO setting that you often use, rather than having to scroll through the ISO values (see Figure 1.8 - right).

Quick Control Screens (Chapter 2) - When viewing the rear Screen, you can press the Info Button repeatedly to display a shooting settings screen with various exposure and camera settings. Press the Q Button or touch screen icon to activate this shooting settings Quick Control Screen (see Figure 1.9 - left). This screen will allow you to quickly access and change applicable settings for whichever shooting mode you are currently working in. When viewing the Live View scene on the rear Screen or in the Viewfinder, you can press the Q Button to access the Live View Quick Control screen, which offers access to various shooting settings (see Figure 1.9 - right). You can use the Multi-Controller or dials to navigate this screen, or else use the touch screen icons. Use the rear Quick Control Dial 1 to navigate the icons to the desired function, and after pressing Set, use either rear Quick Control Dial to select the desired option. Similar Quick Control Screens are accessible for movie shooting and for image playback.

Figure 1.9 - Left: Press the Info Button to select the Shooting Settings Screen, then press the Q Button to activate the Quick Control Screen. Right: During Live View shooting, press the Q Button to access the Live View Quick Control screen.

Menu Settings and Custom Functions Menus (Chapters 3, 4, and 5) - Learn about all the new Menu and Custom Function options in the EOS R6 Mark II menu system, and the custom controls options in the Custom Function 3 (C.Fn 3) Menu, used to customize the functions of various camera buttons and controls. Other new menu items will allow you more control over what information is shown on the shooting and playback displays. And the EOS R6 Mark II allows you to adjust the color tone of the Viewfinder and the rear Screen, using the Screen/ Viewfinder Color Tone item of the Set-up 4 Menu.

Figure 1.10 - Flexible-Priority AE (Fv) Shooting Mode - Left: Selecting Fv Shooting Mode by turning the Mode Dial. Right: Making use of Fv Shooting Mode during Live View or Viewfinder shooting.

Flexible-Priority AE (Fv) Shooting Mode (Section 10.3) - Flexible-Priority AE Mode, or Fv Mode, is a shooting mode first introduced on the EOS R (see Figure 1.10 - left). It is an extremely versatile mode that allows you to control any of the exposure parameters, including the shutter speed, aperture setting, ISO setting, and exposure compensation, or to set any of the parameters on Auto and let the camera control them (see Figure 1.10 - right). You can choose to control all of the parameters yourself, or to control some of them and let the camera control the others, or allow the camera to control all of them by setting them all to Auto - all while remaining in the same Fv Shooting Mode. Fv Mode can act as either Auto+, Tv, Av, or M shooting mode, depending on which settings you control and which are set to Auto, but the advantage is that you can quickly change any of the exposure settings without having to change the shooting mode.

Hybrid Auto Shooting Mode (Section 10.7) - The new Hybrid Auto Shooting Mode enables you to create a short movie from all the still photos captured throughout the day. The camera will record a 2-4 second video clip before each still that is captured, and combine them into a Digest Movie (see Figure 1.11). So if you make use of this, you will need to keep the camera still before capturing images.

Figure 1.11 - Left: Image Playback for a Hybrid Auto image. Press the SET Button or icon (left) to access the Hybrid Auto Digest Movie (right). Right: Use the touch screen icons or camera controls to playback the movie. Press the Q Button or icon to edit the movie. The image at left shows one of the issues with using the Auto Shooting Modes, where the camera automatically focused on the closer tree branches, rather than focusing on the church building as desired.

Dual Pixel RAW (Section 3.3) - The Dual Pixel technology of the EOS R6 Mark II sensor, where each pixel contains two photodiodes, allows for some unique post-processing capabilities when using Canon’s Digital Photo Professional (DPP) software. You will need to enable this Dual Pixel RAW item in the Photo Shooting 1 Menu, and capture RAW images. This will then allow for three different post-processing options:  Image Micro-adjustment, to slightly adjust the focus of an image, Bokeh Shift, to slightly adjust the out-of-focus areas of an image, and Ghosting Reduction, to reduce the effects of haze or flaring in an image, caused by internal lens reflections. The EOS R6 Mark II also offers two in-camera Dual Pixel RAW processing options, Portrait Relighting where you can change the angle and intensity of lighting on a subject's face, and Background Clarity where you can adjust hazy backgrounds in images of people and landscapes.

If you do not plan on making use of these adjustments, you will not want to enable Dual Pixel RAW, since it will cause the image files to be much bigger, will reduce the maximum shooting speed and burst rate, and will prevent you from selecting the Continuous High Release Modes.

Image Playback (Section 6.1) - The previously separate Playback Shooting Information Display screens for playback are now all on the same screen, and you press up or down on the Multi-Controller to change the information at the bottom half of the screen, rather than clicking through several different detailed screens (see Figure 1.12 - left). The single Magnify Button and the top-rear Quick Control Dial 2 are used to zoom in on a playback image (see Figure 1.12 - right).

Figure 1.12 - Left: The Playback Shooting Information Display Screen, where you can press up or down on the Multi-Controller to view different information at the bottom of the screen. Right: Zoom-in on a playback image using the single Magnify Button and the top-rear Quick Control Dial 2.

Set Image Search Conditions (Section 3.5) - This search feature allows you to search for images on a memory card based on their Rating or Date taken, or for all images in a specific Folder, or images that are protected with the Protect feature, or specific types of files such as Stills, Movies, RAW, and JPEG files. You can include more than one of the parameters in the search, in order to locate a very specific set of images. This feature can be accessed in the Playback 5 Menu, or on the image playback Quick Control Screen (see Figure 1.13).

Figure 1.13 - Left: Access the Playback Quick Control Screen by pressing the Q Button during image playback. Right: The Image Search options, which allow you to search for images based on various parameters.

Autofocusing (Chapters 7 and 8) - Learn the ins and outs of the autofocus system, and how to use it to capture still and moving subjects. The AF system of a mirrorless camera such as the EOS R6 Mark II is more similar to the Live View autofocusing system of previous cameras, and makes use of autofocus areas (AF Areas) such as 1-Point AF, Expand AF Area, and Flexible Zone AF options. Perhaps the most important improvement of the autofocus system is that subject detection, subject tracking, and face and eye detection can be used with any of the AF Area modes (see Figure 1.14 - left). These options are found in the AF 1 Menu.

The EOS R6 Mark II also allows you to use either the Multi-Controller or the touch screen to position the active AF Point. Plus, the camera includes autofocus Cases and parameters for tracking and retaining focus on a variety of moving subjects (see Figure 1.14 - right). Other new autofocusing menu options will help you to gain more control over the autofocus system, the autofocus points, and where and how the camera focuses. And various manual focusing aids including Focus Peaking will assist you with accurate manual focus.

Figure 1.14 - Left: Making use of Subject Detection and Eye Detection to automatically locate and focus on a subject's eye, within the active AF Area. Right: The AF 2 Menu tab with the autofocus Cases, for tracking and maintaining focus on different types of moving subjects.

Auto ISO (Chapter 10) - The EOS R6 Mark II offers additional control over Auto ISO, where you can specify the ISO range in which you wish the camera to remain, and set the minimum shutter speed. You can even let the camera choose the minimum shutter speed based on the current lens focal length, and adjust that setting if you want the camera to choose a faster or slower minimum shutter speed (see Figure 1.15 - left).

Figure 1.15 - Left: When using Auto ISO, you can allow the camera to choose the Minimum Shutter Speed based on the current lens focal length, and also adjust that setting for a faster or slower minimum shutter speed. Right: The EOS R6 Mark II allows you to adjust Exposure Compensation in Manual Mode, if using Auto ISO.

If shooting still images or movies in Manual (M) Mode, you can use Auto ISO and allow the camera to adjust the ISO setting to maintain the proper exposure, plus you can apply Exposure Compensation in this situation, if you wish to adjust to a brighter or darker exposure (see Figure 1.15 - right).

HDR Shooting, Multiple Exposures, and Time-Lapse (Chapters 12, 17) - These sections of the guide will explain these in-camera features and their various shooting and processing options. The HDR PQ option will enable you to capture images with increased brightness, wider tonal range, and wider color gamut, when viewed on HDR-compatible devices. These can be saved in the HEIF file format. There is also a new HDR option for capturing moving subjects.

Bulb Timer (Chapter 10) - When working in Bulb (B) Shooting Mode, you can set the Bulb Timer (in the Photo Shooting 7 Menu) to dictate how long the shutter will remain open, rather than having to hold down the Shutter Button for the entire duration (see Figure 1.16 - left). This will also help to eliminate camera movement.

Figure 1.16 - Left: Enable the Bulb Timer and press the Info Button to set the exposure time, for when using Bulb (B) Shooting Mode. Right: The Sharpness parameters, which are available with each of the Picture Styles.

New Picture Style Options (Chapter 13) - The EOS R6 Mark II offers the Fine Detail Picture Style, designed to help maximize the level of image detail. Plus, advanced Sharpness parameters of Strength, Fineness, and Threshold are available for all of the Picture Styles (see Figure 1.16 - right).

New Auto White Balance Options (Chapter 13) - When making use of Auto White Balance (Shooting 4 Menu), you can choose between two settings. The Ambience Priority setting will retain the warm color cast of incandescent (tungsten) lighting, which you may be used to or expect with images of indoor scenes. This setting is most similar to the Auto White Balance of previous Canon cameras. The White Priority setting will render more neutral whites and color tones, and reduce the red or yellow tones of incandescent lighting (see Figure 1.17 - left).

Figure 1.17 - Left: The Auto White Balance options, Ambience Priority and White Priority. Right: The Movie shooting screen, displaying various video settings.

Video (Chapter 17) - The EOS R6 Mark II includes important video features, most notably 4K video oversampled from 6K and using the entire width of the sensor, and 10-bit HDR PQ video with an expanded dynamic range (see Figure 1.17 - right). It also offers the ability to adjust the Movie Servo AF speed, as the camera autofocuses on a subject at a different distance, dictating how quickly the new subject comes into focus. The High Frame Rate option allows you to shoot HD videos at 179.8, 150.0, 119.9, or 100.0 fps, which can then be played in slow motion. The camera provides 8.3 MP Frame Grab stills from 4K video, various file compression options, and 10-bit Canon Log options. The camera offers zebra stripes and false color display, to assist with obtaining the best exposure. The video chapter provides a full description of the 4K and HD video capabilities of the camera including all the Movie Shooting Menu settings options, such as image size and frame rates, compression formats, time codes, and audio features.

There are additional changes noted and explained throughout the guide, such as new lens correction capabilities and multiple My Menu tabs, so I encourage you to read through the entire text.

1.5 Maximizing Resolution with the EOS R6 Mark II

While the 24.2 megapixel sensor will allow you to capture a high level of detail (see Figure 1.18), one of the downsides of such high resolution is that with the amount of detail that is captured, flaws, dust spots, lint, stray hairs, and fingerprints, etc. will be more visible on your subjects. This will require additional care both when preparing and capturing subjects (in controlled situations) and when post-processing the images. In addition, the small internal and external camera movements that can lead to visible blur or reduced sharpness in your images will be more noticeable in the EOS R6 Mark II images. The camera offers several features to help you capture the sharpest images possible.

Figure 1.18 - Left: An image of a 1939 Alfa Romeo 6C SS Berlinetta at Larz Anderson Auto Museum, Brookline, Massachusetts. Right: A cropped detail of the image, showing the amount of detail and sharpness of the car's emblem.

To help reduce small internal camera movements that can negatively impact image sharpness, the EOS R6 Mark II offers an electronic silent shutter with no mechanical shutter movement, and an electronic 1st-curtain shutter option. The Shutter Mode setting where this is selected is found in the Photo Shooting 7 Menu. Enabling the Silent Shutter Function item of the Photo Shooting 7 Menu will also make use of the Electronic Shutter. You can also set a Bulb Timer Adjust Exposure Time setting so that the Shutter Button doesn’t need to be physically held down during the duration of the Bulb exposure. Another important element of capturing sharp images is a steady camera. Thus you will want to develop a good stance with stable arm and hand positions as you hold the camera and release the shutter, or make use of a quality tripod and remote shutter release. You will also need to use high quality lenses in order to get the most from the EOS R6 Mark II sensor. With Canon lenses, this generally means the current