Bagpipe Tunes And Their Stories: The Old Times Up To 1950 - Volume 1
By Susy Klinger
()
About this ebook
Take a fascinating trip through the world of bagpipe music: a journey in time covering the history of this wonderful instrument. Bagpipe Tunes and Their Stories: Old Times to 1950 features stories behind the unique bagpipe tunes that were composed before 1950.
Bagpipes are at the centre of a vibrant culture that has grown over many generations and continues to fascinate music lovers throughout the world. This book unearths stories connected with well-known tunes that were played and written before 1950. A tribute to the rich heritage of bagpipe music, it is captivating reading for long-time bagpipe enthusiasts as well as people less familiar with this distinctive instrument.
You will become acquainted with a wide range of bagpipe tunes, from the Scottish Highlands to the hills of Ireland and beyond. In addition, you will learn about the occasions for which they were composed and interpreted.
Author Susy Klinger, a well-known music expert and bagpipe enthusiast, has put her broad-ranging knowledge and passionate musical interest into this book. She has done many years of research in Scotland and neighbouring countries, conducted numerous interviews with famous pipers and thoroughly studied bagpipe music in order to put together this collection of stories and personal portraits. The book is a treasure chest of musical discoveries, encompassing everything from traditional ballads to lively dance melodies.
The wealth of information on bagpipe tunes is supplemented by carefully selected photos and illustrations that bring the atmosphere and culture of the relevant period to life. Each page is an invitation to delve into the past and become absorbed in stories of times gone by.
Order your copy now and let yourself be inspired by this fascinating survey of music history.
Susy Klinger
Author Susy Klinger, a well-known music expert and bagpipe enthusiast, has put her broad-ranging knowledge and passionate musical interest into this book. She has done many years of research in Scotland and neighbouring countries, conducted numerous interviews with famous pipers and thoroughly studied bagpipe music in order to put together this collection of stories and personal portraits. The book is a treasure chest of musical discoveries, encompassing everything from traditional ballads to lively dance melodies. Susy Klinger has been studying Scottish music since 2003 and regularly travels to the College of Piping in Glasgow for private lessons. In 2012, Susy began lessons with Willie McCallum, one of the worlds best bagpipers. He is a regular guest teacher at the Bagpipe School. Very early in her bagpipe career Susy took part in competitions and achieved great success in Scotland. She was overall winner in Piobaireachd of the CLASP in grade 1 (competitions for amateur bagpipers in Scotland) and achieved 3rd place (out of 30 players) at the Archie Kenneth Quaich in Edinburgh in 2013. These are just a few results in a long list of prizes she won internationally. Susy Klinger played with a renowned bagpipe band in Germany for several years before joining Glasgow Skye Association Pipe Band in Scotland for a few seasons. At the time, the band was very successful in grade 2 and won many competitions. During that time, Susy was able to gain an enormous amount of experience in all areas of bagpipe playing. As a trained teacher, Susy is very familiar with teaching children and young people. Currently, Susy is working very hard on her solo career and teaches students from all over the country. Susy Klinger s Bagpipe Tutorial for Children sets a milestone in expertly teaching children how to play the Scottish bagpipes.
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Bagpipe Tunes And Their Stories - Susy Klinger
Contents
FOREWORD
GENERAL KNOWLEDGE
THE OLD TIMES UP TO 1950: VOLUME I
A. A. CAMERON’S STRATHSPEY
AE FOND KISS
A HEBRIDEAN AIR
ALE IS DEER, THE
ALFRED E. MILNE
ALICK CAMERON, CHAMPION PIPER
ALICE CUNNINGHAM
ALLANGRANGE
ALLAN ROWAN OF PORT APPIN
A MAN’S A MAN FOR A’THAT
AMY MACLEAN
ANGUS MACAULAY’S TUNE
ANGUS MACKINNON
ANGUS MACPHERSON OF INVERAN
AN MHAIGHDEAN MHARA
ANON
AN T’ALLTAN DUBH
ARCHIBALD CAMPBELL OF KILBERRY
ARDVASAR BLACKSMITH, THE
ARGYLLSHIRE GATHERING, THE
ARLITRACH
ARTAFALLIE
ASSYNT HILLS, THE
ATHOLL CUMMERS
ARTHUR BIGNOLD OF LOCHROSQUE
ATHOLL HIGHLANDERS MARCH
AULD LANG SYNE
AULD WIFE AYONT THE FIRE, THE
BALLOCHYLE
BALMORAL HIGHLANDERS
BARNYARDS O’ DELGATY, THE
BARREN ROCKS OF ADEN
BATTLE OF KILLICRANKIE, THE
BATTLE OF THE RIVER PLATE, THE
BATTLE OF THE SOMME
BATTLE OF WATERLOO, THE
BECAUSE HE WAS A BONNIE LAD
BENS OF JURA
BIDDY FROM SLIGO
BLACK ISLE, THE
BLOODY FIELDS OF FLANDERS, THE
BOBBY CUTHBERTSON
BODACH NAM BRIOGAIS
BOGALLAN
BONNIE ANN
BONNIE ARGYLL
BONNIE LASS O‘ FYVIE, THE
BONNIE DUNDEE
BONNIE ISLE OF JURA, THE
BONNIE STRATHYRE
BONNIE WELLS O’WEARIE, THE
BONNIE WOODS OF STIRKOKE, THE
BONNY GALLOWA
BOY CHAPMAN
BRAES O’BANFF, THE
BRAEMAR GATHERING
BRAES OF ABERARDER, THE
BRAES OF BRECKLET
BRAES OF CASTLE GRANT, THE
BRAES OF FORBES, THE
BRAES OF MAR
BRAES OF TULLIEMET
BROCHAN LOM
BRIDGE OF OICH, THE
BRIG O’PERTH
BROSE AND BUTTER
BROWN HAIRED MAIDEN, THE
BUNDLE AND GO
BURNING SANDS OF EGYPT, THE
BUZANCY
CABAR FEIDH
CALON LAN
CALUM BEAG
CAMPBELLS ARE COMING, THE
CAMERONIAN RANT
CAPTAIN BALD’S MARCH
CAPTAIN C. M. USHER’S REEL
CAPTAIN DUNCAN MACGREGOR
CAPTAIN E. B. B. TOWSE VC
CAPTAIN E. TOSH, 1ST VBRH
CAPTAIN G CS MACLEOD
CAPTAIN LAWSON’S MEN
CARLES WITH THE BREEKS, THE
CASTLE OF GIGHT, THE
CASTLE TOWARD
CA’ THE EWES
CAWDOR FAIR
CECILY ROSS
CENTER’S BONNET
CHARLES EDWARD HOPE VERE
CHASING DE WET
CLAN MACCOLL, THE
COCK OF THE NORTH
COLIN’S CATTLE
COLIN THOMPSON
COLONEL, CHARLES OGSTON, CB, CMG,
COLONEL H.H. BURNEY’S FAREWELL
COLONEL SIR JAMES BURNETT
COLONEL WILLIAM FRIZELL
COMRADES WE LEFT IN GALLIPOLI, THE
CONON BRIDGE
COWAL GATHERING, THE
CRAIGMILLAR CASTLE
CRAIG-N-DARROCH
CREAG GHUANACH
CREAGORY BLEND
CUIDICH AN RIGH
CUMHA FHINN
CUMHA RUAIRIDH MHOIR
DALNAHASSAIG
DANCERS OF DOUNE, THE
DANCING FEET
DARK ISLAND, THE
D.C. MATHER’S FAREWELL
DEVIL IN THE KITCHEN
DINAH FARQUARSON
DONELLA BEATON
DONALD BLUE
DONALD CAMERON
DONALD CAMERON’S
DONALD MACLEAN’S FAREWELL TO OBAN
DONALD MACLEOD
DONALD MCLENNAN’S EXERCISE
DOORNKOP
DOVECOTE PARK
DREAM VALLEY OF GLENDARUEL, THE
DRIVE HAME THE MAINLANDERS
DRUMMOND CASTLE LAUNDRY
DRUNKEN PIPER, THE
DUCK, THE
DUNCAN GRAY
DUNCAN LAMONT
DUGALD MACCOLL’S FAREWELL
DUNTROON
DUNOON HOME GUARD
EDINBURGH CASTLE
ELPHIN LADS, THE
ELSBETH CAMPBELL
EWE WITH THE CROOKED HORN
FATHER JOHN MACMILLAN
FAIR MAID OF BARRA, THE
FAIRY DANCE, THE
FALL OF PORT ARTHUR, THE
FAR AM BI MI FHIN
FAREWELL TO THE CREEKS
FEAR A’BHATA
FIDDLERS JOY, THE
FLAGON, THE
FLIGHT OF THE EAGLETS
FLOWERS OF THE FOREST
FORTY AND TWA, THE
GABHAIDH SINN AN RATHAD MÒR
GALWAY CITY
GAIRNSIDE
GENERAL GEORGE PATTON - US ARMY
GHLASS-AULT, THE
GIRL WITH THE BROGUE, THE
GLASGOW POLICE MARCH PAST, THE
GLENCUIL COTTAGE
GLENDARUEL HIGHLANDERS, THE
GLEN GELDER
GORDON’S FAREWELL TO CASTLEHILL
GORDON’S MARCH, THE
GREEN HILLS OF TYROL
GREEN GLENS OF ANTRIM, THE
GARB OF OLD GAUL, THE
GURKHAS’ JOY, THE
GUR MILIS MHORAG
HAMILTON BAY
HAWK, THE
HAWK THAT SWOOPS ON HIGH, THE
HECKY MORRISON
HECTOR THE HERO
HENDERSON’S STONE, THE
HEROES OF KOHIMA, THE
HE-RO-HIRAM
HEY CA’ THROU
HIGHLAND BRIGADE AT
HIGHLAND BRIGADE’S MARCH TO HEILBRONN, THE
HIGHLAND CRADLE SONG, THE
HIGHLAND EMIGRANT, THE
HIGHLAND LADDIE
HIGHLANDMAN KISSED HIS MOTHER, THE
HIGHLAND WHISKY
HIGH ROAD TO GAIRLOCH, THE
HIGH ROAD TO LINTON
HIGHLAND WEDDING, THE
HEIGHTS OF DARGAI, THE
HILLS OF GLENTRUIM, THE
HILLS OF JAVA, THE
HODDOM CASTLE
HUGH KENNEDY MA BSS
I’LL GANG NAE MAIR TAE YON TOUN
INVERAN
INVERLOCHY CASTLE
INVERNESS GATHERING, THE
INVEROICH SHINTY CLUB, THE
ISHBEL MACKENZIE
JEAN MACLENNAN
JEANNIE CARRUTHERS
JENNY DANG THE WEAVER
JIG OF SLURS
JOHN D. BURGESS
JOHN MacCOLL’S FAREWELL
JOHN MACFADYEN OF MELFORD
JOHN MACKECHNIE
JOHN MACKENZIE’S FAREWELL
JOHN MORRISON OF ASSYNT HOUSE
JOHNNIE COPE
JOHNNIE MACINTYRE
JOHN ROY STEWART
JOSEPH MACDONALD’S JIG
JUMPIN JOHN
KATE DALRYMPLE
KATIE BAIRDIE
KATRINA BANNISTER
KATY MACDONALD OF CROYDON
KIRKHILL
KESSOCK FERRY
KILBOWIE COTTAGE
KILCOY MILL
KING GEORGE V’S ARMY
KILORAN BAY
KILWORTH HILLS
KITCHENER’S ARMY
LACE TOON, THE
LADIES FROM HELL, THE
LADY ANN MACKENZIE’S FAREWELL
LADY DOROTHEA STEWART MURRAY’S
LADY LOUDEN
LADY MADELINE SINCLAIR
LADY MARY ANN
LAMENT FOR RORY MOR
LANTERN OF THE NORTH, THE /
LEAVING BARRA
LEAVING GLENURQUART
LEAVING IRELAND
LEAVING LUNGA
LEAVING PORT ASKAIG
LEWIS PIPE BAND, THE
LIBERTON POLKA, THE
LIEUTENANT COLONEL D. POLSON HALL
LIVERPOOL SCOTTISH SALUTE
LOCHABER GATHERING, THE
LOCHABER NO MORE
LOCHANSIDE
LOCHIEL’S WELCOME TO GLASGOW
LOCH CARRON
LOCH KELVIN HIGHLANDERS
LOCH LOCHY
LOCH MONAR
LOGIE O’BUCHAN
LORD ALEXANDER KENNEDY
LORD MACDONALD’S REEL
LONDON SCOTTISH AT
LOWERGILL CROFTER’S FAREWELL
LT COL ROBIN CAMPBELL, DSO
MACALLISTER’S DIRK
MAC-A-PHI
MACCRIMMON WILL NEVER RETURN
MACGREGOR OF RORA
MACKAY’S FAREWELL TO THE 74TH
MACKENZIE’S FAREWELL TO
MACNEILLS OF UGADALE, THE
MACPHERSON’S LAMENT
MAGGIE CAMERON
MAIDEN OF MORVEN, THE
MAJOR C. M. USHER, OBE
MAJOR DAVID MANSON
MAJOR JOHN MACLENNAN
MALCOLM MACLEAN CURRIE
MALCOLM MACPHERSON OF PERTH
MAN FROM GLENGARRY, THE
MAIRI’S WEDDING
MASON’S APRON, THE
MALLORCA
MALTA BELLS
MANCHESTER HORNPIPE
MARCHIONESS OF HUNTLY, THE
MARY DARROCH
MEETING OF THE WATERS, THE
MEMORIES O’BON ACCORD
METHVEN CASTLE
MERRILY SAILING
MHAIRI BHAN OG
MICHAEL JOSEPH MACKINNON
MILLBANK COTTAGE
MINGULAY BOAT SONG, THE
MISS JOAN CAMPBELL
MISS MACDONALD OF VIEWFIELD
MIST COVERED MOUNTAINS, THE
MR AND MRS PETER MACLEAN
MRS CATH MACDONALD
MRS DONALD MACLEOD
MRS JOHN MACDONALD OF
MRS JOHN MACCOLL
MRS JOHN MACLELLAN
MRS MACDONALD OF DUNACH
MRS MACDONALD OF UIG
MRS MACLEOD OF RAASAY Dunach
MRS MACKINNON OF CORRY
MRS MACPHERSON OF INVERAN
MRS PAT MACLAREN
MRS WILLIAM MACLELLAN
MO CHUACHAG LAGHACH THU
MONS MEG
MUCKIN’ OF GEORDIE’S BYRE, THE
MUNLOCHY BRIDGE
MUILE NAM FUAR BHEANN
MURDO MACGILLIVRAY OF EOLIGARRY
MURDO CAMPBELL
MY LODGINGS IN THE COLD GROUND
MY LOVE SHE’S BUT A LASSIE YET
NEIL SUTHERLAND OF LAIRG
NONA
OLD RUINS, THE
ORANGE AND BLUE
OSSIAN’S LAMENT FOR HIS FATHER
OVER THE CHINDWIN
OVER THE HILLS AND FAR AWAY
PIOBAIREACHD OF DONALD DUBH
PM DUNCAN MCPHAIL’S RETREAT
PIPE MAJOR HECTOR MACLEAN
PIPE MAJOR R. H. MACPHEE’S REEL
PLAINES OF NORMANDY, THE
PM DONALD MacLEAN OF LEWIS
PM JOHN STEWART
PORTPATRICK
PORTREE BAY
PRETTY APRON, THE
PROVOST DONALD MACDONALD
QUAKER’S WIFE
QUEEN ELIZABETH’S MARCH
REEL OF TULLOCH
RELIEF OF LADYSMITH, THE
RESOLIS
ROAD TO THE ISLES
ROCK AND WEE PICKLE TOW
ROCK (GIBRALTAR), THE
RODDIE CAMPBELL
ROSEHAUGH DANCE
ROSS BATTERY, THE
ROTHIEMURCHUS RANT, THE
SANDY CAMERON
SCORRYBRECK FALLS
SCOTS GUARDS FAREWELL TO
SCOTS WHA HA’E
SHAGGY GREY BUCK, THE
SHANBALLY CASTLE
SHEPHERD’S CROOK
SHOALS OF HERRING
SÌNE BHÀN
SIEGE OF DELHI, THE
SKYE BOAT SONG
SLEEP, DEARIE, SLEEP
SMITH OF CHILICHASSIE, THE
SOUTH UIST EMIGRANTS, THE
SOUTH UIST GOLF CLUB, THE
SURRENDER OF CRONJE, THE
SPORTING JAMIE
STABLE BOYS, THE
SWALLOW-TAILED COAT, THE
THA MI DUILICH
THOMPON’S DIRK
THREE GOOD FELLOWS BEYOND
TIBBY
TULLOCHGORM
TOM BIGBEE WALTZ, THE
TWENTY MEN FROM DUBLIN
UNKNOWN WARRIOR, THE
VALLAY ISLAND
VATERSAY BAY
WADE’S WELCOME TO INVERNESS
WALKING THE FLOOR
WHEN THE BATTLE IS OVER
WHIP HER AND GIRD HER
WHISTLE OWER THE LEAVE O’T
WI’A HUNDRET PIPERS AN’A’
WILLIE MACLEOD - REEDMAKER
WILLIAM MURRAY’S REEL
WILLIE MACRAE OF ULLAPOOL
YOUNG WILLIE MURRAY
2 nd BATTALION THE GORDON
72 ND HIGHLANDERS’ FAREWELL
51 ST HIGHLAND DIVISION, THE
8 TH ARGYLLS’ FAREWELL, THE
8 TH ARGYLLS’ FAREWELL TO DUNOON
71 ST’S FAREWELL TO DOVER, THE
9 th BN SEAFORTH HIGHLANDERS, THE
FAMOUS COMPOSERS THE OLD TIMES UP TO 1950
THANK YOU TO…
I AM SORRY IF…
SOURCES
INDEX
EXPLANATIONS OF ABBREVIATIONS USED
FOREWORD
I’ve always liked listening to stories from the past. When I started piping with Jimmy Young at the former College of Piping, he told me lots of stories about piping, pipers and facts behind the tunes. I listened and hoped he would tell me more stories. But I never had the idea to write them down. One day he spoke about the Cameronian Rant, which I liked a lot. That was in 2004 and I can’t remember the exact story anymore. Joe Wilson was another instructor of mine, also at the College of Piping. He was also full of stories.
In 2020 I had the idea of collecting all the stories of the tunes I play. But at that time, I thought it would be a good idea to find the stories of all light music tunes. Piobaireachd stories were available in writing, but not much research had been done for ceol beag. After a chat with Finlay MacDonald, who recommended that I have three categories in my collection (thank you for that), I started to get more interested in modern compositions. Even with internet and clouds, etc. there is no guarantee that all this knowledge will be saved forever. Now is the time to save the stories from modern compositions which pipers in 100 years might want to know. This is especially true for tunes that were written for individual persons. My favourite reel is Bessie MacIntyre. I really wanted to know who she was and for whom I played this tune. But I couldn’t find out at the time.
So, I started this book and collected every story I could find. After a wee while collecting and writing, I noticed that there are thousands of tunes and one book is not enough. This will be number 1 and other volumes will follow.
I hope with this book we can save most of the knowledge behind pipe tunes and give it to other generations so that nothing will be lost for the future.
GENERAL KNOWLEDGE
OUR PIPE MUSIC IS
DIVIDED INTO THREE
CATEGORIES:
CEOL MOR
the big music or piobaireachd
CEOL BEAG
the little music, which includes quicksteps and dance music like strathspeys and reels
CEOL MEADHONACH
the middle music. As the name says, this is between ceol mor and ceol beag. Airs are an example. This is the oldest form of Highland music.
The MacCrimmons taught piobaireachd in their school in Boreraig. But I am sure there was light music in those days for weddings and other celebrations where the Highlanders danced to the bagpipes. Gaelic poetry also speaks occasionally of the pipes being used as an accompaniment to general merrymaking in the big houses of the West Highlands
.
John MacDonald wrote about Calum Piobair that he hardly ever played march, strathspey and reel, only piobaireachd and jigs. Each morning Calum used to play jigs on the chanter while breakfast was being got ready – he used to sit on a stool near the peat fire as he played. But his heart was in Piobaireachd […].
In the 19th century the army got more influence and the style of music changed. The old piping tunes were originally Gaelic airs or fiddle tunes that were adapted to the pipes. But with the army, tunes were composed especially for the pipes. So, in this book the composer could also be a fiddler and not a piper. But I thought it is interesting who composed it, who had the idea of the tune.
Tunes from the old days had two parts and more parts were composed later. So it could be that the first two parts are very old and the other two are much younger. (15/p. 62 and 193)
PUBLISHER
Dudelsackschule.de,
Andreas Hambsch
AUTHOR
Susy Klinger
PHOTOS
Susy Klinger, Nils Bosshammer,
Freepik, iStock, Ambaille.org.uk
LAYOUT
Nils Bosshammer
ISBN
978-3-910702-02-8
EDITION
1st Edition, November 2023
BAGPIPE TUNES
AND
THEIR STORIES
THE
OLD
TIMES
UP TO
1950
VOLUME I
A. A. CAMERON’S STRATHSPEY
STRATHSPEY
JOHN SKINNER
Alexander Anthony Cameron was born in 1875 in Dochanassie, Lochaber, Inverness-shire, near Fort William. He was also known as A. A. or Sandy Cameron. His nickname was the Mighty Mucomir
. And that was his farm’s name. He loved farming. Alexander had a good physique and was very strong. He went to the Highland Games for the Athletics regularly and got very famous because he won so much. He also travelled to Australia, New Zealand, America and Russia, where he showed off his strength on stage. He died in 1951 at the age of 76
Source: www.tunearch.org/wiki/Annotation:Sandy_Cameron%27s (30.08.2022)
AE FOND KISS
SLOW AIR
TRADITIONAL
This tune is also known as Ae Fond Kiss and Then We Sever. The melody is traditional and Robert Burns wrote words to it. Burns met from time to time with Mrs Agnes Maclehose in Edinburgh. They started a regular correspondence and used the pseudonyms Clarinda
and Sylvander
for this. After their final meeting Burns wrote this poem. On 27th December 1791 he sent it to Agnes. She then departed Edinburgh for Jamaica to see her husband. The melody Burns took for this tune was Rory Dalls’ Port. But it was replaced later with another tune. Rory Dall was a blind harper living from about 1656 until about 1714. His real name was