The Little Book of Plastic Lace Crafts: A Step-by-Step Guide to Making Lanyards, Key Chains, Bracelets, and other Crafts with Boondoggle, Scoubidou, Gimp, and Plastic Lace
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About this ebook
Break has come and school is out. Keeping your kids entertained at home without screens may seem difficult, but it doesn’t have to be. Why not make your break a “DIY summer” with The Little Book of Plastic Lace Crafts? This step-by-step guide to creating lanyards, key chains, bracelets, and other crafts with plastic lace features full-color diagrams and easy-to-follow text. It can be used at any proficiency level, starting off with basic stitching techniques before moving on to more advanced methods in order to teach you how to:
- Create a standard lanyard
- Integrate practical and creative techniques
- Incorporate new and playful ideas
- And more!
Written and illustrated by a highly experienced lanyard artist, The Little Book of Plastic Lace Crafts is the screen-free summertime entertainment that the whole family can enjoy!
Yonatan Setbon
For over eight years, Yonatan Setbon has maintained a YouTube channel dedicated to lanyards. After mastering the content available on the internet, he began to explore and develop his own new techniques, both practical and creative. In 2008, when Yonatan was sixteen, his art was showcased on the website of expert crafter BoondoggleMan. On Yonatan’s YouTube channel, you can find the basics, as well as advanced tutorials with complete instructions for creating fun forms such as a Pikachu, a snake, and a dragon (that took 72 hours to make!). During the COVID-19 pandemic, Yonatan added several new artistic approaches to his repertoire, reflecting modern, and more abstract styles.
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The Little Book of Plastic Lace Crafts - Yonatan Setbon
Introduction
A Little Bit of History
No one really knows when the first lanyard was created. Lanyards are a subcategory of knots. Naturalists have recorded that orangutans make knots for pleasure. Perhaps an orangutan created a box stitch at one time in history. During the Great Depression, the jobless crafted lanyards as a form of make-work, and they used the word boondoggle
for their creations. Lanyards were such a trend in the late 1920s that even the Prince of Wales (later Edward VIII) wore a boondoggle around his scout hat.
My Story
My personal journey with plastic lace crafts started when I was a child in 2003. I noticed my neighbor’s unusual lanyard that alternated between a circle and a box. That lanyard made me realize that this craft had creative potential, and I was hooked immediately. I asked my mom to teach me the basic box stitch. It wasn’t as easy as I thought it would be, but soon I started making basic shapes. After I exhausted what my mom had to teach me (not very much), we searched online and found boondoggleman.com, a website where Dave Weeks posted his work. After a few months, I learned everything I could from him as well, so I started inventing several new techniques, which I now share online. The process of developing these new methods greatly increased my confidence.
Then I moved on to making large sculptures—such as a snake, a bird, and the Eiffel Tower—from plastic lace. Each project involved at least a week of hard work. I contacted Boondoggleman and sent him photos of my sculptures. To my surprise, he replied and asked me if he could add them to his site. His recognition increased my motivation, and I set myself a goal of creating a dragon. l prepared for that by producing some introductory projects, such as a unicorn and a lion, which took two months. Then I asked, what’s next?
By 2014, I had completed a chess set (that took nine months) and created my first human figure (a manga character called Naruto). That same year I launched my LanYarD YouTube channel by explaining how to create my dragon—that thirty-five-part tutorial took seventy-two hours of video and two full years to produce!
From 2014–2017, I explored the theoretical concepts of plastic lace craft, some mathematical theorems behind it, and some general concepts, such as the color combinations I discuss in Chapter 4. To me, considering the theoretical underpinnings of lanyards are no less important than creating them—I’m just as interested in understanding why I do this work as I am in creating something