The Moon Magazine Volume 9: The Moon Magazine, #9
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About this ebook
A monthly magazine featuring work from Lyn Lifshin, Gary Every, T. Kilgore Splake, Geoff Stevens, B.Z. Niditch, Raymond Avery, JB Mulligan, et al.
Ali Noel Vyain
Ali Noel Vyain has been in publishing since March 2003 and hasn't looked back. The number of unique titled books she's written continually increases every year. She was the one person behind a magazine known as The Moon and currently works on Sir Socks Le Chat magazine with Sir Socks and others.
Read more from Ali Noel Vyain
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The Moon Magazine Volume 9 - Ali Noel Vyain
The Moon Magazine
Volume 9
edited by Ali Noel Vyain
Acknowledgements
I started The Moon as a little magazine in March 2003 while I was living in Tucson. Lots of people have submitted their work over the 13 years I worked on it. I didn't always write anything up for the issues, but I always put them together by myself.
The Moon didn't originally have any ISSN until I got to volume 9 issue 2. I had to apply through the Library of Congress and they gave me one for print and the other for electronic.
I started The Dark Side of the Moon as a spin off fromThe Moon in November 2004. Later it was absorbed by The Moon about two years later starting in volume 5 issues 1. So, I've included all the Dark Side issues within this book series too.
Another note on this book series: I used the old pdf files I still had. I couldn't always update them as the files they were made from are gone now. But this is the best I could do to put all the issues into 14 books for printing. The 14 ebook versions are based on their epub counterparts, which are based on the original pdfs.
Ali Noel Vyain, owner of The Moon Publishing
The information in this book was correct at the time of publication, but the Publisher does not assume any liability for the loss or damage caused by errors or omissions.
Some items are the Authors' memories, from their perspective, and they have tried to represent events as faithfully as possible.
Some items are works of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Copyright © 2023 by Ali Noel Vyain, owner of The Moon Publishing.
No part of this book can be reproduced or used in any manner without written permission of the copyright owner.
The Moon and Dark Side of the Moon are no longer being published. This is a compilation of the back issues.
Elsewhere
eISSN: 2159-310
print ISSN: 2159-3086
eISBN: 9798223977063
alinoelvyain.wordpress.com
Contents
The Moon 901
The Moon 902
The Moon 903
The Moon 904
The Moon 905
The Moon 906
The Moon 907
The Moon 908
The Moon 909
The Moon 910
The Moon 911
The Moon 912
front coverCopyright © 2011 by The Moon Publishing
Published by The Moon Publishing at Smashwords
No part of this magazine can be reproduced or used without permission.
The Moon only gets one time publication rights, in electronic and print formats, from the contributors.
eISSN: 2159-3108
The Moon no longer accepts submissions.
front cover picture: sunflower vi by t. kilgore splake
back cover picture: sunflower viii by t. kilgore splake
Contents
The Poem after The Poem I Didn’t Start to Write by Lyn Lifshin
Ballroom, Blue by Lyn Lifshin
It Was The Kind of Day That Nothing That Should Have Happened, Happened, Quite by Lyn Lifshin
Like a Stressed Tree Blooming More Wildly by Lyn Lifshin
Divorced Dad Menagerie by Gary Every
Bach Soloist by B.Z. Niditch
Late at Logan Airport by B.Z. Niditch
Angel by B.Z. Niditch
Driving to Amherst by B.Z. Niditch
dreamin’ by t. kilgore splake
faith by t. kilgore splake
Pedalling by Geoff Stevens
Refused Entry by Geoff Stevens
French Lessons by Geoff Stevens
The Reunion by Ron Koppelberger
The Mistress of Dreams by Ron Koppelberger
A Poem of the Night by Michael Lee Johnson
This Friday Afternoon by Robert Phelps
The Transfiguration: Peter’s Memory by Robert Phelps
Perplexed Why She Didn’t Have More Boys Chasing Her by Michael Estabrook
The Catbird’s Egg by Dan Schreiber
Nashville Autumn by Dan Schreiber
Outside and In by Katie Starkel
Only This by Charles P. Ries
New Life by Charles P. Ries
70% Proof by Raymond K. Avery
We Will Collect Tuesday by Raymond K. Avery
Gun for Hire by Raymond K. Avery
Across the Iron River by N. A’Yara Stein
Goethe Street by N. A’Yara Stein
Padjo Sussup by Michael Campagnoli
Moose Calling Moon by Michael Campagnoli
I Wandered Loud in a Gallery by Ben Nardolilli
Going to Arlington by Ben Nardolilli
Child of War by Mike Berger
The Poem after The Poem I Didn’t Start to Write
Lyn Lifshin
how it was ruined. Don’t
tell me I allowed that man
to ruin it or I will print out
the 32 e mails about the
book, the litany of photo-
graphs he had his way with,
how he lost whatever I sent
him lets say 12 times and
that’s going easy on him?
And don’t tell me, like an
abusive husband, I should
hot tail it out of his realm.
It’s not that way. Not that
my last book he did wasn’t
the press’s best seller. This
man, communicative as a
stone, accepted that first
book with "we’ll have to find
a great cover." For a day I
wasn’t sure. Was it yes?
Was it real? Now, with a new
book, I was euphoric when,
a year ago today, he actually
called two days after I sent
it, November 2007, said a
March publication date. Then
20 e mails. Silence. Many
more and silence. 20 covers.
None seemed to lure him.
(Not of me, you understand,
but the subject of the book,
a horse). Then, the get-it-all
to-me-in twenty-seconds
rush. Silence. A September
date. We need a cover. Silence,
Silence. The a photographer
said he’d gotten an ok but no
the publisher still writes me
where is a cover. I think it’s a
roll, a cut, whatever they say
in movie making. A September
publication date. I take out
ads, feel it’s finally real. Then,
a late Sunday call: you have to
cut the book in two. Now this is
Ballroom, Blue
Lyn Lifshin
so this is how it
feels, the floor tilting
where we locked in a tango
slipping away as
someone changes the cd
what was ghostly as
strains going under
with the Titanic.
How could I know I was
stuck on
an iceberg
under all the show, the glitz?
How could I hear
signs of distress. How could
I not believe it was
really happening.
Or expect to survive
What was it, your
moon light sea eyes
that paralyzed?
It Was The Kind of Day That Nothing That Should Have Happened, Happened, Quite
Lyn Lifshin
the early metro ride to the dentist,
but you know that story. And
then, the publisher-tango, the two
steps forward, the sharp twist
away. All love and hate. The
glued to each other promenade,
the wild to tear away, stamp on
the other’s hearts, spear with an ice
pick, stiletto. Oh I had publishers
who can lead a waltz and make
it flow like breath and I won’t
get over them. But what do
you do with one who jerks you
in a heel spin, his moves, a
knife and of course knowing with
out him there is no dance
Like a Stressed Tree Blooming More Wildly
Lyn Lifshin
my hair’s grown
down my back these
months. It’s an old
story of the daughter
blossoming as the
mother’s hair goes
grey. No, that’s a
lie. I never wanted
children, only your
skin and my old skin
holding me as
it had
Divorced Dad Menagerie
Gary Every
At the restaurant where I work we have a collection of toy plastic animals left behind by restless bored
children and nervous divorced dads. The collection includes
gorilla, hippo, rhino, and camel.
1
The children all sit silently
at the table of angry dad,
staring at the floor
while their father curses their mother
calling her a bitch and a whore.
His ex-wife is no longer there
and never will be again.
One child drops his plastic gorilla,
so at least one more escapes
the wrath of angry dad
as he drinks another beer
wiping away the foam with more curse words.
2
Hippo father is fat, fat, fat
but at least he laughs
as he chows down
another bucket of wings,
barely noticing his children
rampaging across the restaurant.
His attention is glued to his meal
and the televised football game,
where lineman built like hippopotamus battle.
A child loses a plastic animal,
a hippo lost between the seat cushions
with his mouth continuously open
and a perpetual smile on his face.
3
A child in a booth
runs his tiny toy rhinoceros
across the table top
goring his father in the forearm
but his father brushes him away,
his attention totally taken today
by the bleach blonde mamacita beside him.
His hand on her thigh
and expensive new jewelry on her wrist.
She is young, beautiful, and flexible
able to bend and twist
so horny dad plies her with gifts
but forgets his own children at Christmas.
4
At a table in the far corner of the restaurant
an awkward looking man
brays like a camel
as his children make a plastic dromedary
race and gallop.
He is an odd looking fellow
with black plastic birth control glasses
mismatched clothing,
tall and skinny
with a hint of a pot belly.
His family’s food is barely eaten
they are so busy playing, singing and teasing.
When the waitress drops off the check
he offers a flirtatious glance,
quotes a romantic advance,
while she asks if everything is okay
and promises to return in a little while
without listening to a word he says,
then goes on her way.
But it is okay,
this odd looking fellow, just like a camel
can go months and months without romantic love
surviving solely on the scent
of his children’s smiles.
Bach Soloist
B.Z. Niditch
Sunshine floats
over a backstage loft
along light veined rugs
and Asian wallpaper
Bach’s blueprints
rest upon
a lone music stand
by winter’s forgotten windows
an edgy soloist plays
over the Strad bridge
in his dazzling imagination
amid the soundproof room,
and all cool speech
loves, deaths,
open wounds, departures
in the glass house
sing out to comfort
his space.
Late at Logan Airport
B.Z. Niditch
It is already dusk
inspectors call
those two
arm wrestling,
now in straight jackets,
shadow boxing poems
for no reason.
Now removing red sox
with huge rage
on loveless words,
all times are cursed
for the luggage lost
unquiet voices
of commotion in flight
wanting body lotions
to skim away
night and shadow.
Angel
B.Z. Niditch
Anonymous to the sky
in an open field
deaf to the downpour
on standing up grass,
a calling home number
way back in the city
from an old raincoat,
the wind whispers,
embrace the laconic storm,
so many departures around me
moist eyes recall
Angel, a dead companion
blinded on his motorcycle
at the risk of sorrow
I scratch my initials
on the high plane tree.
Driving to Amherst
B.Z. Niditch
Wanting to survive
crazy traffic
on wounded roads,
under ancient evergreens
and Jamesian chestnut trees,
passing an esplanade
without a street or civilization,
my memory clouds up
by disappointing signs,
my hands tremble
amid a symphony of horns
but unable to move
not daring to be a casualty
anchored to other bodies
or fallible souls
force fed on oldies
warhorses or talk radio
only wishing to be a poem
translated overseas.
dreamin’
t. kilgore splake
graybeard poet
step or two slower
disappearing gray hair
seeking love
without sexual hunger
denying mad rush
of younger boy years
needing mature woman
combining our spirits
tender passions together
faith
t. kilgore splake
marienbad
ghost
clutching
wrinkled baedeker
running
breathless
golden road
to oz
missing casablanca
last flight out
eternally
slouching
toward calvary
separate
final
peace
Pedalling
Geoff Stevens
Take away the gleaming smile
the tilted pose against the wall
and underneath the paint
the enamelled shine
stripped of leather
and chrome accessories
is the steel
a frame as sparse as bone
as hard as trade
a naked bicycle for hire
Refused Entry
Geoff Stevens
Sleep has landed
but my baggage remains aboard
and I cannot get off.
Worry is my drug
and like a sniffer dog
it agitates for attention.
A body search only reveals no energy
but my passport to slumber out of date
I am refused access to tranquillity
become a stateless person
neither fully asleep or awake
in limbo in a holding camp
though I have appealed to Morpheus.
French Lessons
Geoff Stevens
found her
in a small hotel room in Langnau
a dog-howling neighbourhood
up to no good behind the shop fronts
of neon 7-ups and Budweisers
tingeing her with cobalt blue
and candy-floss red
as she hung over me
moist and reeking of a thin mixture
of deep base music and pitched screams
both human and electric
think of her as a dandelion clock
her head fringed by the unshaded filament
of a bedside clock
her face in focus
her eyes not
her presence glistening an incandescent yellow
against curtains of cheese-cloth
then she stoops forward
with that thin-wire outline of hers
her hair hanging down
and turning black
to instigate a series of electrostatic shocks
upon my flesh
like boiling-hot chilli sauce
dripping from a cusped lip
but some fellow is banging his head hard
or someone else‚
on the other side of the wall
which is unnerving until the silence comes
which is unnerving even more
I shout stop
her head shoots up
into dandelion land again
her heartbeat waiting for instruction
stalls
I say another appointment calls
I leave and catch the earliest bus
Only later I read the headlines
in the Evening News
The Reunion
Ron Koppelberger
Stone gabble was impatient in his concerns for the reunion, his snazzy labors of sealed admiration. He had fashioned a proof, a swift conspiracy of perfection, in fancy welcome, in impressions of grandeur.
Believe my success, believe my success, my patient pinnacle dear cousin, dearest wayward priest,
he whispered quietly to himself as much as the expectation of his cousins arrival. He went on, Believe my success,
to the Rembrandt and Persian tapestries adorning his walls, Believe in my judgment, my tempered fortune, my good luck, my riches and my poise, believe,
he repeated.
Liberty Demitasse was his fifth cousin removed. His crest and admitted notable, his wealth rumored to be the birth of a grand ascendancy. Stone was determined to impress his cousin and the prospect of the reunion was an obsession. The wherefores of Liberty he thought. His kinship to Liberty was unfettered by the usual bother of brothers in success; Stone, starry with flowing desires of pride, with esteem for what might be the advent of portfolios and profit, lordship and furrowed business squawk, waited in suffering patience for the outline of futures in fast track; a mantle in union he thought, in cologne, in tonic, in wishes deepest desire, the union of what will be a privilege unshaken.
Stone paused for a breath as the front door rattled in its frame. In custom he straightened his lapel and primed the escapade a la Stone. The door opened in revelation and utter disappointment. A beggar in burlap, a slave in sweaty rags and torn remains; he held his hand toward Stone in greeting.
Filthy tramp, sour lunatic dog, begone!
he exclaimed as he heaved the heavy oaken door shut with a solid rebuke.
The beggar considered the lineage of stews and solitary wisdom, the turn in curves of fate.
Liberty gave agreement, the lace and surrender of freedom, in oasis’s of prominent station and gilded excesses. The necessary salves of wounded burden and direct conviction were the evidence of ancient paths. In his triumph unto the grand brilliance of freedom Liberty Demitasse had arrived and his arrival was an acceptance of freedom, true freedom.
The Mistress of Dreams
Ron Koppelberger
The spirit of sanctity and sure sated dreams, a confined absolute for the sweet mistress of bliss and regal majesty. She gave the birth of smoke and misty ecstasy, and in wanting she found creation and centers of divinity. A taste of character and the savor of spells that will the shape of fate and futures in communion, she believed. She believed in the push of pretty, delicate care and evanescent ways in Champagne and wine.
To the thankless solstice between day and evening-tide fires of intimate possession, she sighed and her azure eyes rolled in passionate release; another dream for the land of nod and the spoils of far and away. Another dream in graces of sugar and sap, maple tree conspicuous and pains in distant horizons. Another dream in what was and what will be, in what has hold over the domain of man and beast. She evoked the harmony of tears and fears in worn vagabond dispositions, in velvet cradles of safety. Babies and ancients in dreamy consciousness, in dreams of wont and vaunt, in last gasps and beyond. The mistress of drama and dreams, the satisfaction in fine-spun gild and wild burdens of bond, inspired by the mystery of avatars and order, by the secret of rumors and upheaval, she was the mistress of dreams and soulful forever’s in light. A shadow for a silhouette, a dream for a waking passion, in the tatters of what tears and love betroth. A descried allusion and the heaven’s in revolutions sway, the mistress of dreams, the mistress of dreams.