The Moon Magazine Volume 1: The Moon Magazine, #1
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About this ebook
A monthly magazine featuring work from Merrie Wolfie, Flash, Dlyn Fairfax Parra, Jonathan S. Burnworth, Damedged Aesthetician, Ali Noel Vyain, Albert Vetere Lannon, et al.
Ali Noel Vyain
Ali Noel Vyain has been in publishing since March 2003 and hasn't looked back. The number of unique titled books she's written continually increases every year. She was the one person behind a magazine known as The Moon and currently works on Sir Socks Le Chat magazine with Sir Socks and others.
Read more from Ali Noel Vyain
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Titles in the series (14)
The Moon Magazine Volume 3: The Moon Magazine, #3 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 2: The Moon Magazine, #2 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 1: The Moon Magazine, #1 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 4: The Moon Magazine, #4 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 5: The Moon Magazine, #5 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 6: The Moon Magazine, #6 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 9: The Moon Magazine, #9 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 8: The Moon Magazine, #8 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 7: The Moon Magazine, #7 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 10: The Moon Magazine, #10 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 12: The Moon Magazine, #12 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 11: The Moon Magazine, #11 Rating: 0 out of 5 stars0 ratingsThe Dark Side of the Moon Volumes 1-2: The Moon Magazine, #14 Rating: 0 out of 5 stars0 ratingsThe Moon Magazine Volume 13: The Moon Magazine, #13 Rating: 0 out of 5 stars0 ratings
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The Moon Magazine Volume 1 - Ali Noel Vyain
The Moon Magazine
Volume 1
edited by Ali Noel Vyain
Acknowledgements
I started The Moon as a little magazine in March 2003 while I was living in Tucson. Lots of people have submitted their work over the 13 years I worked on it. I didn't always write anything up for the issues, but I always put them together by myself.
The Moon didn't originally have any ISSN until I got to volume 9 issue 2. I had to apply through the Library of Congress and they gave me one for print and the other for electronic.
I started The Dark Side of the Moon as a spin off fromThe Moon in November 2004. Later it was absorbed by The Moon about two years later starting in volume 5 issues 1. So, I've included all the Dark Side issues within this book series too.
Another note on this book series: I used the old pdf files I still had. I couldn't always update them as the files they were made from are gone now. But this is the best I could do to put all the issues into 14 books for printing. The 14 ebook versions are based on their epub counterparts, which are based on the original pdfs.
Ali Noel Vyain, owner of The Moon Publishing
The information in this book was correct at the time of publication, but the Publisher does not assume any liability for the loss or damage caused by errors or omissions.
Some items are the Authors' memories, from their perspective, and they have tried to represent events as faithfully as possible.
Some items are works of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Copyright © 2023 by Ali Noel Vyain, owner of The Moon Publishing.
No part of this book can be reproduced or used in any manner without written permission of the copyright owner.
The Moon and Dark Side of the Moon are no longer being published. This is a compilation of the back issues.
Elsewhere
eISSN: 2159-310
print ISSN: 2159-3086
eISBN: 9798223016632
alinoelvyain.wordpress.com
Contents
The Moon 105
The Moon 106
The Moon 107
The Moon 108
The Moon 109
The Moon 110
The Moon 111
The Moon 112
Copyright © 2003 by The Moon Publishing
Published by The Moon Publishing at Smashwords
No part of this magazine can be reproduced or used without permission.
The Moon only gets one time publication rights, in electronic and print formats, from the contributors.
eISSN: 2159-3108
The Moon no longer accepts submissions.
Contents
Untitled by Merrie Wolfie
Pretending by Flash
Clamped by Dlyn Fairfax Parra
Bit Parts by Dlyn Fairfax Parra
Death Song of the Possum by Jonathan S. Burnworth
Undead Betrothal by Jonathan S. Burnworth
Untitled by Jonathan S. Burnworth
All Rubble and It’s Easy by Damedged Aesthetician
Penelope’s Cloudy Outlook by Damedged Aesthetician
I’ll Put You Through by Damedged Aesthetician
My Newest Girlfriend by D’Homage’d Aesthetition
Lamely Named Avant Garde by D’Homage’d Aesthetition
Look on the Bright Side by Damedged Aesthetician
Drawn Butter by Damedged Aesthetician
Run Off by Damedged Aesthetician
Untitled by Scientist in Training Gone Mad
Broken Hearts by Scientist in Training Gone Mad
I Cry Forever by Scientist in Training Gone Mad
Indiana by Scientist in Training Gone Mad
The Closet Monster by Scientist in Training Gone Mad
My Heritage by Scientist in Training Gone Mad
Barbie is Evil by Lizette Cassandra Muëller
Meeting Cassandra by Lizette Cassandra Muëller
The Bull by Lizette Cassandra Muëller
I’m a Woman, Not a Victim by Lizette Cassandra Muëller
I Killed Cupid by Lizette Cassandra Muëller
Love and Freedom by Lizette Cassandra Muëller
Hiding in the Shadows by Lizette Cassandra Muëller
Trouble at the Library by Ali Noel Vyain
Spot’s Pest Elimination Service by Ali Noel Vyain
Untitled
Merrie Wolfie
new voice
alluring
cat shadows slinking against cinders
the extraordinary roll of his R
slakes the aural dryness
clench evaporate
the boom
the lower
tuba rolls
in his chest
clears a path
out
the cul de sac
the strings play on
parade fills inhalation
Gold and grainy words brush ears
high temps under velvet
coats of consonants
sugary vowel glaze
skyscraper proper nouns
building a city on the sound
mapping banked with wildflowers
Artwork by Merrie Wolfie
Pretending
Flash
Pretending. Wasting a lot of time. Who am I? Acceptance. Learning to be in the moment. It takes so much energy being someone you are not. Open your eyes. You can see. Welcome to the show, the theater of the obscure. The adrenaline runs through my spirit like a roller coaster gone wild. The currents of voltage running through my veins keep me alive.
Ruminating on her, she is there in my mind. The brilliant moonlight illuminates her lustrous smile and our newly discovered love. I no longer have to pretend. I close my eyes now and dream. I see very clearly in my dreams. A swarm of end of summer notions awaits a response. Let this eternity tranquilize the heart. To experience all the senses, joyfully surfing on the foamy waves, tumbling through eternity.
Clamped
Dlyn Fairfax Parra
Flesh vice grip squeezed.
Zippered pattern etching your dissatisfaction.
Throw up hands / What’s the problem bud?
Do not seize into this, our pleasant frenzy,
Our connections of tenuous Self .
A freeing hold appreciated.
On the road, we prefabricate reunification.
Blessed are the peace makers.
Bit Parts
Dlyn Fairfax Parra
How can I,
the I that manifests as a crowd
watching me
perform
and the part of me
that is slightly
embarrassed at our own
rag tag high school gym hype
How can I feel that,
as performance, I was
falling
apart
I was kind though
as I knew I mostly wanted to
please, so mostly I praised
and laughed
at the personals
one seeking one
another seeking
forgetting how easy it is
to find me
Death Song of the Possum
Jonathan S. Burnworth
I’ve seen your type before. You get a free ride. You come into the valley, you take what you want, use it up, destroy it, and then move on to the next valley. You come and cut down the trees, then you put in lawns and landscaping, and you think it looks beautiful. When I look at your lawns I don’t see beauty. All I see is cleared land. Your young will never know what this valley used to look like.
I’m a scavenger. I feast upon the dead. I hope to feast upon you before this is up. The rising circle of Black Vultures I see in the distance is my Star of Bethlehem. It leads me to what I want. Maybe it will lead me to you. Maybe you died. Maybe you were talking into your electronic box while you were driving and you skidded your environment destroying chariot into a ditch. I hope you are dead. I hope I can creep upon your body when night falls, and that the Crows and the Vultures have left something for me. Oh, may my back be heavy with young then.
Someday my dear young will be big enough to hang from their own tails and they’ll leave my back. Their future is uncertain. Like as not they’ll go under your wheels. Your people are the caliphs of lameness. Yes, the chariots of the caliphs of lameness are upon us. You don’t have time for us. You strike us down with a great slaughter.
Our only hope is that someday a time will come when all your ventures will fail you like the miscarriage of a woman, and the boxes where you live will collapse, and the juice that runs your chariots will be gone. May your industries be stricken with a great scourge. May your women lay down with your brothers and your enemies. I hope your crops wither and blow down. May your livestock perish from off the surface of the earth. I’ll hang from a tree while the floods come and crack your parking lots in half, dump your chariots into the river. May your wood rot, your metal rust. Bring on the funerals. I would like to attend. Let the Vultures roost on your lampshades while the papers pile up in your driveway.
Undead Betrothal
Jonathan S. Burnworth
Here we are. We’re almost the only ones left. This isn’t our world. Our world is over. It existed in fleeting form here only a short time. That time is past, but we remain. We have the rest of our lives to live out here. Strangers out of our time. What will we do? We have to live in this strange world. At least we have each other. This world has been hard on us. We weren’t made for this place. Our kind has died out. But there is still you and there is still me. We are death warmed over. We have each other.
Our lives in this world amount to a salvage operation. What peace and happiness can we try to find in this world? We are stuck here until death. Maybe we can explore this place. We have each other. We are so lucky in that. We are each other’s half—living proof that there was once a realm for us. We’ve lost a lot of our spirit here. The draft is strong and cold in this place. It is hard to keep the lights of our spirit burning in this world. Our fires have faded. Maybe we can last in each other. The dim fire burns the longest. Maybe it’s better to be warm through the years than it is to burn hot and then be frozen like a fuelless rocket in space.
Maybe after our time here is over we’ll go back to our own realm. We’ll drift back to where we belong. If you go first, wait for me there.
Untitled
Jonathan S. Burnworth
There is a young woman. She lives in a country with a repressive regime. She fought the regime since she was practically a teenager. It had killed her parents. Her father was a teacher. She remembers when her father had been taken away one day when she was a child and never returned.
She grew to hate the regime and became a member of an underground resistance that worked to topple it for the good of the people of the country.
The woman and her friends had managed to stay underground and evade the authorities very well until recently, but things have changed. The authorities have become well aware of the resistance. They have received assistance from western nations on matters of espionage and security. They are better trained and more able to detect and eliminate insurgents. The woman has lost a few friends.
Today she finds herself on the run because one of her own friends told the police where she was in exchange for a cash bribe.
Now she’s driving a car full of a few friends she still trusts. The engine is wide open. She’s flooring it on the