The Wendigo
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About this ebook
It tells the story of a camping trip in the Canadian wilderness that goes wrong when the hunters become the hunted. Drawing on the mythical creature known as the Wendigo, this story is regarded by many critics to be one of the best horror tales of all time.
“For sheer naked concentrated horror, unexplained and unexplainable, such tales as The Wendigo ... may be said to lead among the stories of the supernatural.”
—Grace Isabel Colbron.
“Like many another materialist, that is, he lied cleverly on the basis of insufficient knowledge, because the knowledge supplied seemed to his own particular intelligence inadmissible.” (The Wendigo by Algernon Blackwood)
Algernon Blackwood
Algernon Blackwood (1869-1951) was an English journalist, novelist, and short story writer. Born in Shooter’s Hill, he developed an interest in Hinduism and Buddhism at a young age. After a youth spent travelling and taking odd jobs—Canadian dairy farmer, bartender, model, violin teacher—Blackwood returned to England and embarked on a career as a professional writer. Known for his connection to the Hermetic Order of the Golden Dawn, Blackwood gained a reputation as a master of occult storytelling, publishing such popular horror stories as “The Willows” and “The Wendigo.” He also wrote several novels, including Jimbo: A Fantasy (1909) and The Centaur (1911). Throughout his life, Blackwood was a passionate outdoorsman, spending much of his time skiing and mountain climbing. Recognized as a pioneering writer of ghost stories, Blackwood influenced such figures as J. R. R. Tolkien, H. P. Lovecraft, and Henry Miller.
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The Wendigo - Algernon Blackwood
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 1
01.jpgA considerable number of hunting parties were out that year without finding so much as a fresh trail; for the moose were uncommonly shy, and the various Nimrods returned to the bosoms of their respective families with the best excuses the facts of their imaginations could suggest. Dr. Cathcart, among others, came back without a trophy; but he brought instead the memory of an experience which he declares was worth all the bull moose that had ever been shot. But then Cathcart, of Aberdeen, was interested in other things besides moose—amongst them the vagaries of the human mind. This particular story, however, found no mention in his book on Collective Hallucination for the simple reason (so he confided once to a fellow colleague) that he himself played too intimate a part in it to form a competent judgment of the affair as a whole…
Besides himself and his guide, Hank Davis, there was young Simpson, his nephew, a divinity student destined for the Wee Kirk
(then on his first visit to Canadian backwoods), and the latter’s guide, Défago. Joseph Défago was a French Canuck,
who had strayed from his native Province of Quebec years before, and had got caught in Rat Portage when the Canadian Pacific Railway was a-building; a man who, in addition to his unparalleled knowledge of wood-craft and bush-lore, could also sing the old voyageur songs and tell a capital hunting yarn into the bargain. He was deeply susceptible, moreover, to that singular spell which the wilderness lays upon certain lonely natures, and he loved the wild solitudes with a kind of romantic passion that amounted almost to an obsession. The life of the backwoods fascinated him—whence, doubtless, his surpassing efficiency in dealing with their mysteries.
On this particular expedition he was Hank’s choice. Hank knew him and swore by him. He also swore at him, jest as a pal might,
and since he had a vocabulary of picturesque, if utterly meaningless, oaths, the conversation between the two stalwart and hardy woodsmen was often of a rather lively description. This river of expletives, however, Hank agreed to dam a little out of respect for his old hunting boss,
Dr. Cathcart, whom of course he addressed after the fashion of the country as Doc,
and also because he understood that young Simpson was already a bit of a parson.
He had, however, one objection to Défago, and one only—which was, that the French Canadian sometimes exhibited what Hank described as the output of a cursed and dismal mind,
meaning apparently that he sometimes was true to type, Latin type, and suffered fits of a kind of silent moroseness when nothing could induce him to utter speech. Défago, that is to say, was imaginative and melancholy. And, as a rule, it was too long a spell of civilization
that induced the attacks, for a few days of the wilderness invariably cured them.
This, then, was the party of four that found themselves in camp the last week in October of that shy moose year
‘way up in the wilderness north of Rat Portage—a forsaken and desolate country. There was also Punk, an Indian, who had accompanied Dr. Cathcart and Hank on their hunting trips in previous years, and who acted as cook. His duty was merely to stay in camp, catch fish, and prepare venison steaks and coffee at a few minutes’ notice. He dressed in the worn-out clothes bequeathed to him by former patrons, and, except for his coarse black hair and dark skin, he looked in these city garments no more like a real redskin than a stage Negro looks like a real African. For all that, however, Punk had in him still the instincts of his dying race; his taciturn silence and his endurance survived; also his superstition.
The