Songs of my Father: Poems by Larsen Bowker
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Both athlete and poet, he believes Faith in Body, Mind and Soul forms the character best-suited to avoid discipleship to one of the three…while “our best chance to connect all three to who we are and what we want to become is that elusive, mystical, charismatic state of being we can never quite define, but know for sure when they are in synch, as if they were as distinct as the line of our nose in three way mirrors, or the memory of our first kiss.”
Larsen Bowker
These are poems of a storyteller, his tone largely elegiac as he probes for balance in the thought/action and faith/doubt systems that give meaning to his life, searching as he says, “for the whole person I’ve always wanted to be.” In memories always threatening to become a vision, he searches for that sense of self etched on his soul by his Mother’s ‘love affair with words”, and his Father’s belief that “words are never as important as they seem to be. One critic suggests “reading his poems makes you feel as if you’re walking in radiant grace of afternoon light in autumn.” They are thought-inspired poems seeking to reclaim that slow drama and deeper texture of life lived before the 24 hour news cycles in their endless drone of words that work mightily to take the individual voice from our lives. This poet grew up in the part of Nebraska that has more limestone hills, rivers and trees than flat farmland, place his Mother made into Arcadian Myth and legend, initiating mystery into slow daily lives lived within their commitment to work, family and friends, lives lived celebrating the self as well as affirmation of others, helping to shape the character without rules. Another critic writing of poems in this author’s book “Flowers from a Deeper Soil”, called them “elegies from an unsung Master: honest, elemental and durable.” And another called them “’word journeys seeking to renew our Faith in a life greater than our immediate experience of it.”
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Songs of my Father - Larsen Bowker
2023 Larsen Bowker. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 07/19/2023
ISBN: 979-8-8230-1080-1 (sc)
ISBN: 979-8-8230-1079-5 (e)
Library of Congress Control Number: 2023911507
Any people depicted in stock imagery provided by Getty Images are models,
and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Cover Painting by Jeanette Bowker
BOOKS ALSO BY THIS AUTHOR
POETRY
Prairie Wind and Light
Something Higher
Summering Into Autumn
Between Two Rivers
Flowers from a Deeper Soil
In the Shadow of Her Grace
Elegiac Dialogues
Spring and Autumn
Shadows of the Heart
In the Diamond Light of Morning
Body and Soul
PROSE
Women in the Plays of Eugene O’Neill
Pursuit of Permanence in John Updike’s novels
TO JAZZ…
"That beautiful but sassy love affair with freedom
and constant desire to improvise…offering
the language of emotion to those who
try to think their words into feeling.
TABLE OF CONTENTS
PREFACE
PROLOGUE
EPILOGUE
I. TAKE THE A TRAIN.…
Cliff Hawk
The Sound of Light in Spring
White Bird Living at the River’s Edge
Green Words and Bright Orange Shoes
Willing to Give All The Heart *
In The Flourish of Weeds
Thoughts on an Anniversary:
A Spaulding Boy
Stripped Down
Free Movies
In The Music of Her Silence
Re-Entry
II. BYE, BYE BLACKBIRD….
Raven Black Birds and the Cry of the Moon
Flowers on the Mall
Obelisks
Places Toward Which We Surge
Altering the Motion of a Landscape
Choctaw Blues
In the Dry Silence of Family Farms
I Hear My Father
A Boogie Woogie Search for Truth
First Betrayals
My Don Quixote and His Rocinante
Old Steam Trains, Pyramids and Great White Sailing Ships on the Ocean
III. ‘ROUND MIDNIGHT’
Lizzie Pete
On the Curve of Southern Light
Silence Striped with Lightning
Plains Song
Oodles
Eddy’s Pool Hall and Tavern Beneath the Old Opera House
Homeplace
When Root and Flower are One
Tabula Rasa, Les Caux and an Unknowable God
Looking for the Real Morning
Tangled Branches and Apple Afternoons
IV. ‘STORMY WEATHER’
In the Mirror of the Heart
Hymn to the Father in Us All
My Night Riders
Meditation on a Love Song
Nightlife
Family Politics
Under A White November Moon
Afternoons without Angels
By Land or Sea
Early Morning in San Francisco before the Sun Rises
In the Mystery of Friendship’s Promise,
In Mists of Stone
One Degree of Separation
V. IF BEALE STREET COULD TALK…
A Public Burning
Suddenly
Portrait of a Soul in Motion
Blue Moon
Where Sweet Birds Sang Last Summer
Still Listening for the Tune
Iron Rails and Water Dreams
A Candle in the Darkness
Prairie Dialogue
While Witty Scholars are Proving there was No City of Atlantis
African Drums and a Burlwood Flute
My Mother’s Words
Indian Summer
VI. AUTUMN LEAVES…
Prairie Wind
Comin’ Home
Under Pressure
Tapestry of the Flesh
Woman in a Blue Bathrobe
Wind Dance
Limning the Hunter’s Moon
Another Anniversary Poem
Under the Willow Branches
Whisper Dream Holding Back the Night
Living in Silverlight of his Shaving Mirror
Christmas Bicycle
ACKNOWLEDGEMENTS
I am grateful to the editors of the following poetry magazines
upon whose pages some of these poems first appeared.
POET LORE
CONNECTICUT RIVER REVIEW
SUNSTONE
IODINE POETRY JOURNAL
CALIFORNIA QUARTERLY
THE LISTENING EYE
NEW LAUREL REVIEW
POEM
PENWOOD REVIEW
PLAINSONGS
GREEN HILLS LANTERN REVIEW
POETALK
SULPHUR SPRINGS LITERARY REVIEW
BELLOWING ARK
BARNWOOD REVIEW
CAPE ROCK REVIEW
HIDDEN OAK REVIEW
BARBARIC YAWP
MAINSTREET RAG
SOUTHERN HUMANITIES REVIEW
CHRYSALLIS REVIEW
ICONOCLAST REVIEW
PREFACE
The poet must look unsparingly into himself, and at the same time look away, intently away from himself, in order never to lose sight of the ubiquity of the special things around him. He must fling the emptiness out of his arms and keep close contact with those thoughts that tremble inside him, the way the leaf waits for the wind to let it know it exists. He seeks the voice that can urge him away from the indulgent loyalty to habit, and intently toward some small effort of the heroic that waits for him inside spinning tendrils of an active inner life he’s dealt with all his life.
I’ve selected poems from previous books of mine that had poems about my Father, written new ones and included poems that even if they are not about him, share something in sense or sensibility that allow me to see him—in this my ninth decade—as he was, or as I see him now, for there was nothing careless about his thought nor in his life. His sense of duty was as sacred as my Mother’s daily reading of the Bible. I never knew him to set foot inside a church, but if you came to his ‘workshop’ behind the house, needing something he didn’t have, he’d try to make one, if he couldn’t make one, he’d try to find one, and if he couldn’t find one, he’d teach you how to live without it.
He lived within the soft mysteries of a music that made his children feel fortunate to call him Father
. A man of few words, he left it to others to write the words to his songs, songs celebrating melodies and harmonies of an almost ‘holy’ commitment to others. With quiet grace he lived a life the Roman poet Vergil described as one of moral character that comes with the miracle of birth and feels a mystical force deepening the soul…with reverence for all things greater than self
.
In this book of poems I’ll walk again the country roads I walked when I first imagined a voice as singular as the long curve of a Meadowlark’s two note trill into the ‘psithering’ perfection of soft summer winds, hoping to leave my reader with a few literary conceits trying to express the complexity awaiting all of us between memories of a life lived and the words they depend on.
PROLOGUE
My Father’s Gloves
Bone yellow cowhide on the back, axel grease dark where
knuckles bend and the work is done, where the holes began
and the gloves held the shape of your hands, like scabbards
I wanted to fill with my ten year old hands, pulling
them on and off, imitating the way you flexed gnarled joints
of hammer stung fingers to get sweat-shrunk gloves over
work-thick hands—ugly and beautiful in their strangeness—
having to be coaxed into gloves rolled down one
cocky inch like Randolph Scott’s. I entered their smell of
mystery as if a cave, wanting to feel the warrior courage
of Raven black hair and Indian dark eyes of a Town Marshal
‘who kept the peace’ in a Dustbowl
town where bitter
men who’d lost crops or farms, brought their impotence
to Eddy’s Pool Hall
under the Old Opera House, steadying
them with wisdom not found in books…could because you
too knew the dark blame of failure on the farm.
On your own time in a workshop beneath White Mulberry Tree
in our backyard, you collected broken things others threw
away,