Spring and Autumn
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Larsen Bowker
These are poems of a storyteller, his tone largely elegiac as he probes for balance in the thought/action and faith/doubt systems that give meaning to his life, searching as he says, “for the whole person I’ve always wanted to be.” In memories always threatening to become a vision, he searches for that sense of self etched on his soul by his Mother’s ‘love affair with words”, and his Father’s belief that “words are never as important as they seem to be. One critic suggests “reading his poems makes you feel as if you’re walking in radiant grace of afternoon light in autumn.” They are thought-inspired poems seeking to reclaim that slow drama and deeper texture of life lived before the 24 hour news cycles in their endless drone of words that work mightily to take the individual voice from our lives. This poet grew up in the part of Nebraska that has more limestone hills, rivers and trees than flat farmland, place his Mother made into Arcadian Myth and legend, initiating mystery into slow daily lives lived within their commitment to work, family and friends, lives lived celebrating the self as well as affirmation of others, helping to shape the character without rules. Another critic writing of poems in this author’s book “Flowers from a Deeper Soil”, called them “elegies from an unsung Master: honest, elemental and durable.” And another called them “’word journeys seeking to renew our Faith in a life greater than our immediate experience of it.”
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Spring and Autumn - Larsen Bowker
© 2018 Larsen Bowker. All rights reserved.
Cover Art…Pottery Sculpture by David Crane
Photo by Jeanette Elaine Bowker
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 02/27/2018
ISBN: 978-1-5462-2881-3 (sc)
ISBN: 978-1-5462-2880-6 (e)
Library of Congress Control Number: 2018901904
Any people depicted in stock imagery provided by Getty Images are models,
and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
ALSO BY THE AUTHOR
Prairie Winds
Something Higher
Summering Into Autumn
Flowers from a Deeper Soil
In the Shadow of Her Grace
Between Two Rivers
Elegiac Dialogues
DEDICATION
to Bill Aiken…poet…gentleman…friend
"…equal parts smell of the open sea,
and earth’s ripening apples…you lived
a felt life to the brim, as if it were the norm,
and living at the storm edge of the sky…
you were iron wind in winter and madrigal
songs of the ‘Seagull in summer…adding
a thousand graceful subtleties to the great
humaneness at the heart of things…"
—Robinson Jeffers
Who sings the distant heart that dwells in all things
Ranier Rilke
TABLE OF CONTENTS
Preface
Prologue Seascape
I. THEY HUNGER FOR THE LIGHT
First Betrayals
Debussy On A High Plains Piano
Lifeline
Pee Wee’s Gang
Sunporch In Mauritius
Sunday Shoes And Second Grade
Fire Roots
Heading Into Summer
The Sound Of Light In Spring
Altering The Motion Of A Landscape
II. MY GYPSY LOVE SONGS
Thriving On A Riff
The Great Loneliness Of Memory
I Still Hear The Gypsies Sing
Sunday Market In Morocco
Song I Could Hear Before I Could Sing
Respect
Finding My Rhythm In Their Voices
Still Listening For The Tune
The Burden Of Light
Meditation On A Love Song
Her Gift
III. WHISPER DREAMS
Whisper Dream Holding Back The Night
The Day The Bishop Sang
Algorithm Of Melody
Breakfast Poetry
Autumn’s Child
In The Clutch Of Song
Branching The Generations
Prophet
First Love
From Some Far Shore
Huzzahs
Flutes Of Memory
IV. CALDER MOBILE
Looking For The Real Morning
Jubilant Midnight’s Song Of The Moon
The Girl And The Cello
Jeremiah’s Bones
Dancers At The Shore
High Mountain Melt In Spring
Where Sweet Birds Sang Last Summer
Reunions On The Blue Note
Clock That Tells No Time
And The Birds Fly In And Out
Day Moons, Unicorns And Boneless Snakes
V. RIVERS OF MEMORY
Echoes In The Mountain Silence
While Witty Scholars
Starry Windows Above The River
Wolf Shadow
Crescent Moon In Late December
In The Sudden Stillness…
In The Lime Green Light Of Spring
The Long Curve Of Longing
Brief Touching
You Can Never Ever….
Thoughts Looking Out From A Train
Looking For The City Of Atlantis
ACKNOWLEDGEMENTS
I am grateful to the editors of the following magazines, in which some of these poems first appeared:
POEM…
PASSAGER…
THE LISTENING EYE…
SULPHUR RIVER LITERARY REVIEW…
PARNASSUS…
SUNSTONE…
CONNECTICUT REVIEW…
PLAINSONGS…
WEBER STUDIES…
POTOMAC REVIEW…
TAPESTRIES…
BELLOWING ARK REVIEW…
CALIFORNIA QUARTERLY…
I am also grateful to my daughter Michelle Fortier without whose computer savvy, the manuscript may not have reached the printer; and to Lyle Evans whose technical computer support gave me peace of mind when I was losing my battles with algorithms.
PREFACE
Living in the shadow of these Blue Ridge Mountains a long time, I wait for warm winds off rocky promontories to blow summer into town with blue rains to soak the fields, Cicada seethe in the tall grasses and the smell of pine needles clinging to skin and clothes in weightless noon hot heat that claims me the way the day claims the sky.
In many of these poems young and old share the stage—
innocence and experience offering each other new tributaries to the River. They provide an endless supply of new actors arriving on trains emerging from a tunnel far across the valley, actors willing to ‘alter the motion’ of time’s wicked flight, making mystery the most powerful secret of art, the spiritual and sacred mystery pursued with no divine guidance. Like a Greek chorus of Faith instead of Fate, these poems search for the eternal inside the ephemeral.
PROLOGUE
Seascape
They rise upon clouds and sport in the wind.
William Blake
You come in the early morning light of a blue
Moroccan sky, noses pressed against long glass
of my bedroom window, Berber-trebbling voices startling
me awake with chants of "come fish with us down on
the big rocks at the lighthouse"…and scoffing your delight
at my ‘pitiful’ excuses, you disappear like sylphs circling
down pebbled path…lacy soprano sounds of your imaginings
last thing I hear before wincing, city bare feet take you
to a place where you bend your heads over an immodest
spider spinning lovely filaments helping you ignore promise
made
to tend lines tossed out to please your father who loves
fishing,
and then you disappear from sight and into salt sweet spray
of wave-splashed rocks, singing your delight at cache