Mozart's Marriage of Figaro: A Short Guide to a Great Opera
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Mozart's Marriage of Figaro - Michael Steen
Published in the UK in 2012 by Icon Books Ltd,
Omnibus Business Centre, 29–41 North Road, London N7 9DP
email: info@iconbooks.co.uk
www.iconbooks.co.uk
ISBN: 978-1-84831-459-7 (ePub format)
ISBN: 978-1-84831-474-0 (Adobe ebook format)
Text copyright © 2012 Michael Steen
The author has asserted his moral rights.
No part of this book may be reproduced in any form, or by any means, without prior permission in writing from the publisher.
Typesetting by Marie Doherty
CONTENTS
Title page
Copyright
PREFACE
USING THIS EBOOK
ABOUT THE AUTHOR
MOZART’S THE MARRIAGE OF FIGARO
THE OPERA AND ITS COMPOSER
WHO’S WHO AND WHAT’S WHAT
THE INTERVAL: TALKING POINTS
Characterisation
Cherubino
Political aspects
Length
Success?
Some actual tomfoolery
ACT BY ACT
Act 1
Act 2
Act 3
Act 4
ACKNOWLEDGEMENTS
Sources of quotes
Other sources
NOTES
Short Guides to Great Operas
PREFACE
This guide is aimed at the ordinary opera-goer and opera-lover, usually a busy person who wants to know the essentials of the opera but has little time to grasp them.
It provides key background information to The Marriage of Figaro, told engagingly by someone who knows the opera intimately.
It is light, easy to read, and entertaining. Relevant information has been carefully selected to enhance your appreciation of Mozart’s work.
It is authoritative, but not dense or academic. It is unburdened with the clutter that can easily be obtained elsewhere. It concentrates on information that it will help you to know in advance.
Read quickly before going to the opera or listening to it at home, you will get the very best out of the performance and have a truly enjoyable experience.
Opera can be a great social occasion. Being knowledgeable and well-informed, you’ll appreciate this magical art-form much more if you read this first.
I hope you enjoy the opera!
Michael Steen
USING THIS EBOOK
A very quick grasp of the opera can be gained by reading the opening section on ‘The opera and its composer’ and the ensuing ‘Who’s who and what’s what’. Further elaboration may be found in the sections entitled ‘The interval: talking points’ and ‘Act by act’.
The footnotes and boxes are an integral part of the information. The reader is encouraged to go to these by clicking on the links.
ABOUT THE AUTHOR
Michael Steen OBE studied at the Royal College of Music, was organ scholar at Oriel College, Oxford, and has been chairman of both the RCM Society and the Friends of the