20 min listen
159. Studies in Contrast
159. Studies in Contrast
ratings:
Length:
20 minutes
Released:
Feb 1, 2013
Format:
Podcast episode
Description
Works for piano and viola performed by violist Beth Guterman , Matan Porat, and Jonathan Biss.Hindemith: Sonata for Viola and Piano in F Major, Op. 11 No. 4Schumann: Kreisleriana, Op. 16On this week’s podcast we’ll have several studies in contrast. Written some 80 years apart, the two works on this program date from very different times: a Paul Hindemith sonata from the early 20th century, written in the shadow of World War I, and a Robert Schumann piano piece composed in the heart of the Romantic era. But the idea of contrast is more intrinsic than that: both pieces are exploration of contrast in music.We start with Hindemith’s rather brief Sonata for Viola and Piano, Opus 11, Number 4, performed by violist Beth Guterman and pianist Matan Porat. A fairly early work, the sonata was written when Hindemith was still exploring and finding his unique compositional voice, and this particular piece—structured as, essentially, a three-movement exploration of the theme and variations style—gave him ample opportunity to experiment. After the Hindemith, we’ll hear Schumann’s piano cycle Kreisleriana, played by pianist Jonathan Biss. Written in eight movements, the piece is based on the fictional character Johannes Kreisler, from the works of author E. T. A. Hoffman.So, get ready for quite the musical roller coaster. We begin with the Hindemith sonata, followed by Kreisleriana.
Released:
Feb 1, 2013
Format:
Podcast episode
Titles in the series (100)
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