Negative of a Group Photograph: نگاتیو یک عکس دسته جمعی
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About this ebook
Azita Ghahreman
Azita Ghahreman is the author of five collections of poetry, Eve’s Songs (1991), Sculptures of Autumn (1995), Forgetfulness is a Simple Ritual (2002), The Suburb of Crows (2008) and Under Hypnosis in Dr Caligari’s Cabinet (2012). In 2013 she was a recipient of Swedish PEN’s Prince Wilhelm Award. Russian and Ukrainian translations of her poems were awarded the Udmurtia Russian Academy’s Ludvig Nobel Prize in 2014. She was born in Mashhad in 1962 and has lived and worked in Sweden since 2006. Her pamphlet, Poems, was published by the Poetry Translation Centre in 2012. Negative of a Group Photograph, a dual-language Farsi-English edition (Farsi title: نگاتیو یک عکس دسته جمعی) translated by Maura Dooley with Elhum Shakerifar, is published by Bloodaxe Books with the Poetry Translation Centre in October 2018.
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Negative of a Group Photograph - Azita Ghahreman
Azita Ghahreman
NEGATIVE OF A GROUP PHOTOGRAPH
یعمج هتسد سکع کی ویتاگن
Translated by Maura Dooley
with Elhum Shakerifar
Negative of a Group Photograph brings together three decades of poems by the leading Iranian poet Azita Ghahreman. Born in Mashhad in 1962 and based in Sweden since 2006, Ghahreman is the author of five highly acclaimed collections. Her poems are lyrical and intimate, addressing themes of loss, exile and female desire, as well as the changing face of her country.
Negative of a Group Photograph runs the gamut of Ghahreman’s experience: from her childhood in the Khorasan region of south-eastern Iran to her exile to Sweden, from Iran’s book-burning years and the war in Iraq to her unexpected encounters with love.
The poems in this illuminating collection are brought to life in English by the poet Maura Dooley, working in collaboration with Elhum Shakerifar.
Farsi-English dual language edition
NEGATIVE OF A GROUP PHOTOGRAPH
نگاتیو یک عکس دسته جمعی
Azita Ghahreman
آزیتا قهرمان
Translated by Maura Dooley
with Elhum Shakerifar
This book has been selected to receive financial assistance from English PEN’s PEN Translates programme, supported by Arts Council England. English PEN exists to promote literature and our understanding of it, to uphold writers’ freedoms around the world, to campaign against the persecution and imprisonment of writers for stating their views, and to promote the friendly cooperation of writers and the free exchange of ideas. www.englishpen.org
Contents
Title Page
Dedication
Introduction
دوچرخه قرمز
Red Bicycle
دیو شب
Night Demon
گمشده
The Lost
آب سیاه
Glaucoma
با گلی سرخ
With a Red Flower
نگاتیو یک عکس دسته جمعی
Negative of a Group Photograph
آواره
Homeless
زندان
Prison
آزادی
Freedom
در گودی زمان
In the Depths of Time
اما
But
صحنه
A Panorama
نامه
Letter
فانو سها و گهواره ها
Every Tangled Branch
برف
Snow
کلمات
Words
آنچه بوده ام
That Which Once I Was
شعر
Poem
Happy Valentine
Happy Valentine
بارا نهای اول اردیبهشت
The First Rains of Spring
جلسه هیپنوز در مطب دکتر کالیگاری
Hypnosis Session at Dr Calgari’s Surgery
همه جا
Everywhere
اینجا حومه های کلاغ است
Crow’s Final Frontier
بهار
Spring
زمستان که بیاید
When Winter Comes
ماه
Moon
قایقی که مرا آورد
The Boat that Brought Me
ناگاه
A Glimpse
قطب نما
Compass
از نو
I Unfolded the Earth
About the Authors
Copyright
Remembering with affection and gratitude
Sarah Maguire,
poet, translator and founding director of
the Poetry Translation Centre.
Her warmth, hard work and vision brought together
poets from all over the world.
Introduction
Azita Ghahreman was born in Mashhad in 1962 and has lived and worked in Sweden since 2006. Her poetry has been translated into many languages including Swedish, German, Dutch and French; this book brings together the most comprehensive English language translation of her work to date. In selecting poems from across Azita’s entire oeuvre, we wanted to reflect the diversity of styles and themes in her work. The poems selected here span almost four decades, representing work throughout Azita’s career from the earliest of her five published books to several poems published for the first time.
Much of Azita’s work is deeply personal yet infused with political undertones. Her poems often reflect on her childhood growing up in a land-owning family in the South-Eastern Khorasan province of Iran – referenced in evocative images of the natural world amongst which she grew up – and on the changing face of modern Iran. In the poem ‘Glaucoma’, taken from her third collection of poetry, Forgetfulness is a Simple Ritual (1992), the changes to Iran’s political landscape are referenced as gradual blindness that slowly blurs the vision. Azita depicts her own family who, despite their differing affiliations and beliefs, still remain deeply connected, in the same way that Iran – a country that is home to numerous ethnicities and belief systems – continues to retain its united entity.
Thinkers and