Yellow Tree Alone: Selected Poems
By Marlene Hitt
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Yellow Tree Alone - Marlene Hitt
COPYRIGHT INFORMATION
Yellow Tree Alone. Selected Poems by Marlene Hitt is a book of poetry published by Moonrise Press. P.O. Box 4288, Los Angeles – Sunland, CA 91041-4288, www.moonrisepress.com.
© Copyright 2023 by Moonrise Press and Marlene Hitt. Cover design by Maja Trochimczyk based on a photograph by Karen Winters. Used by Permission. Prior publication of certain poems in other books and journals is acknowledged, with copyright by Marlene Hitt.
No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Manufactured in the United States of America
The Library of Congress Publication Data:
Hitt, Marlene (b. 1936) – author.
[Poems. English.]
Yellow Tree Alone. Selected Poems / Marlene Hitt, author
182 pages (xviii pp. prefatory matter, and 164 pp.); 6 in x 9 in. Written in English, with one portrait.
ISBN 978-1-945938-34-4, paperback
ISBN 978-1-945938-35-1, ebook in ePub format
10 9 8 7 6 5 4 3 2 1
Background pattern Description automatically generated with low confidenceAcknowledgment
No poem emerges alone but is the product of many influences. Mine have come from years with the Chupa Rosa Writers, The Village Poets and from the influence of many other individuals. For this selection I thank the beauty around me, the work of other poets, of song writers and novelists whose words I admire. I thank my friends and family; the children who have taught me how to see.
More specifically, I thank Alice Pero who found my great stack of poetry, whose eyes saw and whose heart connected with my thoughts. Alice chose those she found worthy and arranged them in order and in the appropriate spaces. I am always grateful to Maja Trochimczyk who, with her expertise as publisher has made possible the work of many to be seen and appreciated, and whose support has made firecrackers of my enthusiasm.
I thank the Village Poets and Bolton Hall Museum for these many years of happiness, especially the Laureates: Joe, Pam, Elsa, Katerina, Damien, Ursula, Maja, Alice, and Dorothy whose gift is to unpack a poem to fully fathom its meaning. Thelma Reyna has been the gift of a friend. I am grateful too to Genevieve Krueger of the Chupa Rosa Writers who gave me a better education in literature than any university course. We will never forget her.
It takes many minds, many more than I can say here to influence any work. They are all a part of me and of my words.
Marlene Hitt
25 March 2023
Preface
Some people, wise or not so wise, seek to put poets in boxes and categories. This one is academic,
that one beat,
another confessional
and then there is the ecstatic.
But reading Marlene Hitt’s work is like coming into a room with poems of all colors. She is both conscious and unconscious. Her poems come from deep memory which contains the pioneer, the American Indian, the American housewife, the howls of coyote and the silent slither of snake. We find the landscape of Sunland-Tujunga, dry and rocky, powerful and mystical
all at once. We find the solidity of the real
and the ephemeral of the spirit world.
She sits before us
without excuse or modesty, a person who does not hide her doubts and confusions as she says in A Meditation, Yet I am A new universe/ a Shy mutant/I am/A confusion/I am/Unsolved And in the same poem, Here I sit before you/Eyes the color of an echo,/Skin pretending to look wise,/An ordinary room in a/House of un-ordinary/Dimension.
As a poet she can conceive of her eyes being the color of an echo
and so we realize she will never be in any ordinary
room; she is extraordinary. These poems are history, threads through her own life mid-20th century when women still embodied home. She struggled with her differences, never able to really fit,
yet always able to love. She writes of her father, mother: Who is she, my mother?/A genius with wool and threads/ Oblivious to a poem…
grandparents, great grandparents, husband. But she is never without doubts. Do they know that under the floorboards, under the table laden with bounteous food, heads bowed in prayer, under our feet, below the wood and slab/there would be hardened prints/of warriors? /Pieces of rusted knives,/black arrowheads/a lost flintlock…What would be the purpose of the prayers?/Or the wars?
Her poems take us through known history, back to pre-history, to gods of the past, to stories she has found and reinvented. In these marvelous poems. Hitt is an observer;
she reflects life, a mirror with words. Her poem, Everywhere
that previously gave rise to the title of her first Moonrise Press book, Clocks and Water Drops (2015) has the flavor of Walt Whitman flying through the world, as she repeats the refrain… Water drips in a London flat,
she travels everywhere,
asleep, yet totally awake as she wanders, seeing all the tiny things that make life something worth wandering through. "Scree falls in Utah/falls on a