Magical Realism: Fractured Crystal: Magical Realism, #7
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Magical Realism: Fractured Crystal
The seventh in a series containing two short stories (Awakening The Godhand & The Drinking Djinn).
Read more from M. Benjamin Naves
Eternal Winter: A Collection of Short Stories & Macabre Folklore Rating: 0 out of 5 stars0 ratings
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Titles in the series (5)
Magical Realism: Pale Purple: Magical Realism, #3 Rating: 0 out of 5 stars0 ratingsMagical Realism: Toxic Green: Magical Realism, #4 Rating: 0 out of 5 stars0 ratingsMagical Realism: Golden Death: Magical Realism, #5 Rating: 0 out of 5 stars0 ratingsMagical Realism: Gray Matter: Magical Realism, #6 Rating: 0 out of 5 stars0 ratingsMagical Realism: Fractured Crystal: Magical Realism, #7 Rating: 0 out of 5 stars0 ratings
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Magical Realism - M. Benjamin Naves
Short Stories
by
M. Benjamin Naves
Awakening The Godhand
July 25th, 1993 - Arkham , Massachusetts
Hello Fellow Fiend,
I would like to let you know that I have heard their voiceless words in my sleep. They have come to me, not in my nightmares or my dreams, but in a strange synthetic way that none shall rightfully understand but myself; or those who have felt the hand of the nameless, Old Ones, themselves. Of course, I will do my best to elaborate on the unintelligible truth of it all—speaking in proper Americano, as you might call it, and less in the vague ramblings of an utterly delirious mad man. As they say: to one person that might think me mad, another might only think of me as...enlightened.
Now, are you interested in more? Do you wish to hear the truth? If so, I dare ask you one question, new friend. Something in which if you are who you say you are, you will indeed know how to answer it ever so proudly, that is, have you seen the yellow sign?
Your friend,
Calvin Harpe
FEBRUARY 11TH, 1994 - Grimwood, New York
Seven Months Later...
Fellow fiend? This guy is a long way from Arkham, Mass. Do you think it might be him? Godhand?
Maybe,
Sergeant Carroway replied. I need your opinion on something first, though.
Sergeant James Carroway carefully hands over the crumpled piece of typed-paper back to Detective Benardo Bernie
Navarro. Benardo takes the page graciously, propping his already lit cigarette tightly between his teeth.
I’ve haven’t been inside yet,
Carroway continues. But it’s a possible suicide—or so it seems.
So the note is justified, then?
Carroway snickered.
Not always. But in the case of this guy, it is rightfully suspected so. The man was a professor of art history, supposedly—well-respected among his peers at Harvard, Yale, and Boston University. This is why this letter raised some suspicion when it was nailed to his office door at BU, earlier this week. The janitor had found it, and sent it to the Dean, who contacted us, as it fits the modus operandi of the killer known as Godhand. Now we're looking to speak to him, except it seems that Harpe has been dead long before that. A neighbor called the local PD this morning, after throwing out the trash and seeing Harpe faced down in what appeared to be a pool of blood.
Navarro listened and analyzed the mark at the top of the page; felt the ridges with his latex gloves, and noticed how the puncture mark of the hole was done by force—possibly by machine and not by a simple nail and hammer.
Nailgun?
Navarro asked.
Carroway nodded his head.
And you haven’t been inside yet, Sarge?
Not yet,
Carroway replied. I just got here a few minutes before you, after already being bombarded by forensics. I know a lot, but I need to see it for myself.
I see...go on.
Well,
Carroway continued. Back to what I was saying about Mr. Harpe, the funny thing about all this is he hasn’t worked for any of the said universities I mentioned before, for the past three years; he hasn’t even seen Boston University in nearly ten-years, at that. Harpe just one day left—decided to retire on a whim from Yale, which was his last known place of employment. He started working there in the fall.
No one questioned his behavior?
Navarro asked. Seems kinda strange that—
He was a widely acknowledged eccentric. Hence, from what I said before. The man was supposedly a
glory hound, looking for the next big work of art that he could flaunt in his spare time, while also being known to illustrate and paint some of the most heinous and blasphemous things imaginable. He did it either out of sheer shock value or sheer enjoyment. Who knows? Anyhow, that is how he made the majority of his living.
Navarro turned