New Hampshire, A Poem; with Notes and Grace Notes
By Robert Frost
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About this ebook
Robert Frost
Robert Frost (1874-1963) was an American poet. Born in San Francisco, Frost moved with his family to Lawrence, Massachusetts following the death of his father, a teacher and editor. There, he attended Lawrence High School and went on to study for a brief time at Dartmouth College before returning home to work as a teacher, factory worker, and newspaper delivery person. Certain of his calling as a poet, Frost sold his first poem in 1894, embarking on a career that would earn him acclaim and honor unlike any American poet before or since. Before his paternal grandfather’s death, he purchased a farm in Derry, New Hampshire for Robert and his wife Elinor. For the next decade, Frost worked on the farm while writing poetry in the mornings before returning to teaching once more. In 1912, having moved to England, Frost published A Boy’s Will, his first book of poems. Through the next several years, he wrote and published poetry while befriending such writers as Edward Thomas and Ezra Pound. In 1915, after publishing North of Boston (1914) in London, Frost returned to the United States to settle on another farm in Franconia, New Hampshire, where he continued writing and teaching and began lecturing. Over the next several decades, Frost published numerous collections of poems, including New Hampshire: A Poem with Notes and Grace Notes (1924) and Collected Poems (1931), winning a total of four Pulitzer Prizes and establishing his reputation as the foremost American poet of his generation.
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New Hampshire, A Poem; with Notes and Grace Notes - Robert Frost
Robert Frost
New Hampshire, A Poem; with Notes and Grace Notes
EAN 8596547065326
DigiCat, 2022
Contact: DigiCat@okpublishing.info
Table of Contents
THE STAR-SPLITTER
MAPLE
THE AXE-HELVE
THE GRINDSTONE
PAUL’S WIFE
WILD GRAPES
PLACE FOR A THIRD
TWO WITCHES
I. THE WITCH OF COÖS Circa 1922
II. THE PAUPER WITCH OF GRAFTON
AN EMPTY THREAT
A FOUNTAIN, A BOTTLE, A DONKEY’S EARS AND SOME BOOKS
I WILL SING YOU ONE-O
FRAGMENTARY BLUE
FIRE AND ICE
IN A DISUSED GRAVEYARD
DUST OF SNOW
TO E. T.
NOTHING GOLD CAN STAY
THE RUNAWAY
THE AIM WAS SONG
STOPPING BY WOODS ON SNOWY EVENING
FOR ONCE, THEN, SOMETHING
BLUE-BUTTERFLY DAY
THE ONSET
TO EARTHWARD
GOOD-BYE AND KEEP COLD
TWO LOOK AT TWO
NOT TO KEEP
A BROOK IN THE CITY
THE KITCHEN CHIMNEY
LOOKING FOR A SUNSET BIRD IN WINTER
A BOUNDLESS MOMENT
EVENING IN A SUGAR ORCHARD
GATHERING LEAVES
THE VALLEY’S SINGING DAY
MISGIVING
A HILLSIDE THAW
PLOWMEN
ON A TREE FALLEN ACROSS THE ROAD (To hear us talk)
OUR SINGING STRENGTH
THE LOCKLESS DOOR
THE NEED OF BEING VERSED IN COUNTRY THINGS
THE STAR-SPLITTER
Table of Contents
"You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion’s having caught me.
Has a man, I should like to ask, no rights
These forces are obliged to pay respect to?"
So Brad McLaughlin mingled reckless talk
Of heavenly stars with hugger-mugger farming,
Till having failed at hugger-mugger farming,
He burned his house down for the fire insurance
And spent the proceeds on a telescope
To satisfy a life-long curiosity
About our place among the infinities.
What do you want with one of those blame things?
I asked him well beforehand. Don’t you get one!
"Don’t call it blamed; there isn’t anything
More blameless in the sense of being less
A weapon in our human fight," he said.
I’ll have one if I sell my farm to buy it.
There where he moved the rocks to plow the ground
And plowed between the rocks he couldn’t move
Few farms changed hands; so rather than spend years
Trying to sell his farm and then not selling,
He burned his house down for the fire insurance
And bought the telescope with what it came to.
He had been heard to say by several:
"The best thing that we’re put here for’s to see;
The strongest thing that’s given us to see with’s
A telescope. Someone in every town
Seems to me owes it to the town to keep one.
In Littleton it may as well be me."
After such loose talk it was no surprise
When he did what he did and burned his house down.
Mean laughter went about the town that day
To let him know we weren’t the least imposed on,
And he could wait—we’d see to him to-morrow.
But the first thing next morning we reflected
If one by one we counted people out
For the least sin, it wouldn’t take us long
To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us,
We don’t cut off from coming to church suppers,
But what we miss we go to him and ask for.
He promptly gives it back, that is if still
Uneaten, unworn out, or undisposed of.
It wouldn’t do to be too hard on Brad
About his telescope. Beyond the age
Of being given one’s gift for Christmas,
He had to take the best way he knew how
To find himself in one. Well, all we said was
He took a strange thing to be roguish over.
Some sympathy was wasted on the house,
A good old-timer dating back along;
But a house isn’t sentient; the house
Didn’t feel anything. And if it did,
Why not regard it as a sacrifice,
And an old-fashioned sacrifice by fire,
Instead of a new-fashioned one at auction?
Out of a house and so out of a farm
At one stroke (of a match), Brad had to turn
To earn a living