Stories of Strangers
By Simon Stuart
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About this ebook
Simon Stuart's short stories have appeared in several literary magazines. He lives with his wife in Melbourne, where he teaches and plays the double bass for a living. Stories of Strangers is his second collection of stories.
Simon Stuart
Simon Stuart studied at the Canberra School of Music and Monash University, graduating with a Bachelor of Music in 1999. Since then, he has made a living teaching and playing the double bass. This is his first collection of stories.
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Stories of Strangers - Simon Stuart
STORIES OF STRANGERS
SIMON STUART
Ginninderra PressStories of Strangers
ISBN 978 1 76109 336 4
Copyright © text Simon Stuart 2022
Cover image: Jane-Marie Stuart
All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.
First published 2022 by
Ginninderra Press
PO Box 3461 Port Adelaide 5015
www.ginninderrapress.com.au
CONTENTS
True north
Belonging
Never going to change
The shipwreck
Worlds apart
A cute distraction
Whimpers and roars
The pit bull
Battery life
Fever
Exits
Worth the wait
Acknowledgements
Also by Simon Stuart and published by Ginninderra Press
TRUE NORTH
White noise hits fever pitch, the earth burns, you dive into the whirlpool, altitude fails, reason dissolves, it has a holocaustic effect on your compass. True north is lost.
‘Where are we going?’ you ask.
‘You know,’ Sam says and looks away.
You are sitting in a carriage on a train as it rattles over a bridge. You look out the window. The brick pylons that support the tracks stretch downwards, seemingly forever, into a gorge filled with water that encircles the vertical cliff face on the far side.
‘Man equals decay,’ booms a red-bearded man dressed in robes. He is standing at the front of the carriage facing and preaching at you all. ‘The tracks that this train rides upon are rusting and the railway sleepers are brittle. You are a rotting sleeper, tethered to a rusting rail that was laid long before you came to be and that will exist long after you have returned to dust. The world owes you nothing.’
‘Ignore him,’ says Sam, taking your hand and giving it a gentle squeeze.
The train travels on through a grey, flat, barren landscape of dry long grass broken only by the occasional skeletal tree.
In time, a line of buildings can be seen on the horizon. The view out the window turns to broken concrete, rusting cables, steel, machinery, two-foot-high weeds and long-abandoned construction sites. The line of buildings are derelict, graffiti-scarred shops and factories.
At the station, you are all herded off the train by men in blue jumpsuits. A sea of sunken cheeks, bald skulls with tufts of grey hair, crooked anorexic bodies shuffle past you with downcast eyes. The men in blue jumpsuits direct you all to a waiting room that is already crowded with people.
You take a seat and turn to Sam and ask, ‘What do we do now?’
‘We wait,’ Sam answers.
‘What is this place?’
Sam looks at you with concern. ‘You really don’t remember, do you? Think of it as an island, cut off from the civilised, the mainland, reality. It backs onto the sea, surrounded by a moat. It is a necessary place. That railway bridge we crossed is the only way in or out.’
‘Do we have to stay for long?’
‘I hope not,’ Sam says. ‘Try and think about something else.’
But you can’t, this place is all too familiar. There is a compound within you, a fortress where your strength is stored. Within it, there is a knowing that you have prevailed here before. But now, you are in danger again – you all are. A memory stirs. The people here are kind, but they hurt you.
‘We have to get out of here,’ you say.
‘We can’t, we have to wait,’ replies Sam.
‘I can’t do this any more,’ you say and hate yourself for it. ‘There must be another way.’
Sam hesitates. It is the first crack in the facade, almost undetectable, but it’s there and you can work away at it.
‘I don’t belong here. You have to help me.’
Sam slowly rises. ‘There is another way. Follow me.’
Overgrown bushes and weeds run along the side of one of the old derelict factories. Sam stops walking and starts rummaging through them. You watch.
In time, from over Sam’s shoulder, you see a hole at the base of the wall. Sam further parts the foliage, drops to all fours, then crawls through the opening. You follow. You are upright again in a vast cavernous deserted space of a onetime place of industry. Sam leads at a brisk pace to a door on the far wall and opens it. It reveals a staircase that only ascends. You step within the stairwell and