Rotary Cutting Revolution: New One-Step Cutting
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About this ebook
The Make It Simpler® Way of rotary cutting is a brand-new method for cutting your fabric pieces quickly-in just one step! Bestselling author and teacher Anita Grossman Solomon shows you how to cut squares into smaller pieces with precision but without waste. When you use her efficient shortcuts, you’ll get more bang for your fabric buck!
• Build your blocks the Make It Simpler® Way-stack, cut, and sew perfect blocks
• Revolutionary cutting technique saves time without wasting fabric
• Over 300 photographs guide you every step of the way
• Streamline eight traditional blocks including Pineapple, Old Italian, and Windmill
• Learn how to pre-sew the “Anita’s Arrowhead” block prior to cutting
• Unique sewing and construction tips
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Book preview
Rotary Cutting Revolution - Anita Grossman Solomon
imges DEDICATION
For HHS, the love of my life, the man of my dreams.
imgesimges ACKNOWLEDGMENTS
This book was lovingly encouraged by Horace H. Solomon and brought to fruition by this virtual village of friends, each one of whom is deserving of my sincere gratitude:
Liz Aneloski · Patricia Spergel Bauman · John Bellamy · Constance Benson · BJ Berti · Denise Bradley · Alexandra Lee Brovenick · Laura Yellen Catlan · Guy Clark · Emily Cohen · Judy Hoffman Corwin · Betty A. Davis · Ruth Brown and the Riverbank State Park Cultural Department · Margaret Marcy Emerson · Renée Kane Fields · Carol Goossens’ · Jan Grigsby · Dorothea Hahn · Georgette Hasiotis · John Heisch · Jeremy Hofstetter · Mary Ellen Hopkins · Susan Liimatta Horn · Laurel Horton · Roberta Horton · Sylvia Hughes · Cathy Izzo and Dale Riehl of The City Quilter in New York · Frances Jackson · Adam Jaffe · Claudia Jaffe · Miriam Janove · Susan Kaletsky · Susan Knaster · Anna Krassy · Suzanne F. W. Lemakis · Roger LeMoine · Mary Mashuta · Melanie Matte · Ethel McCall · Penny McMorris · Harrison Morgan · Olga Norville · Gael O’Donnell · Diane Pedersen · Marcella Peek · Sandy Peterson · Lois Podolny · Ellen A. Quinn · Nancy Rabatin · Sarah Rhinelander · Dawn Rhodes · Gailen Runge · Eric Runge · Jake Runge · Kennedy Runge · Didi Schiller · Michele Shatz · Julie Silber · Phyllis Spalla · Kathryn Squire · Robin Strauss · Darra Williamson · Sara Woodward · Leslie Zemsky
Janice E. Petre of Janice Petre‘s House of Quilting in Sinking Spring, Pennsylvania, is a treasure who has collaborated with me since my first book, as has Susan Stauber, whose generosity and wit I continue to benefit from.
The following companies and representatives were generous in providing their time and products:
Gail Kessler, Andover Fabrics, New York, New York
Jeanne C. Delpit, Bernina of America, Aurora, Illinois
The Electric Quilt Company, Bowling Green, Ohio
Tracy Whitlock, Fairfield Processing Corp., Danbury, Connecticut
The International Quilt Study Center, Lincoln, Nebraska
Robert Kaufman Fabrics, Los Angeles, California
Lisa Shepard Stewart, Marcus Fabrics, New York, New York
Anne Scott, editor, New Zealand Quilter, Wellington, New Zealand
LaRonda S. Caldwell and Gwen Edwards, Prym Consumer, Spartanburg, South Carolina
Timeless Treasures Fabrics, New York, New York
imgesThis collection of Make It Simpler Cutting Lines blocks introduces a quick, new, one-step way to cut your fabric pieces.
Starched, stacked, and uniformly trimmed squares are precisely cut into pieces in one step, without wasted fabric. No more cutting strips, then cutting strips into squares and rectangles, and cutting again into triangles.
imgesStacked, trimmed squares
imgesOne-step cutting
imgesTwo stacked and cut squares of fabric = two quilt blocks
THE BLOCKS
With these efficient construction shortcuts and no-waste methods, each block offers a lot of bang for the fabric buck. A Make It Simpler Block Cutting Chart (page 108) summarizes block measurements from start to finish.
No Patience Block
imgesThe Square Cut method produces four rectangles and a square from four rotary cuts. The construction method saves steps and preserves a directional fabric’s orientation.
CUTTING GUIDES
Trimming and cutting is done in one continuous operation, sometimes through cutting patterns, which resemble line drawings of quilt blocks but with seam allowances included. A photocopied pattern is centered on a stack of fabric squares. Rotary cuts made through the pattern lines produce pieces for blocks, without measuring. For example, the 64 trapezoids and triangles needed for 2 Pineapple blocks are cut to shape with only 14 rotary cuts!
GLUE
Either a fabric or repositionable gluestick is used to lightly secure cutting patterns to fabric. Gluing to the wrong side of the fabric is an option.
GUIDELINES
Square acrylic cutting rulers are used to true up finished blocks. Markings made with a permanent felt-tip pen on the unmarked side of the ruler can be wiped clean with rubbing alcohol or nail polish remover.
Xcentric Block
imgesTwo identical squares of stripe fabric are sewn and cut to create blocks ordinarily made by cutting and sewing triangles and matching stripes. Large or small, a pair of blocks takes only four seams.
imgesAnita’s Arrowhead Block
imgesIts ten subunits are sewn with only two contiguous seams and then cut with three simple strokes. Astonishingly, four of these subunits are asymmetrical pairs.
Old Italian Block
imgesThis block is made from nine unpieced subunits cut in four strokes, using rotary mat gridlines as guides. A feature of the cutting plan is the sublime background and foreground effect that appears with printed fabric.
SUPPLY LIST
A list of supplies can be found at the end of this book (page 109). I prefer to use rulers as cutting templates, so several sizes are listed but are optional. One 12½″ square ruler is sufficient for all cutting.
BLOCK CUTTING CHART
The Block Cutting Chart (page 108) consolidates cutting information. Keep a photocopy of it in your cutting area for reference.
Fabric Requirements
One square of fabric is needed per block; 100 quilt blocks use 100 squares of fabric. It’s easy to estimate yardage requirements by counting the number of fabric squares. Anita’s Arrowhead needs two 8″ squares of fabric for each block; and the Self-Mitered Log Cabin, a fabric lover’s playground, uses many strips instead of squares. Standard yardage and rotary ruler sizes were considered in determining block sizes.
No-Waste Windmill Block
imgesFour identical, non-square subunits are cut in two rotary strokes using a cutting pattern—no measuring. The block, made slightly oversize, is accurately squared because the cutting pattern doubles as a true-up guide. There are no corners or points to match when sewing the blocks together. An alternative paperless option for cutting is also presented.
Square-on-Point Block
imgesFollowing a cutting pattern, four triangles and an on-point square (none of which have lost their motif orientation) are cut from an oversize square. Optionally and miraculously, the block can be top foundation pieced onto a cutting pattern.
Pineapple Block
imgesNot only are the needed 64 trapezoids and triangles created with only 14 rotary cuts, but in addition, surprising quilt layouts are made possible by slicing the blocks in unexpected ways to create setting pieces.
Self-Mitered Log Cabin Block
imgesWithout pins or peeking, 1½″ strips of fabric meet to form precisely mitered intersections.
PREFACE
by Laurel Horton
Laurel Horton has been making quilts and researching quiltmaking traditions since 1975. Her award-winning book Mary Black’s Family Quilts: Memory and Meaning in Everyday Life examines the quilts of one South Carolina family through the generations, showing how women used quilts to reinforce family connections. Laurel continues to make quilts for friends, family, and her own enjoyment. She has taught string patchwork at the John C. Campbell Folk School in Brasstown, North Carolina, since 1990, introducing this technique to hundreds of students.
imgesimges