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Chorus on a Bridge
Chorus on a Bridge
Chorus on a Bridge
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Chorus on a Bridge

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Based on a heavy dose of symbolism and metaphor, the poems reflect the ups and downs and the everyday experiences of life in general that make life worth living. Overall, they laud courage and perseverance and point to the trials and tribulations of life that must be overcome as if one were crossing from one bank of a difficult bridge to the other. The bridge is not necessarily a physical structure, although perceiving it as such enables the reader to interpret what the bridge could look like. The more important element, in a metaphorical sense, is what the reader may associate with the variety of experiences. Struggling to survive may lead to success or apparent failure, which spurs us to further effort either to devise better strategies or improve a preferred course of action. Whatever the result, it seems death is mans ultimate fate and should be experienced with the same equanimity as other setbacks and challenges of life.
LanguageEnglish
Release dateMay 18, 2018
ISBN9781546292869
Chorus on a Bridge
Author

Felix Bongjoh

Felix Bongjoh, currently living in Boston, Massachusetts, is an International Human Capital Development Consultant, who previously worked for an international organization for some 30 years. In addition to the present twenty-fifth book, Saddle On Thunder, Bongjoh has previously published 24 books of poetry, as follows: (i) Chorus on a Bridge; (ii) Broken Gloss of Bliss; (iii) Nightfall at Dawn; (iv) When Dusk Hoots; (v) Weeds of Jewelry; (vi) Season of Flowers; (vii) The Ineluctable Spin; (viii) Gloom’s Sprout of Love; (ix) Spectrum of Zephyrs; (x) Whistles in the Wind; (xi) The Sun Still Glitters; (xii) Cliff of Sirens; (xiii) Quiet Shadows Scream; (xiv) Angle of Angels; (xv) Sculpted Out of Sky; (xvi) Feathers of Fur; (xvii) Through Sundry Waves; (xviii) Beyond Dying Ripples; (xix) Doors to Eris; (xx) Outskirts of Inner Bowl; (xxi) Ebbing Out, Bouncing Back; (xxii) Tailored To The Stars; (xxiii) A Storm Wave’s Reach; and (xxiv) Isles Of Light.

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    Chorus on a Bridge - Felix Bongjoh

    © 2018 felix Bongjoh. All rights reserved.

    No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

    Published by AuthorHouse 05/17/2018

    ISBN: 978-1-5462-9287-6 (sc)

    ISBN: 978-1-5462-9286-9 (e)

    Any people depicted in stock imagery provided by Getty Images are models,

    and such images are being used for illustrative purposes only.

    Certain stock imagery © Getty Images.

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    CONTENTS

    PROLOGUE

    Chorus on a bridge

    DIVERSE POEMS

    Shoes yawn in dim light

    Under the rubble

    A stain in the heart

    Blind eye of the sun

    Vortex

    The empty noose

    Indifference

    Cow hoofs

    The world weighs down on me

    Words like swords

    Destroy the blight, not hope

    Whosoever expresses himself

    Roll out yourself

    Sneak away at dawn

    An urchin’s tears

    Petals in my shadow

    Myths spewed like exhaust fumes

    Time chases us

    Walls without windows

    Nasty bugs

    Night folds itself over

    Bells in the sky

    The snore of strings

    The abandoned track

    The broken pact

    Testament

    Where has my hair gone?

    Showers flowing upwards

    Teasel

    Leave me in the dark

    Shepherd

    Pin-head arrow

    Wailing brooms

    The real

    Close in

    Blitz of the sun

    Bullet Man

    THE SEASONS

    The pendulum

    Cold palms of a winter night

    At the edge of a precipice

    Elasticity of time

    As the seasons change

    Warm hands of a summer night

    My miserable shadow

    Reflections

    Anthills of glory

    Endless path of time

    The innocent lamb

    Rolling bulk of disaster

    Glow of our faith

    CHANTS OF COMPASSION

    Final clouds

    Helmet of love

    Not gone in a ball of flames

    Stonewalls

    The sudden absence

    Seeds of guilt

    Soldiers of our faith

    NATURE ON THE HILLS

    Along the hill path

    Bobe Kumato

    The blood of scarecrows

    From milk teeth to dreams

    Wounded mountain

    YELLOW HANDS OF DOOM

    No capitulation

    Song of the bird in the belfry

    The bird in the church roof

    SONGS OF GRIEF

    A veil of pain

    Golden tears

    An amazing flower

    A sunny night

    Sun over a heavy cloud

    Boots in the rain

    Green rivers of grief

    Day never ends

    Longing

    Chorus of dawn

    This book is dedicated to the memory of my beloved departed daughter, Agnes Josiane Bongjoh.

    PREFACE

    MARSH

    (i)

    Marsh on a stretched-out bank

    has turned even softer,

    flood waters setting in,

    concocting the slime

    filtering in sticky specks.

    Invisible hands swallow

    every stepping body into unknown depths.

    I’m sunk so deep down the bog

    up to my neck

    only my head rises

    above the ground.

    Am I now a sullen stump

    against which a careless foot

    will always stumble and fall?

    No, no, no. I will pump up

    my spirits from within

    with my last breathe and nerve

    beneath my stunted head

    until I’m tossed out swathe-free

    from my dense prison

    into a hyped-up balloon of hope.

    I trudge on sludge in the mist,

    squeezed in by the thorny undergrowth

    of unfounded fears. Sinking again

    in the swamp, my spirits

    still rise to the leafy heights

    of giant craggy trees

    touching the sky. Dwarfed in a jungle

    of shadows undefined, the sun still shines

    Over centipedes creeping with me.

    The sun still shines over the slugs

    dragging themselves along,

    the sloth closing in.

    The woodcock behind the cruising crow

    uses not only its wings to fly

    but the imperative urge of distance

    which strikes the heart like a storm.

    Since my hopes are propelled

    by the storm that rages in me

    there’s nothing else to fear. Since the sloth

    and the slug will keep on

    pulling themselves along,

    they’ll reach Sedna even before I do.

    The slug too rages in me,

    for it will weather the storm,

    sticking sneakily to the marshy part

    of a quadcopter – and stare

    at me with the vigilance of a squid.

    (ii)

    Marsh like night pulls me down, drives me in

    With a bulldozer’s force;

    Night like marsh folds me up into a dot of standstill.

    I’ve got some winged inspiration

    From a B-52 with an eagle’s heart, nerves made

    Of a drumbeat, nights cascading into days

    When thunder warns from a lion’s glare.

    At the surge of a temper driven

    By a mere grasshopper’s skip on silky legs

    Everything flips over, their vulnerable tails

    Fleeing in front of their own heads.

    Without my stratofortress neuron buttressed

    By a wedge, the heavy size of a gargoyled might,

    Propped up by a wasp’s sting of conviction,

    I’ll never rise to a flash-cruising oracle, its invincible switch

    Turned on with a blink of the eye.

    To propel an X-15, a wheezing arrow, to tear through nights,

    Through the mysteries of God’s trick of distance:

    The muddy path I must take to jump-start an ambition

    As timid as a bat caught in a shower of light.

    From mud I emerge, a moon killed in cold blood

    By an accelerated daylight widening its eyes;

    From mud of age I emerge, my years lined up

    Behind me, a stretcher of bruises and fractures.

    From light I’ll dive into the brutal nights of fear and awe

    To unleash the force of flashlights shot into the depths

    Of marsh, neither dense earth nor transparent water,

    To an undiscovered mineshaft of gems:

    The wings that will propel me even further to crowned heights

    With an owl’s extravagant eyes of wisdom.

    Nights run into unpredictable days in gowns of murky clouds,

    As an awaited dusk colors a complacent temper with flowers,

    Which I dare not use to build a crown,

    When there is still more marsh in view, more wasps

    To sting an idea before it learns to crawl and waddle

    And fly to puncture the secrets of another night -

    Which no telescope can penetrate until

    I’m cleansed of marsh waters and sludge brimming

    With the slowness of heavily tased slugs in their own stickiness

    And learn to see everything with the eyes of a blind man.

    (iii)

    I am blind, I am blind from a bland diet of gadgets,

    From uncombed ideas which do not fold out

    Into a safe sturdy bridge of trusses and beams

    On which I must join the chanting crowd.

    The deck dangles below my trembling feet

    Reeling backwards from cobblestones of uncertainty:

    Where are the scouts I’ve tentacled out to forewarn

    Me of dangerous road scars dented into ditches?

    Led by a starved star with only enough light

    For colorful boastful canaries swimming in their swagger

    Of trumpeted pride, I’ll take a goggled look

    At the bridge’s tailless end to ensure no nimbus

    Hangs over lines of fate-bludgeoned people,

    No spark hides in the veins of its deceitful deck

    To betray the people’s trust with a nervous breakdown:

    Remember what happened to Scotland’s Stirling bridge;

    Remember what happened to MyaungMya in Myanmar:

    Those ill-fated stars that still grow devils’ horns

    Haunt us like an unconscious piece of slang spurting

    Out of our cave-open mouths. But slang alone,

    Like a lion’s loose paws and no fangs to deal a blow,

    Is what makes a bridge even more frail

    Across the flat arms of a marsh slithering through shrub,

    Dreaded by shy yellow birds mindful of their peace.

    The day’s sky cloak retreats with uncertainty;

    I feel the pace of fellow passengers on the bridge

    Trailing along, guided by a muscular star.

    Lifting me from a marsh where a bubbling anger flirts

    With the disciplined temper of a motionless lake,

    Haste with patience; and a thundered call to calm

    Is folded into tired crumpled handkerchiefs

    And sneezed out like accumulated mucus, all dumped

    Into a trash can of an unfailing night, when, down the road,

    Daylight reflected by a sheen, the tedious marsh

    Of plastic confused minds with broad ambiguous chests,

    Opens up its screen, a sudden sun in a drunken flamboyance

    After the thick protracted eclipse of a grimace.

    PROLOGUE

    CHORUS ON A BRIDGE

    The approach

    Shepherd! O shepherd of our elusive destinies!

    Take the uncanny track with its drooping

    Lanky weed. Rows of cadenced shields approach.

    Are they carrying sharpened tree heads,

    Pointed pegs

    Or hungry spears?

    We will advance even on our own traces of blood

    Against the floods that will never drown us.

    Guide of crude hills on your heels,

    Your flock, we will follow you through jagged rock

    Through the dark passage with its inquisitive silence

    Before the inrush from

    Collapsing dams

    Soaks your spirits

    And your courage is laid out to waste in a stretch

    On the tips of long iron blades grown by floundering grass.

    Headhunter with only mice in your heart,

    March me through the narrow opening -

    Through the starburst in the overwhelming floods.

    The fierce rays have penetrated

    The waters

    But not me.

    Shall we dive into the flames of an imagined pit

    Or march on with our spirits burning like flames?

    II

    The sun polishes the shrubs with a prolonged sheen

    A touch of vermilion flashing out from the foliage

    Emerald blended with jade green behind tan ears

    Cyan and white screaming out vile years

    In flowery display

    They spy us with their mahogany eyes

    Why are they so sunken in their funnel eyelids?

    Ah! Horse with a saddle, where do you come from?

    Where is your rider to guide us to the river bank?

    O Shepherd! O Shepherd on a horseback!

    We are out of a brief murk, showered by new lights of hope.

    Guide us through the echoes of the swan and the whooper.

    Their duet sweeter than the pitch

    Of the red-winged blackbird

    Plants a flag in the heart and waves a flame to rekindle love.

    They lull the soul into faith in you in your selvedge gown.

    You’re determined to ensure the edges of love are firmly knit.

    Then, suddenly, Clangor and Color,

    Why dwindle? Why yield to the myrtle

    Of wild leaves invading our beige shirts? Why bow

    To the smoky fragments

    Of a dreamy space of silhouettes?

    Here we stand

    On the bank of an endless stretch of water

    Where the bridge that links our souls begins a song of storm.

    The stormy passage

    I

    A bang drowns our ears in the void,

    Digs a dark grey crater into the sky,

    Hiding the sun in an egg yolk

    From which no chickens will rise.

    Only floating masses of smoke thrive.

    A neighboring cliff grabbed by the waist

    Is tossed up and down

    To dance

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