Chorus on a Bridge
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Felix Bongjoh
Felix Bongjoh, currently living in Boston, Massachusetts, is an International Human Capital Development Consultant, who previously worked for an international organization for some 30 years. In addition to the present twenty-fifth book, Saddle On Thunder, Bongjoh has previously published 24 books of poetry, as follows: (i) Chorus on a Bridge; (ii) Broken Gloss of Bliss; (iii) Nightfall at Dawn; (iv) When Dusk Hoots; (v) Weeds of Jewelry; (vi) Season of Flowers; (vii) The Ineluctable Spin; (viii) Gloom’s Sprout of Love; (ix) Spectrum of Zephyrs; (x) Whistles in the Wind; (xi) The Sun Still Glitters; (xii) Cliff of Sirens; (xiii) Quiet Shadows Scream; (xiv) Angle of Angels; (xv) Sculpted Out of Sky; (xvi) Feathers of Fur; (xvii) Through Sundry Waves; (xviii) Beyond Dying Ripples; (xix) Doors to Eris; (xx) Outskirts of Inner Bowl; (xxi) Ebbing Out, Bouncing Back; (xxii) Tailored To The Stars; (xxiii) A Storm Wave’s Reach; and (xxiv) Isles Of Light.
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Chorus on a Bridge - Felix Bongjoh
© 2018 felix Bongjoh. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 05/17/2018
ISBN: 978-1-5462-9287-6 (sc)
ISBN: 978-1-5462-9286-9 (e)
Any people depicted in stock imagery provided by Getty Images are models,
and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
CONTENTS
PROLOGUE
Chorus on a bridge
DIVERSE POEMS
Shoes yawn in dim light
Under the rubble
A stain in the heart
Blind eye of the sun
Vortex
The empty noose
Indifference
Cow hoofs
The world weighs down on me
Words like swords
Destroy the blight, not hope
Whosoever expresses himself
Roll out yourself
Sneak away at dawn
An urchin’s tears
Petals in my shadow
Myths spewed like exhaust fumes
Time chases us
Walls without windows
Nasty bugs
Night folds itself over
Bells in the sky
The snore of strings
The abandoned track
The broken pact
Testament
Where has my hair gone?
Showers flowing upwards
Teasel
Leave me in the dark
Shepherd
Pin-head arrow
Wailing brooms
The real
Close in
Blitz of the sun
Bullet Man
THE SEASONS
The pendulum
Cold palms of a winter night
At the edge of a precipice
Elasticity of time
As the seasons change
Warm hands of a summer night
My miserable shadow
Reflections
Anthills of glory
Endless path of time
The innocent lamb
Rolling bulk of disaster
Glow of our faith
CHANTS OF COMPASSION
Final clouds
Helmet of love
Not gone in a ball of flames
Stonewalls
The sudden absence
Seeds of guilt
Soldiers of our faith
NATURE ON THE HILLS
Along the hill path
Bobe Kumato
The blood of scarecrows
From milk teeth to dreams
Wounded mountain
YELLOW HANDS OF DOOM
No capitulation
Song of the bird in the belfry
The bird in the church roof
SONGS OF GRIEF
A veil of pain
Golden tears
An amazing flower
A sunny night
Sun over a heavy cloud
Boots in the rain
Green rivers of grief
Day never ends
Longing
Chorus of dawn
This book is dedicated to the memory of my beloved departed daughter, Agnes Josiane Bongjoh.
PREFACE
MARSH
(i)
Marsh on a stretched-out bank
has turned even softer,
flood waters setting in,
concocting the slime
filtering in sticky specks.
Invisible hands swallow
every stepping body into unknown depths.
I’m sunk so deep down the bog
up to my neck
only my head rises
above the ground.
Am I now a sullen stump
against which a careless foot
will always stumble and fall?
No, no, no. I will pump up
my spirits from within
with my last breathe and nerve
beneath my stunted head
until I’m tossed out swathe-free
from my dense prison
into a hyped-up balloon of hope.
I trudge on sludge in the mist,
squeezed in by the thorny undergrowth
of unfounded fears. Sinking again
in the swamp, my spirits
still rise to the leafy heights
of giant craggy trees
touching the sky. Dwarfed in a jungle
of shadows undefined, the sun still shines
Over centipedes creeping with me.
The sun still shines over the slugs
dragging themselves along,
the sloth closing in.
The woodcock behind the cruising crow
uses not only its wings to fly
but the imperative urge of distance
which strikes the heart like a storm.
Since my hopes are propelled
by the storm that rages in me
there’s nothing else to fear. Since the sloth
and the slug will keep on
pulling themselves along,
they’ll reach Sedna even before I do.
The slug too rages in me,
for it will weather the storm,
sticking sneakily to the marshy part
of a quadcopter – and stare
at me with the vigilance of a squid.
(ii)
Marsh like night pulls me down, drives me in
With a bulldozer’s force;
Night like marsh folds me up into a dot of standstill.
I’ve got some winged inspiration
From a B-52 with an eagle’s heart, nerves made
Of a drumbeat, nights cascading into days
When thunder warns from a lion’s glare.
At the surge of a temper driven
By a mere grasshopper’s skip on silky legs
Everything flips over, their vulnerable tails
Fleeing in front of their own heads.
Without my stratofortress neuron buttressed
By a wedge, the heavy size of a gargoyled might,
Propped up by a wasp’s sting of conviction,
I’ll never rise to a flash-cruising oracle, its invincible switch
Turned on with a blink of the eye.
To propel an X-15, a wheezing arrow, to tear through nights,
Through the mysteries of God’s trick of distance:
The muddy path I must take to jump-start an ambition
As timid as a bat caught in a shower of light.
From mud I emerge, a moon killed in cold blood
By an accelerated daylight widening its eyes;
From mud of age I emerge, my years lined up
Behind me, a stretcher of bruises and fractures.
From light I’ll dive into the brutal nights of fear and awe
To unleash the force of flashlights shot into the depths
Of marsh, neither dense earth nor transparent water,
To an undiscovered mineshaft of gems:
The wings that will propel me even further to crowned heights
With an owl’s extravagant eyes of wisdom.
Nights run into unpredictable days in gowns of murky clouds,
As an awaited dusk colors a complacent temper with flowers,
Which I dare not use to build a crown,
When there is still more marsh in view, more wasps
To sting an idea before it learns to crawl and waddle
And fly to puncture the secrets of another night -
Which no telescope can penetrate until
I’m cleansed of marsh waters and sludge brimming
With the slowness of heavily tased slugs in their own stickiness
And learn to see everything with the eyes of a blind man.
(iii)
I am blind, I am blind from a bland diet of gadgets,
From uncombed ideas which do not fold out
Into a safe sturdy bridge of trusses and beams
On which I must join the chanting crowd.
The deck dangles below my trembling feet
Reeling backwards from cobblestones of uncertainty:
Where are the scouts I’ve tentacled out to forewarn
Me of dangerous road scars dented into ditches?
Led by a starved star with only enough light
For colorful boastful canaries swimming in their swagger
Of trumpeted pride, I’ll take a goggled look
At the bridge’s tailless end to ensure no nimbus
Hangs over lines of fate-bludgeoned people,
No spark hides in the veins of its deceitful deck
To betray the people’s trust with a nervous breakdown:
Remember what happened to Scotland’s Stirling bridge;
Remember what happened to MyaungMya in Myanmar:
Those ill-fated stars that still grow devils’ horns
Haunt us like an unconscious piece of slang spurting
Out of our cave-open mouths. But slang alone,
Like a lion’s loose paws and no fangs to deal a blow,
Is what makes a bridge even more frail
Across the flat arms of a marsh slithering through shrub,
Dreaded by shy yellow birds mindful of their peace.
The day’s sky cloak retreats with uncertainty;
I feel the pace of fellow passengers on the bridge
Trailing along, guided by a muscular star.
Lifting me from a marsh where a bubbling anger flirts
With the disciplined temper of a motionless lake,
Haste with patience; and a thundered call to calm
Is folded into tired crumpled handkerchiefs
And sneezed out like accumulated mucus, all dumped
Into a trash can of an unfailing night, when, down the road,
Daylight reflected by a sheen, the tedious marsh
Of plastic confused minds with broad ambiguous chests,
Opens up its screen, a sudden sun in a drunken flamboyance
After the thick protracted eclipse of a grimace.
PROLOGUE
CHORUS ON A BRIDGE
The approach
Shepherd! O shepherd of our elusive destinies!
Take the uncanny track with its drooping
Lanky weed. Rows of cadenced shields approach.
Are they carrying sharpened tree heads,
Pointed pegs
Or hungry spears?
We will advance even on our own traces of blood
Against the floods that will never drown us.
Guide of crude hills on your heels,
Your flock, we will follow you through jagged rock
Through the dark passage with its inquisitive silence
Before the inrush from
Collapsing dams
Soaks your spirits
And your courage is laid out to waste in a stretch
On the tips of long iron blades grown by floundering grass.
Headhunter with only mice in your heart,
March me through the narrow opening -
Through the starburst in the overwhelming floods.
The fierce rays have penetrated
The waters
But not me.
Shall we dive into the flames of an imagined pit
Or march on with our spirits burning like flames?
II
The sun polishes the shrubs with a prolonged sheen
A touch of vermilion flashing out from the foliage
Emerald blended with jade green behind tan ears
Cyan and white screaming out vile years
In flowery display
They spy us with their mahogany eyes
Why are they so sunken in their funnel eyelids?
Ah! Horse with a saddle, where do you come from?
Where is your rider to guide us to the river bank?
O Shepherd! O Shepherd on a horseback!
We are out of a brief murk, showered by new lights of hope.
Guide us through the echoes of the swan and the whooper.
Their duet sweeter than the pitch
Of the red-winged blackbird
Plants a flag in the heart and waves a flame to rekindle love.
They lull the soul into faith in you in your selvedge gown.
You’re determined to ensure the edges of love are firmly knit.
Then, suddenly, Clangor and Color,
Why dwindle? Why yield to the myrtle
Of wild leaves invading our beige shirts? Why bow
To the smoky fragments
Of a dreamy space of silhouettes?
Here we stand
On the bank of an endless stretch of water
Where the bridge that links our souls begins a song of storm.
The stormy passage
I
A bang drowns our ears in the void,
Digs a dark grey crater into the sky,
Hiding the sun in an egg yolk
From which no chickens will rise.
Only floating masses of smoke thrive.
A neighboring cliff grabbed by the waist
Is tossed up and down
To dance