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The Akshaya Patra Series Manasa Bhajare: Worship in the Mind Part One
The Akshaya Patra Series Manasa Bhajare: Worship in the Mind Part One
The Akshaya Patra Series Manasa Bhajare: Worship in the Mind Part One
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The Akshaya Patra Series Manasa Bhajare: Worship in the Mind Part One

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The Akshaya Patra series is written as a book to augment books of philosophical inquiry; and to assist true inquiry in such a way, so as to inspire the Mysteries that unfold on the path of initiation. Let us begin by breaking bread together, by this first step, that we may destroy the tome of ignorance with that first principle in prayer saying; A house that is loved is always satisfied.
This house is the Temple of Self; inspired by life and the touch of nature, the Akshaya Patra throughout is filled with inner depth and determination. These first works of the Akshaya Patra, were inspired by, and dedicated to, Bhagavan Sri Sathya Sai Baba, whose influence was, and still is, too vast for words; and whose love has satisfied the genius in this Tomb and Tome of Time.
This first book of Volume ONE, here printed in color as Volume ONE Book ONE Part ONE begins, with the features of introductory, for taking the earliest footsteps, on the path of sacred life; dedicated to Self-Transformation.
As a Tree of Knowledge is planted, its roots fan out thru many traditions, and its branches stretch to provide shelter and protection over all. Its leaves call for all to come and take their share of comfort beneath the shadows in its shade; delighted and lighted by the sun by day, and with night fascinated to discover the ringlets of the moon and stars that gave first light in the residence of space. We are THAT Time, we are that Space; we are that Consciousness. Tat Twam Asi the pursuant in pursuant search, in the sea, of supreme reality.
Self- Mastery is a personal journey and there is only one friend; and that is the sacred messenger, who comes to life as the resident within.
There are many years involved in coming to this writing of the Akshaya Patra Series. The examinations here have taken us to this first place in the writing; that is nothing more than the satisfaction of ethical journey, working forward from the true beginning. There are many more volumes and books to follow for us, in order to reach our destination in this vast work of self-transformation.
Are we ready? Are we deserving? We have been fooled by fools maybe, and we are, or are we, the fools to dream that we are more than this fool we have come to be. We come to this knowing that we have not come to terms with our true identity. Maybe we have fed ourselves unwisely, and only broken bread that is dry, tasteless, and come unsatisfied, from drink before a shallow empty well.
The Akshaya Patra Volume ONE Book ONE; entitled Manasa Bhajare: Worship in the Mind; means to satisfy. The Mind will be the first portal passed; before transitioning thru its own death and resurrection.
It is here in this first book of Volume ONE that we are first entertained; breaking down our traditions that take shape into something immaterial but tangible.
In all, Volume ONE alone will consist of nine books. More to be published. This is Book ONE. This color edition is Part ONE of three Parts.
Seven Volumes are written and every day these are maturing waiting for release. Currently there are hiding behind this Volume ONE Book ONE about 17 books written It is to unfold the culmination of a lifetime of work. Each Volume evolves thru seven stages of Initiation; as if passing thru seven days labor on the path towards liberation. In this it is like the Bhagavata.
Our purpose, objective and ends may be summed up in the advice given in these words of Sai Baba:
(True knowledge) instructs you to reform yourself first. After transforming yourself, try to reform others. That is the advice offered by Vidya (True Knowledge). The delusive attachment to the objective world can be uprooted by means of selfless service rendered as worship to the Lord. Genuine devotion is characterized by LOVE FOR ALL, at all times, everywhere. - Sai Baba
LanguageEnglish
PublisherXlibris US
Release dateNov 20, 2015
ISBN9781514419304
The Akshaya Patra Series Manasa Bhajare: Worship in the Mind Part One
Author

Signet Il Y’ Viavia: Daniel

The writer (for the term "author" is not the correct one since a term like "hearer" is probably more correct) was born in North Dakota and grew up in Washington. He worked for the Rosicrucian Order, AMORC in the 1970s and was in charge of international printing and publishing and later shipping and receiving, where he served in the supreme grand lodge and took initiation as well as served on their initiation teams. He was, at the time, hugely influenced by Frater Erwin Watermeyer and also had a very deep personal friendship with people like Lamar Kilgore. From 1987 to the present, he has worked in the medical imaging field as an MRI engineer in service and support for medical manufacturing. He was introduced to Rosicrucianism, Martinism, and Kabbalah initially through the Rosicrucian Order, AMORC in the 1970s as well as to alchemy. It was then that he also studied hypnosis through people like Lavona Stillman, Arnold Furst, and Ormond McGill. He studied practical alchemy after first being introduced to it through AMORC and from Frater Albertus (Albert Reidel) in Salt Lake City at his Paracelsus College and then worked at it as an amateur alchemist in his own labs. He was hugely influenced by the writing of the Theosophical Society as well as the Philosophical Research Society, Freemasonry, and other esoteric groups. He was a distant home study member of the group calling itself the Philosophers of Nature when it first formed until it faded; it was founded by Jean Dubuis and run by Russ and Sue House. Then, in 1988, he became devoted to Sri Sathya Sai Baba. He has been a student of private study and meditation practices and a collector of rare books and periodicals on many subjects and research for over forty-five years. These studies include academic studies as well as brief periods involved with BOTA, the Golden Dawn, Theosophy, SRF, Eastern and Western philosophical systems, and Kabbalah. He has written for private correspondence as well as poetic works, but for many years, he has also written as a technical writer in the fields of NMR and MRI, even underwater sonar and sound properties in the 1980s. Disenchantment or disillusionment came with established curriculums, and it has had its own epiphany. He began writing for a popular philosophical publication after experiencing many inner visits and demands inspired by meditations touched by Bhagavan Sri Sathya Sai Baba and one's own inner hearing, which has provided its own demand to get to work. This was stepped up dramatically after Sai Baba's death and an inner visit from Sai Baba just prior to his death. Accepting no excuses for the lazy, disinterested nature of modern culture nor the fixed ideologies of subjects overlabored through the distribution of more and more books on many subjects (usually rewritten and hardly understood), he has taken on his own open philosophical challenge for the review of the many experts who provide well-read commentary rather than practical inner experience in the hopes of redefining one’s practical philosophy through initiatic use of dramatic philosophical language and, particularly, the spiritual dynamics hidden in the depths available to the readers of the English language.

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    The Akshaya Patra Series Manasa Bhajare - Signet Il Y’ Viavia: Daniel

    Copyright © 2016 by Signet IL Y’ Viavia: DANIEL. 721077

    Library of Congress Control Number: 2015917476

    ISBN:   Softcover             978-1-5144-1931-1

                  Hardcover            978-1-5144-1932-8

                  EBook                  978-1-5144-1930-4

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    Scripture quotations marked KJV are from the Holy Bible, King James Version (authorized version). First published in 1611. Quoted from the KJV Classic Reference Bible © 1983 by the Zondervan Corporation.

    Rev. date: 03/16/2016

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    Contents

    Introduction for All Who Enter Here

    INTRODUCTION Our Current Mess

    Prologue

    Discourse One The Awakening Axiom – On the Tree of the One Thing

    Discourse Two Mysteries of the WORD (Logos, Mathra, Mantra, or Shruti) as Named Part One

    Discourse Two (Cont’d.) Mysteries of the WORD (Logos, Mathra, Mantra, or Śruti) as Named Part Two

    Discourse Two (Cont’d)" Mysteries of the WORD (Logos, Mathra, Mantra, or Shruti) as Named Part Three (Conclusion)

    Page%201.tifImage26201.tifPage%202.tif

    The Mysteries are "uncommon. They suffer from a language that is common" to explain the Mysterious Word as Logos Law in the Mystery of Hebrew Kabala, ancient Sanskrit or any other lingual symbolic esoteric form. The standardization of language may have only added more layers to this confusion.

    Mystery Names have hidden meaning. They are symbols as well as signs. The WORD, Logos Law, is ONE. What is ONE is Adwaita. Righteousness as Dharma refers to the Kingly or Royal Fourfold Expansion (Dh) of the God of the Royal Name or the Emperor RA-MA; the gender duality of the Cosmos.

    In this sense it is similar to the fourfold Brahma/YHVH Tetragrammaton; the elemental divisions of the ONE, or the Adwaita. But its royal divisions are in Wisdom (Chokmah) or the second sephirah. This is the method of symbolic language using number or sacred geometry.

    AB-Rakav-Deborah: The Charioteer (Rakav). The Father’s Chariot (Merkabah or also the father’s Charioteer) of the Bee or Hive (Vishnu-Da-Ba-Rah the fourfold expansion of the self and soul of the sun in creation) or (A-B alpha- Bet) that becomes the shape the Letters on the Chariot Palm Tree of Deborah—the Great Female or feminine Prophet and Judge. The Tree of Life and its Mystery AB-RA Bara of the Father’s Creation, Kav (to penetrate through a window), as seen piercing through a Window, on the Palm Tree of Life, by the word expressed, judging the simple symbolic name of Abracadabra.

    So it begins as the magic and the mystery, with just a silly word and the idea of piercing thru its meaning, and this is just the beginning.

    This book begins the introduction, Volume ONE Book One, Part One: Manasa Bhajare Worship in the Mind, as an introduction to the entire series called The Akshaya Patra. It may appear as too simple or too difficult a read, where even the simple is easily misunderstood without the depth of meditation and experience.

    It may be an imperfect read. For this I apologize. I rewrite and redevelop the many volumes and books associated with the Akshaya Patra series constantly. But it is definitely written simply, for those with a broad interest and history in esoteric Mysteries.

    There are many original and very subtle concepts to deal with using common terms in the writing in esoteric philosophical subjects. We are just introducing a subject here that recognizes the Word Mystery of the past, as representative of symbols for a Master Principle. At the same time we are trying to prepare one for a vast future, for developing ones private esoteric or philosophical study or increase their expansion thru meditations. It is not to copy what is past. Books can be the greatest hindrance and often they lead one a long way down a foolish path. To the Sage, libraries are for fools. Maybe, but they have dumped their wagon loads of books to seek another resource within themselves. It may have to come to this at some point for almost everyone seeking greater Truth.

    An unknown principle behind this is that Truth is a Divine Power, a "Knowing," and it comes to us from the future and is recorded in the past as memory. This is Kabala falling from the Tree of Life. It is the method of discovery realized by the prophets where the Beginning and End are ONE—the same. This is a concept unknown to the West and hardly known to the East. It approaches the ascent upon the Tree of Life that exists in a future state; descending from the original cause. The Tree of Life is the Essence of the Cosmos. Its principle is realized and demonstrated by the discoveries in the physics of sound and melody. Time does not enter from the past, but from the future.

    Time is Tetragrammaton. Tetragrammaton is Time. The cause originates in the future. The target exists in a state of perfection, from its first instant, which is unfolding. We call this future state, The Beginning. It is an eternal beginning, an eternal instant. It exists beyond the form of even the Tetragrammaton, which itself is the first clear form of it. It is expressed clearly by St. John. That God is the WORD, and that, that WORD and God are ONE, thus:

    Latin: In principio erat Verbum, et Verbum erat apud Deum, et Deus erat Verbum…

    English KJV: In the beginning was the Word, and the Word was with God, and the Word was God…

    Greek: En arche en ho Logos kai ho Logos en pros ton Theon kai Theos en ho Logos

    In the words of Elijah, 1 Kings 19: Verse 12 it says, "and after the earthquake a fire; but the LORD was not in the fire: and after the fire a still small voice" This indicates clearly that the Logos principle called The Word is not the same as the properties of the four elements (inner or outer), and that this is very similar to the writing of Poimandres the Mind in Hermetic literature…

    Elijah passes thru the portals of Earth, Air and Fire on his ascent upon the "mountain" before coming face to face with the Still Small Voice. As well, the meditation practice is the entering of the cave of the head, and the covering of this, as used here, may be the same as the esoteric practice described, as Plato’s Cave. This is the experience discovered coming face to face with the incredible power of Kundalini as it rises to the Crown of the Head called the Mount of God. It is the Me-Ru or abode of Shiva-Yah.

    The first question asked by the Kundalini when it is "faced in the head is, What are you doing here?" You’d better have a good answer and you’d better be prepared. The full context of Elijah’s experience is:

    1 Kings 19:9-13 King James Version (KJV)

    9 And he came thither unto a cave, and lodged there; and, behold, the word of the Lord came to him, and he said unto him, What doest thou here, Elijah?

    10 And he said, I have been very jealous for the Lord God of hosts: for the children of Israel have forsaken thy covenant, thrown down thine altars, and slain thy prophets with the sword; and I, even I only, am left; and they seek my life, to take it away.

    11 And he said, Go forth, and stand upon the mount before the Lord. And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake:

    12 And after the earthquake a fire; but the Lord was not in the fire: and after the fire a still small voice.

    13 And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah?

    This is an inner experience.

    The Akshaya Patra is a subject destined for difficulties since in writes within many layers of contextual meanings. Often the words in it are rare and also written to evoke a musical method for generating timed elements of sound in order to emphasize meanings to the subconscious mind. Their original was simple discourse, but for even these introductory pages the meaning is easily lost on those unprepared to study them. These are not common practices.

    For clarity, it is not always helpful even to emphasize this. These often originated within the spirit of the subconscious communications; taking place in the first place, in a voice heard in deep meditations and the concept then unfolded from there. Therefore the words will have a universal message, meaning and context and rhythm that is drawn from its original rhythmic form. One that is not a rigid poetic form but one that is nevertheless poetic, methodic and melodic. Sometimes when breaking away from this, in a different frame of mind, it will emphasize meaning, but destroy the beauty of the original message.

    In many instances the writing is hieroglyphic content using the letters of the English language. A simple example would be a word like aleph being written as ALePh or AL-P. This is to emphasize the Kabalistic meaning of letters. Entire discourses can be written on the breakdown of a single word. The shapes have also geometrical meaning not unlike the Hebrew, Latin or Greek. The same is true for syllables, such as A-Ka-Sha for emphasizing the powers latent or hidden in the akasha. There is a reason and a purpose behind this and usually it is emphasized in the written text in unusual ways which are easy to distort when editing.

    Synonymous principles exist. Akasha is the same as the Sound Brahman. Even though not identical they are One. This same thing exist in the body and is emphasized by the bija or seed syllable "Ham" in the region of the throat. The reasons are always the same. They are One regardless of one’s perceptions. If you seek an academic crutch, you may fail. There is no equivalence easy to identify without understanding or more correctly discovering the purpose and meaning through meditation. Your degrees of study may be more of a distraction than a help. Do the best you can, and we will make this as simple as possible. There are many books on esoteric subjects that may help or may present themselves as blinds. Many may be a waste of time, but they separate the fruit from the chaff or vine.

    Much of the writing will make more sense as the nine or more books are published for Volume ONE, which in truth is the full introduction. There are six more volumes written but not ready for publication. I am not sure they ever will be. Time takes its natural course. There are currently nine books in Volume ONE alone. These books will include the manipulations of letter sounds by writing in symbols. In practice, at this point. Making these public is not an easy task. I am just the messenger.

    When writing in languages that are agglutinative it is simpler to follow patterns of word forms, in order to write out laws and principles for which there are no good words to use as their substitute in English. Certain words were used in combination at the time of the writing of this, as it was given as part of the inner message. When developing explanations for certain laws and principles, this was the context in which it was meaningful, fluid and simple enough to understand, or try to integrate as a point with meaning. As such, the points presented may not be written for everybody, but nevertheless will have universal appeal; having a universal origin.

    We ask the question whenever writing, How do we convey a message that is clear for what it is that we want to say? This is not always academic (scholastic) and no editor can get into the writer’s head. Perfect style may not communicate anything of value with invocative or evocative appeal.

    In English we are forced to hyphenate, italicize, capitalize or do something to emphasize the fact that these are universal laws and principles and are not common terms. Living realities have no written equivalence. The message is not the thing itself. If taken in the context of the simple terms, they may mean nothing or have little value at first appearance to a thinking mind. They certainly will not find value without meditation which requires the symbolic form to take a shape, have meaning, in order to unfold it into meaning, life, color and sound.

    Page%206.tif

    This is true also when trying to expose a numerical value that presents a point of emphasis or placement in the body, mind or spirit in order to initiate motion within a person’s psyche. We emphasize as well for the practitioner who manipulates the yogic powers resident within the self-caused Kundalini Shakti. This energy will take no prisoners, as they say. Its method is to open the mouth of the Lion of the Sun. It may only be controlled thru the powers hidden within its sacred language. Without that knowledge, you may turn the brain and nervous system into something as useless as milk toast. Within its creative powers there is a new birth and initiation into the realization that there are secrets resident in the Self of Man; that have been hidden there since the dawn of creation.

    This Kundalini Shakti is extremely dangerous for the unprepared. You would never put a child into a room, in order to experiment to see its reaction when it comes into contact with high voltage and high current leads that have been left exposed. It requires the skill of a competent apprentice or master craftsman to have confidence in the outcome. This same power lies within the House of Man called Beth. Beth when filled with the fires of the sun (Resh) becomes Bereshith (In the Beginning).

    This is the universal creative intelligence in the form of the form-making superconsciousness. This is the language of the Serpent-Power or the universal creative cause associated with Tetragrammaton. Moses called it the "Burning Bush". This you can believe, because its fires can be as hot as hell or as cold as any deep freeze in space. Therefore, we try to enter into this with others responsibly.

    This is written in such a simple way, not meaning to generalize, but to avoid having only one emphasis to one particular audience. There are provided key factors in the message that provide meaning on so many levels to so many audiences in order to share its benefits. But pray as well. To simply read and be cautious. Go slow and meditate often. If you wish for more you will always find more.

    The writing of the Akshaya Patra Series has its emphasis in what would be considered a language that is hieroglyphic or mantric, using English terminology and even English letters with their shapes and forms having also letter meanings. For symbols to have value they must have life. If you destroy the life of a symbol it requires great skill to revive it again. So work to keep your symbols alive.

    Traditions are just that—traditions. A tradition may also be a formal process, a mistake, a blind or even a fool’s path. Many are written with blinds in mind. Many grew out of guesses. Good traditions are the Saviors of humanity.

    The ancient languages, where the spirit of the methods used here were more common, are seen in the Hebrew, Greek or Sanskrit as examples. They were not the only languages. These ancient languages originated in a hieroglyphic method conceived as archetypes of genius, often in their full form or epiphany. These were the first concepts of Universal Man in which the Word of God as genius was first conceived in the form of knowing, gnosis or direct Self-Realization. Knowing this, there is yet much here that is original; originated through self-discovery.

    I say this only as an example. The methods integrate Kabalistic principles with magical emphasis to letter meanings. It breaks from traditions and is not swayed by their demands. It is hard to emphasize this, since there is no equivalence. Most of the books or writings on bookshelves in English are simply regurgitating approximations of historical works that go to print with repeated generalization or inconsistencies that simply end up as scholastic nonsense. Often these accompany works that are absolutely ridiculous in which to cover up truth and meaning with things that are meaningless.

    It is to learn to breathe or swim within original principles and powers as vital and intelligent energies of consciousness that we tend to emphasize, or attempt to emphasize, the particulars in the writing of the Akshaya Patra. It is not to say that we do not hide things, we do, or that it is perfect, it isn’t.

    Someday we may be able to establish an editorial review standard for this work for the Akshaya Patra series. This Volume ONE Book One is simply an introduction to the works that follow with a neophyte context. For these shortcomings identified, please, to the Editors, the Readers and the Reviewers, I sincerely apologize.

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    Introduction for All Who Enter Here

    We have followed this material with fascination for a number of years and the endless changes and transformations that have taken place in the writing of it. We have witnessed many tracts of the early writings for all seven volumes that passed before us, trying to keep pace, but have enjoyed the opportunity to have been a part of this. It has been a soul journey.

    When asked to write a few comments on the Akshaya Patra … that was another story . . . The first thoughts that came when we were asked to write something was this:

    We’d be happy to do anything for you that we could. But this task is above our pay grade. Neither of us feel that we understand the material in any depth. And even if we did, neither of us have the literary ability to write a good review as you and these books deserve.

    We are full of admiration for your ambition and drive, and we support you completely as your friends. We have bated breath to see how it is received, and best wishes in every way. You certainly deserve an award for these major achievements.

    It saddens us to have to refuse you anything. But we are just not the right folks for this. We send our love and hope you know you can always depend on that.

    But after reection, here are a few words and thoughts that might be encouraging for others who may feel the same

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